Selection of Frank Sinatra

~ Release by Frank Sinatra (see all versions of this release, 1 available)

Tracklist

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1▼CD: Swing
#TitleRatingLength
1Anything Goes
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
cover recording of:
Anything Goes (on 1956-01-16)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
42:46
2Cheek to Cheek
producer:
Dave Cavanaugh
double bass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Irv Cottler
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt and Irving “Babe” Russin
trombone:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-22)
orchestra:
The Billy May Orchestra (on 1958-12-22)
conductor:
Billy May (on 1958-12-22)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-22)
cover recording of:
Cheek to Cheek (from “Top Hat”) (on 1958-12-22)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
3:06
3The Lady Is a Tramp
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
3:13
4I've Got You Under My Skin
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (pianist) (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jimmy Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (on 1956-01-12)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
43:44
5You Make Me Feel So Young
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-09) and Wilbur Schwartz (on 1956-01-09)
baritone saxophone:
Mort Friedman (on 1956-01-09)
bass:
Joe Comfort (on 1956-01-09)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-09)
cello:
Cy Bernard (on 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-09) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-09)
drums (drum set):
Frank Flynn (on 1956-01-09) and Alvin Stoller (on 1956-01-09)
guitar:
George van Eps (on 1956-01-09)
harp:
Kathryn Julye (on 1956-01-09)
piano:
Bill Miller (pianist) (on 1956-01-09)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-01-09) and Irving “Babe” Russin (on 1956-01-09)
trombone:
Milt Bernhart (on 1956-01-09), Francis Howard (trombone) (on 1956-01-09) and Juan Tizol (on 1956-01-09)
trumpet:
Harry “Sweets” Edison (on 1956-01-09), Conrad Gozzo (on 1956-01-09), Manny Klein (on 1956-01-09) and Mickey Mangano (on 1956-01-09)
viola:
Alvin Dinkin (on 1956-01-09), Maxine Johnson (on 1956-01-09) and Milton Thomas (violist) (on 1956-01-09)
violin:
Victor Bay (on 1956-01-09), Alex Beller (on 1956-01-09), Harry Bluestone (on 1956-01-09), Harold Dicterow (on 1956-01-09), David Frisina (on 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-09), Mischa Russell (violinist) (on 1956-01-09), Paul Shure (on 1956-01-09), Felix Slatkin (on 1956-01-09) and Marshall Sosson (on 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-09)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-09)
conductor:
Nelson Riddle (on 1956-01-09)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-09)
recording of:
You Make Me Feel So Young (on 1956-01-09)
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
E bi eit barn med deg
42:56
6Learnin' the Blues
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-03-23)
reeds:
Plas Johnson (on 1955-03-23)
trumpet:
Harry “Sweets” Edison (on 1955-03-23)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-23)
orchestra:
The Nelson Riddle Orchestra (on 1955-03-23)
conductor:
Nelson Riddle (on 1955-03-23)
arranger:
Nelson Riddle
recording of:
Learnin’ the Blues (on 1955-03-23)
lyricist and composer:
Dolores Vicki Silvers
publisher:
Barton Music Corp.
3:02
7How Could You Do a Thing Like That to Me
producer:
Voyle Gilmore
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer)
marimba:
Max Albright
piano:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) and Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Skeets Herfurt, Plas Johnson, Irving “Babe” Russin and Wilbur Schwartz
trombone:
Walter Benson, Ed Kusby, Dick Noel (trombone) and Pullman “Tommy” Pederson
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Manny Klein and Vito N. Mangano
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-07)
orchestra:
The Nelson Riddle Orchestra (on 1955-03-07)
conductor:
Nelson Riddle (on 1955-03-07)
arranger:
Nelson Riddle and Billy May (on 1955-03-07)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1953-04)
recording of:
How Could You Do a Thing Like That to Me (a.k.a. Sultry Serenade) (on 1955-03-07)
writer:
Allan Roberts (songwriter) and Tyree Glenn
2:44
8All of Me
recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
2:09
9Get Happy
recording of:
Get Happy
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
2:26
10Taking a Chance on Love
recording of:
Taking a Chance on Love
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
2:14
11Jeepers Creepers
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Abe Most
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Eddie Miller (US jazz saxophonist)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Bob Bain (guitarist)
tenor saxophone:
Irving “Babe” Russin
trombone:
Pullman “Tommy” Pederson and Ray Sims
trumpet:
Harry “Sweets” Edison (on 1954-04-19)
vibraphone:
Frank Flynn
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-19)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-19)
conductor:
Nelson Riddle (on 1954-04-19)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-04-19)
cover recording of:
Jeepers Creepers (on 1954-04-19)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2)
2:24
12The Tender Trap
recording of:
(Love Is) The Tender Trap
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and Maraville Music Corp.
part of:
The 28th Academy Award for Best Original Song (number: 2)
2:58
13Should I
recording of:
Should I
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music Corp.
1:32
14Something's Gotta Give
recording of:
Something’s Gotta Give (from “Daddy Long Legs”)
lyricist and composer:
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
part of:
The 28th Academy Award for Best Original Song (number: 2)
2:39
15Just in Time
recording of:
Just in Time (Bells Are Ringing)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
2:24
16Brazil
recording of:
Brazil (English translation)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Ary Barroso
