Milestones of a Legend

~ Release by Leonard Bernstein (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Symphony no. 4 in G major: I. Bedächtig. Nicht eilen
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1960-02-01)
conductor:
Leonard Bernstein (on 1960-02-01)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1960)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1960-02-01)
compilation of:
Symphony No. 4 in G major: Ia. Bedächtig. Nicht eilen by New York Philharmonic, Leonard Bernstein, Symphony No. 4 in G major: Ib. Tempo I by New York Philharmonic, Leonard Bernstein, Symphony No. 4 in G major: Ic. Wieder wie zu Anfang. Sehr gemächlich, behaglich by New York Philharmonic, Leonard Bernstein and Symphony No. 4 in G major: Id. Wieder plätzlich langsam und bedächtig by New York Philharmonic, Leonard Bernstein
recording of:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich (on 1960-02-01)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler16:52
2Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1960-02-01)
conductor:
Leonard Bernstein (on 1960-02-01)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1960)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1960-02-01)
compilation of:
Symphony No. 4 in G major: IIa. In gemächlicher Bewegung. Ohne Hast by New York Philharmonic, Leonard Bernstein and Symphony No. 4 in G major: IIb. Nicht eilen by New York Philharmonic, Leonard Bernstein
recording of:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast (on 1960-02-01)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler9:07
3Symphony no. 4 in G major: III. Ruhevoll
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1960-02-01)
conductor:
Leonard Bernstein (on 1960-02-01)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1960)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1960-02-01)
compilation of:
Symphony No. 4 in G major: IIIa. Ruhevoll by New York Philharmonic, Leonard Bernstein, Symphony No. 4 in G major: IIIb. Viel langsamer by New York Philharmonic, Leonard Bernstein, Symphony No. 4 in G major: IIIc. Anmutig bewegt by New York Philharmonic, Leonard Bernstein, Symphony No. 4 in G major: IIId. Andante by New York Philharmonic, Leonard Bernstein and Symphony No. 4 in G major: IIIe. Vorwärts. Poco più osso by New York Philharmonic, Leonard Bernstein
recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (on 1960-02-01)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler20:31
4Symphony no. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden"
producer:
John McClure (recording engineer and record producer)
soprano vocals:
Reri Grist (American soprano) (on 1960-02-01)
orchestra:
New York Philharmonic (on 1960-02-01)
conductor:
Leonard Bernstein (on 1960-02-01)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1960)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1960-02-01)
compilation of:
Symphony No. 4 in G major: IVa. Sehr behaglich by Reri Grist (American soprano), New York Philharmonic, Leonard Bernstein, Symphony No. 4 in G major: IVb. Wieder lebhaft by Reri Grist (American soprano), New York Philharmonic, Leonard Bernstein and Symphony No. 4 in G major: IVc. Tempo I. Sehr zart und gehimnisvoll bis zum Schluss by Reri Grist (American soprano), New York Philharmonic, Leonard Bernstein
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (on 1960-02-01)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler8:31
2▼CD
#TitleArtistRatingLength
1Symphony no. 2 for Piano and Orchestra "The Age of Anxiety": Part I, The Prologue
piano:
Lukas Voss (German-American composer, pianist and conductor) (on 1950-02-27)
orchestra:
New York Philharmonic (on 1950-02-27)
conductor:
Leonard Bernstein (on 1950-02-27)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-02-27)
recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): Ia. The Prologue. Lento moderato (on 1950-02-27)
composer:
Leonard Bernstein (from 1948 until 1949)
revised by:
Leonard Bernstein (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
Leonard Bernstein2:20
2Symphony no. 2 for Piano and Orchestra "The Age of Anxiety": Part I, The Seven Ages (Variations 1-7)
piano:
Lukas Voss (German-American composer, pianist and conductor) (on 1950-02-27)
orchestra:
New York Philharmonic (on 1950-02-27)
conductor:
Leonard Bernstein (on 1950-02-27)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-02-27)
recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): Ib. The Seven Ages (Variations I–VII) (on 1950-02-27)
composer:
Leonard Bernstein (from 1948 until 1949)
revised by:
Leonard Bernstein (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
Leonard Bernstein8:23
3Symphony no. 2 for Piano and Orchestra "The Age of Anxiety": Part I, The Seven Stages (Variations 8-14)
piano:
Lukas Voss (German-American composer, pianist and conductor) (on 1950-02-27)
orchestra:
New York Philharmonic (on 1950-02-27)