translator:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
translated version of:
Aquarela do Brasil
part of:
Brazil
2:54
17On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
2:43
18Lover
recording of:
Lover
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
1:54
2▼CD: Romantic
#TitleRatingLength
1Night & Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
4:04
2Blues in the Night
recording of:
Blues in the Night (My Mama Done Tol’ Me)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2)
4:50
3Three Coins in the Fountain
recording of:
Three Coins in the Fountain
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. and WB Music Corp. (1929–2019)
part of:
The 27th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1954 winner)
3:07
4From Here to Eternity
recording of:
From Here to Eternity
writer:
Freddie Karger and Robert Wells (songwriter)
publisher:
Barton Music Corp.
3:01
5I Love You
recording of:
I Love You
lyricist:
Harlan Thompson
writer and composer:
Harry Archer and Harlan Thompson
publisher:
Chappell & Co., Inc. (USA) and SBK Feist Catalog, Inc.
2:30
6My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
2:34
7April in Paris
recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
2:52
8Autumn Leaves
baritone saxophone:
Matty Matlock
cello:
Cy Bernard and Armand Kaproff
clarinet:
Wayne Songer (clarinetist and saxophonist)
double bass:
Jack Ryan (jazz bassist)
drums (drum set):
Nick Fatool
flute:
Dent Eckels
French horn:
John Cave (french horn), Vincent DeRosa and Arthur Frantz
guitar:
Allan Reuss
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
viola:
William Baffa, Ray Menhennick (Violist), Paul Robyn and Dave Sterkin
violin:
Victor Arno, Harry Bluestone, Kurt Dieterle, Walter Edelstein, Ben Gill, Joseph Quadri, Murray Kellner, Sol Kindler, Samuel Levine (violinist), Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Nicholas Pisani, Mischa Russell (violinist), Felix Slatkin and Marshall Sosson
woodwind:
Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-04-10)
conductor:
Gordon Jenkins (on 1957-04-10)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-04-10)
cover recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1957-04-10)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
2:53
9Pennies From Heaven
recording of:
Pennies From Heaven
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
2:43
10Love Is Here to Stay
recording of:
Love Is Here to Stay
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
2:41
11Something
cover recording of:
Something
lyricist and composer:
George Harrison (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Harrisongs Ltd. and Nichion Synch Division (NICHION, INC. Synch Division)
3:35
12My Way
recording of:
My Way (Frank Sinatra song)
lyricist:
Paul Anka
composer:
Claude François and Jacques Revaux
previously attributed to:
Gilles Thibaut
translator:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
translated version of:
Comme d’habitude
3:41
13Stormy Weather
recording of:
Stormy Weather
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
3:24
14Around the World
producer:
Voyle Gilmore
cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
harp:
Verlye Mills
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Shorty Sherock
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
woodwind:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-08)
orchestra:
The Billy May Orchestra (on 1957-10-08)
conductor:
Billy May (on 1957-10-08)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-08)
cover recording of:
Around the World (Around the World in 80 Days) (on 1957-10-08)
lyricist:
Harold Adamson and Stella Unger
composer:
Victor Young (American composer, arranger, violinist & conductor)
part of:
Around the World in 80 Days (1956 film soundtrack, main theme)
33:23
15Everybody Loves Somebody
recording of:
Everybody Loves Somebody
lyricist:
Sam Coslow and Irving Taylor
composer:
Sam Coslow and Ken Lane
publisher:
Sands Music Corp. and フジパシフィックミュージック (Fujipacific Music, Inc.)
sub-publisher:
Warner Chappel Music Belgium NV
3:48
16Dream
recording of:
Dream
lyricist and composer:
Johnny Mercer (in 1944)
publisher:
Capitol Songs Inc., Mercer Music, Michael H. Goldsen Inc., Warner Bros. Music Corp., Warner Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
2:58
17Sentimental Journey
double bass:
Joe Comfort (on 1961-03-20)
French horn:
James Craas (on 1961-03-20), William Culley (on 1961-03-20), Fred Fox (on 1961-03-20) and Gale H. Robinson (on 1961-03-20)
guitar:
Tony Rizzi (on 1961-03-20)
harp:
Kathryn Julye (on 1961-03-20)
instruments:
Johnny Best (jazz trumpeter) (on 1961-03-20)
piano:
Bill Miller (pianist) (on 1961-03-20)
trombone:
C. E. Carpenter (on 1961-03-20), James Henderson (trombone) (on 1961-03-20), Richard Kenney (on 1961-03-20), Lew McCreary (on 1961-03-20), Barrett O'Hara (on 1961-03-20), Jimmy Priddy (on 1961-03-20) and Kenneth Trimble (on 1961-03-20)
trumpet:
Johnny Best (jazz trumpeter) (on 1961-03-20), Conrad Gozzo (on 1961-03-20), Joe Graves (on 1961-03-20), Maurice Harris (on 1961-03-20), Manny Klein (on 1961-03-20), Vito N. Mangano (on 1961-03-20), James Salko (on 1961-03-20), Shorty Sherock (on 1961-03-20) and Rubin "Zeke" Zarchy (on 1961-03-20)
tuba:
Phil Stephens (bass and tuba player) (on 1961-03-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-03-20)
orchestra:
Billy May & His Orchestra (on 1961-03-20)
conductor:
Billy May (on 1961-03-20)
arranger:
Heine Beau (on 1961-03-20)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
cover recording of:
Sentimental Journey (on 1961-03-20)
lyricist:
Bud Green (in 1944)
composer:
Les Brown (American big band & jazz musician) (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3:27
18All the Way
producer:
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-08-13)
orchestra:
The Nelson Riddle Orchestra (on 1957-08-13)
conductor:
Nelson Riddle (on 1957-08-13)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-08-13)
recording of:
All the Way (from “The Joker Is Wild”) (on 1957-08-13)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network and Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
part of:
The 30th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1957 winner)
42:52