conductor:
Leonard Bernstein (on 1950-02-27)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-02-27)
recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): Ic. The Seven Stages (Variations VIII–XIV) (on 1950-02-27)
composer:
Leonard Bernstein (from 1948 until 1949)
revised by:
Leonard Bernstein (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
Leonard Bernstein5:52
4Symphony no. 2 for Piano and Orchestra "The Age of Anxiety": Part II, The Dirge
piano:
Lukas Voss (German-American composer, pianist and conductor) (on 1950-02-27)
orchestra:
New York Philharmonic (on 1950-02-27)
conductor:
Leonard Bernstein (on 1950-02-27)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-02-27)
recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): IIa. The Dirge. Largo (on 1950-02-27)
composer:
Leonard Bernstein (from 1948 until 1949)
revised by:
Leonard Bernstein (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
Leonard Bernstein5:37
5Symphony no. 2 for Piano and Orchestra "The Age of Anxiety": Part II, The Masque
piano:
Lukas Voss (German-American composer, pianist and conductor) (on 1950-02-27)
orchestra:
New York Philharmonic (on 1950-02-27)
conductor:
Leonard Bernstein (on 1950-02-27)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-02-27)
recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): IIb. The Masque. Extremely Fast (on 1950-02-27)
composer:
Leonard Bernstein (from 1948 until 1949)
revised by:
Leonard Bernstein (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
Leonard Bernstein4:27
6Symphony no. 2 for Piano and Orchestra "The Age of Anxiety": Part II, The Epilogue
piano:
Lukas Voss (German-American composer, pianist and conductor) (on 1950-02-27)
orchestra:
New York Philharmonic (on 1950-02-27)
conductor:
Leonard Bernstein (on 1950-02-27)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-02-27)
recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): IIc. The Epilogue. Adagio – Andante – Con moto (on 1950-02-27)
composer:
Leonard Bernstein (from 1948 until 1949)
revised by:
Leonard Bernstein (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
Leonard Bernstein5:24
7Symphony no. 3 in D minor: I. Kräftig. Entschieden
producer:
John McClure (recording engineer and record producer)
solo violin:
John Corigliano (violinist) (on 1961-04-03)
orchestra:
New York Philharmonic (on 1961-04-03)
conductor:
Leonard Bernstein (on 1961-04-03)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-04-03)
recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (on 1961-04-03)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler33:18
3▼CD
#TitleArtistRatingLength
1Symphony no. 3 in D minor: II. Tempo di Menuetto. Sehr mäßig
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1961-04-03)
conductor:
Leonard Bernstein (on 1961-04-03)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-04-03)
recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (on 1961-04-03)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler10:10
2Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast
producer:
John McClure (recording engineer and record producer)
solo post horn:
John Ware (trumpet) (on 1961-04-03)
orchestra:
New York Philharmonic (on 1961-04-03)
conductor:
Leonard Bernstein (on 1961-04-03)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-04-03)
recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (on 1961-04-03)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler17:59
3Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus ppp "Oh Mensch! Gib Acht!"
producer:
John McClure (recording engineer and record producer)
solo mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (on 1961-04-03)
orchestra:
New York Philharmonic (on 1961-04-03)
conductor:
Leonard Bernstein (on 1961-04-03)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-04-03)
recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (on 1961-04-03)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler8:48
4Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Es sungen die Engel"
choir vocals:
Boys’ Choir of the Church of the Transfiguration (on 1961-04-03) and Women's Chorus of the Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1961-04-03)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (on 1961-04-03)
orchestra:
New York Philharmonic (on 1961-04-03)
conductor:
Leonard Bernstein (on 1961-04-03)
chorus master:
Stuart Gardner (choir director) (on 1961-04-03) and Hugh Ross (choral director) (on 1961-04-03)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-04-03)
recording of:
Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel') (on 1961-04-03)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
arrangement of:
Des Knaben Wunderhorn: Es sungen drei Engel
is based on:
Es sungen drei Engel
part of:
Symphony no. 3 in D minor
Gustav Mahler4:13
5Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden.
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1961-04-03)
conductor:
Leonard Bernstein (on 1961-04-03)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-04-03)
recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (on 1961-04-03)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler25:09
4▼CD
#TitleArtistRatingLength
1Symphony no. 2: I. Andanto moderato
producer:
David Oppenheim (producer of classical recordings)
orchestra:
New York Philharmonic (on 1958-10-06)
conductor:
Leonard Bernstein (on 1958-10-06)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-10-06)
recording of:
Symphony no. 2, S. 2: I. Andante moderato (on 1958-10-06)
composer:
Charles Ives (composer) (from 1899 until 1909)
part of:
Symphony no. 2, S. 2
Charles Ives5:56
2Symphony no. 2: II. Allegro
producer:
David Oppenheim (producer of classical recordings)
orchestra:
New York Philharmonic (on 1958-10-06)
conductor:
Leonard Bernstein (on 1958-10-06)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-10-06)
recording of:
Symphony no. 2, S. 2: II. Allegro (on 1958-10-06)
composer:
Charles Ives (composer) (from 1899 until 1909)
part of:
Symphony no. 2, S. 2
recording of:
Symphony no. 2: II. Allegro
composer:
Joonas Kokkonen (composer) (from 1960 until 1961)
part of:
Symphony no. 2
Charles Ives10:22
3Symphony no. 2: III. Adagio cantabile
producer:
David Oppenheim (producer of classical recordings)
orchestra:
New York Philharmonic (on 1958-10-06)
conductor:
Leonard Bernstein (on 1958-10-06)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-10-06)
recording of:
Symphony no. 2, S. 2: III. Adagio cantabile (on 1958-10-06)
composer:
Charles Ives (composer) (from 1899 until 1909)
part of:
Symphony no. 2, S. 2
Charles Ives10:44
4Symphony no. 2: IV. Lento maestoso
producer:
David Oppenheim (producer of classical recordings)
orchestra:
New York Philharmonic (on 1958-10-06)
conductor:
Leonard Bernstein (on 1958-10-06)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-10-06)
recording of:
Symphony no. 2, S. 2: IV. Lento maestoso (on 1958-10-06)
composer:
Charles Ives (composer) (from 1899 until 1909)
part of:
Symphony no. 2, S. 2
Charles Ives2:58
5Symphony no. 2: V. Allegro molto vivace
producer:
David Oppenheim (producer of classical recordings)
orchestra:
New York Philharmonic (on 1958-10-06)
conductor:
Leonard Bernstein (on 1958-10-06)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-10-06)
recording of:
Symphony no. 2, S. 2: V. Allegro molto vivace (on 1958-10-06)
composer:
Charles Ives (composer) (from 1899 until 1909)
part of:
Symphony no. 2, S. 2
Charles Ives9:17
5▼CD
#TitleArtistRatingLength
1Le Sacre du printemps: Première Partie: L'Adoration de la terre, Introduction: Lento
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (on 1958-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1958)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-01-20)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:30
2Le Sacre du printemps: Première Partie: L'Adoration de la terre, Les augures printaniers (Danse des adolescentes)
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (on 1958-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1958)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-01-20)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:18
3Le Sacre du printemps: Première Partie: L'Adoration de la terre, Jeu du rapt
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (on 1958-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1958)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-01-20)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:17
4Le Sacre du printemps: Première Partie: L'Adoration de la terre, Rondes printanières
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (on 1958-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1958)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-01-20)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:42
5Le Sacre du printemps: Première Partie: L'Adoration de la terre, Jeux des cités rivales
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (on 1958-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1958)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-01-20)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:52
6Le Sacre du printemps: Première Partie: L'Adoration de la terre, Cortège du Sage
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (on 1958-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1958)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-01-20)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VI. Cortège du Sage (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:40
7Le Sacre du printemps: Première Partie: L'Adoration de la terre, Adoration de la terre
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (on 1958-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1958)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-01-20)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VII. Le Sage (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:22
8Le Sacre du printemps: Première Partie: L'Adoration de la terre, Danse de la terre
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (on 1958-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1958)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-01-20)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:11
9Le Sacre du printemps: Seconde Partie: Le Sacrifice, Introduction: Largo
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (on 1958-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1958)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-01-20)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky5:13
10Le Sacre du printemps: Seconde Partie: Le Sacrifice, Cercles mystérieux des adolescents
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (on 1958-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1958)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-01-20)
recording of:
Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:19
11Le Sacre du printemps: Seconde Partie: Le Sacrifice, Glorification de l'Élue
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (on 1958-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1958)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-01-20)
recording of:
Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’élue (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky1:31
12Le Sacre du printemps: Seconde Partie: Le Sacrifice, Évocation des ancêtres
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (on 1958-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1958)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-01-20)
recording of:
Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky0:52
13Le Sacre du printemps: Seconde Partie: Le Sacrifice, Action rituelle des ancêtres
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (on 1958-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1958)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-01-20)
recording of:
Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:24
14Le Sacre du printemps: Seconde Partie: Le Sacrifice, Danse sacrale
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (on 1958-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1958)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-01-20)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:33
6▼CD
#TitleArtistRatingLength
1Rapsody in Blue
producer:
Howard Scott (classical music producer)
piano:
Leonard Bernstein (on 1959-06-23)
orchestra:
Columbia Symphony Orchestra (on 1959-06-23)
conductor:
Leonard Bernstein (on 1959-06-23)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1959)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1959-06-23)
recording of:
Rhapsody in Blue (standard 1942 orchestration) (on 1959-06-23)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin16:27
2An American in Paris
producer:
John McClure (producer of classical recordings)
orchestra:
New York Philharmonic (on 1958-12-21)
conductor:
Leonard Bernstein (on 1958-12-21)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1959)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-12-21)
recording of:
An American in Paris (on 1958-12-21)
composer:
George Gershwin (composer) (in 1928)
publisher:
Chappell Music Ltd.
premiered at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1928-12-13)
part of:
An American in Paris (2015 Broadway musical)
George Gershwin18:23
3Bolero
orchestra:
New York Philharmonic (on 1958-01-27)
conductor:
Leonard Bernstein (on 1958-01-27)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-01-27)
recording of:
Boléro (on 1958-01-27)
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel14:26
4La Valse
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1958-01-06)
conductor:
Leonard Bernstein (on 1958-01-06)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1958-01-06)
recording of:
La Valse (for orchestra) (on 1958-01-06)
composer:
Maurice Ravel (French composer) (from 1919 until 1920)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 72)
Maurice Ravel12:37
5Rhapsodie Espagnole: I. Prélude à la nuit. Très modéré
orchestra:
New York Philharmonic (on 1958-01-27)
conductor:
Leonard Bernstein (on 1958-01-27)
recording of:
Rapsodie espagnole: I. Prélude à la nuit. Très modéré (orchestrated by Ravel) (on 1958-01-27)
orchestrator:
Maurice Ravel (French composer)
composer:
Maurice Ravel (French composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: I. Prélude à la nuit. Très modéré (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel4:32
6Rhapsodie Espagnole: II. Malaguena: Assez vif
orchestra:
New York Philharmonic (on 1958-01-27)
conductor:
Leonard Bernstein (on 1958-01-27)
recording of:
Rapsodie espagnole: II. Malagueña. Assez vif (orchestrated by Ravel) (on 1958-01-27)
orchestrator:
Maurice Ravel (French composer)
composer:
Maurice Ravel (French composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: II. Malagueña. Assez vif (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel2:10
7Rhapsodie Espagnole: III. Habanera: Assez lent et d'un rythme
orchestra:
New York Philharmonic (on 1958-01-27)
conductor:
Leonard Bernstein (on 1958-01-27)
recording of:
Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las (orchestrated by Ravel) (on 1958-01-27)
orchestrator:
Maurice Ravel (French composer)
composer:
Maurice Ravel (French composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel3:04
8Rhapsodie Espagnole: IV. Feria: Assez animé
orchestra:
New York Philharmonic (on 1958-01-27)
conductor:
Leonard Bernstein (on 1958-01-27)
recording of:
Rapsodie espagnole: IV. Feria. Assez animé (orchestrated by Ravel) (on 1958-01-27)
orchestrator:
Maurice Ravel (French composer)
composer:
Maurice Ravel (French composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: IV. Feria. Assez animé (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel6:09
7▼CD
#TitleArtistRatingLength
1Piano Concerto no. 5 in E-flat major, op. 73: I. Allegro
piano:
Rudolf Serkin (pianist) (on 1962-05-01)
orchestra:
New York Philharmonic (on 1962-05-01)
conductor:
Leonard Bernstein (on 1962-05-01)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro (on 1962-05-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven19:36
2Piano Concerto no. 5 in E-flat major, op. 73: II. Adagio un poco moto
piano:
Rudolf Serkin (pianist) (on 1962-05-01)
orchestra:
New York Philharmonic (on 1962-05-01)
conductor:
Leonard Bernstein (on 1962-05-01)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (on 1962-05-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven8:46
3Piano Concerto no. 5 in E-flat major, op. 73: III. Rondo: Allegro
piano:
Rudolf Serkin (pianist) (on 1962-05-01)
orchestra:
New York Philharmonic (on 1962-05-01)
conductor:
Leonard Bernstein (on 1962-05-01)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro (on 1962-05-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven9:59
4Concerto no. 4 in G major for Piano and Orchestra, op. 58: I. Allegro moderato
producer:
Howard Scott (classical music producer)
piano:
Glenn Gould (pianist) (on 1961-03-20)
orchestra:
New York Philharmonic (on 1961-03-20)
conductor:
Leonard Bernstein (on 1961-03-20)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato (on 1961-03-20)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven19:18
5Concerto no. 4 in G major for Piano and Orchestra, op. 58: II. Andante con moto
producer:
Howard Scott (classical music producer)
piano:
Glenn Gould (pianist) (on 1961-03-20)
orchestra:
New York Philharmonic (on 1961-03-20)
conductor:
Leonard Bernstein (on 1961-03-20)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto (on 1961-03-20)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven6:39
6Concerto no. 4 in G major for Piano and Orchestra, op. 58: III. Rondo: Vivace
producer:
Howard Scott (classical music producer)
piano:
Glenn Gould (pianist) (on 1961-03-20)
orchestra:
New York Philharmonic (on 1961-03-20)
conductor:
Leonard Bernstein (on 1961-03-20)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace (on 1961-03-20)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven10:46
8▼CD
#TitleArtistRatingLength
1Rodeo - Four Dance Episodes: Buckaroo Holiday - Allegro con spirito
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1960-05-02)
conductor:
Leonard Bernstein (on 1960-05-02)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-05-02)
recording of:
Rodeo: I. Buckaroo Holiday (on 1960-05-02)
composer:
Aaron Copland (composer) (in 1942)
part of:
Four Dance Episodes from Rodeo (suite for orchestra)
part of:
Rodeo (symphonic version)
Aaron Copland7:04
2Rodeo - Four Dance Episodes: Corral Nocturne - Moderato
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1960-05-02)
conductor:
Leonard Bernstein (on 1960-05-02)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-05-02)
recording of:
Rodeo: II. Corral Nocturne (on 1960-05-02)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Four Dance Episodes from Rodeo (suite for orchestra)
part of:
Rodeo (symphonic version)
Aaron Copland4:05
3Rodeo - Four Dance Episodes: Saturday Night Walz - Introduction. Slow Waltz
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1960-05-02)
conductor:
Leonard Bernstein (on 1960-05-02)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-05-02)
recording of:
Rodeo: III. Saturday Night Waltz (on 1960-05-02)
composer:
Aaron Copland (composer) (in 1942)
part of:
Four Dance Episodes from Rodeo (suite for orchestra)
part of:
Rodeo (symphonic version)
Aaron Copland4:14
4Rodeo - Four Dance Episodes: Hoe-Down - Allegro
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1960-05-02)
conductor:
Leonard Bernstein (on 1960-05-02)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-05-02)
recording of:
Rodeo: IV. Hoedown (on 1960-05-02)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
is based on:
Bonaparte’s Retreat
part of:
Four Dance Episodes from Rodeo (suite for orchestra)
part of:
Rodeo (symphonic version)
Aaron Copland3:09
5Billy the Kid - Orchestral Suite: Introduction: The Open Prairie
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1959-10-20)
conductor:
Leonard Bernstein (on 1959-10-20)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1959-10-20)
recording of:
Billy the Kid: I. Introduction: The Open Prairie (on 1959-10-20)
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
Aaron Copland3:14
6Billy the Kid - Orchestral Suite: Street in a Frontier Town
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1959-10-20)
conductor:
Leonard Bernstein (on 1959-10-20)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1959-10-20)
recording of:
Billy the Kid: II. Street in a Frontier Town (on 1959-10-20)
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
Aaron Copland3:23
7Billy the Kid - Orchestral Suite: Mexican Dance and Finale
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1959-10-20)
conductor:
Leonard Bernstein (on 1959-10-20)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1959-10-20)
recording of:
Billy the Kid: III. Mexican Dance and Finale (on 1959-10-20)
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
Aaron Copland3:10
8Billy the Kid - Orchestral Suite: Prairie Night (Card Game at Night)
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1959-10-20)
conductor:
Leonard Bernstein (on 1959-10-20)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1959-10-20)
recording of:
Billy the Kid: IV. Prairie Night (Card Game at Night) (on 1959-10-20)
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
Aaron Copland3:13
9Billy the Kid - Orchestral Suite: Gun Battle
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1959-10-20)
conductor:
Leonard Bernstein (on 1959-10-20)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1959-10-20)
recording of:
Billy the Kid: V. Gun Battle (on 1959-10-20)
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
Aaron Copland1:49
10Billy the Kid - Orchestral Suite: Celebration (after Billy's capture)
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1959-10-20)
conductor:
Leonard Bernstein (on 1959-10-20)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1959-10-20)
recording of:
Billy the Kid: VI. Celebration (After Billy’s Capture) (on 1959-10-20)
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
Aaron Copland2:21
11Billy the Kid - Orchestral Suite: Billy's Death
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1959-10-20)
conductor:
Leonard Bernstein (on 1959-10-20)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1959-10-20)
recording of:
Billy the Kid: VII. Billy’s Death (on 1959-10-20)
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
Aaron Copland1:19
12Billy the Kid - Orchestral Suite: The Open Prairie Again
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1959-10-20)
conductor:
Leonard Bernstein (on 1959-10-20)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1959-10-20)
recording of:
Billy the Kid: VIII. The Open Prairie Again (on 1959-10-20)
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
Aaron Copland1:51
9▼CD
#TitleArtistRatingLength
1Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio. Allegro molto
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1962-04-16)
conductor:
Leonard Bernstein (on 1962-04-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-16)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio — Allegro molto) (on 1962-04-16)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák11:04
2Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1962-04-16)
conductor:
Leonard Bernstein (on 1962-04-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-16)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo) (on 1962-04-16)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák14:43
3Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo: Molto vivace
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1962-04-16)
conductor:
Leonard Bernstein (on 1962-04-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-16)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace — Poco sostenuto) (on 1962-04-16)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák6:31
4Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1962-04-16)
conductor:
Leonard Bernstein (on 1962-04-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-16)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco) (on 1962-04-16)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák11:04
10▼CD
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1Symphonic Dances from West Side Story: I. Prologue: Allegro moderato
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: I. Prologue. Allegro moderato (on 1961-03-06)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
54:07
2Symphonic Dances from West Side Story: II. Somewhere: Adagio
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: II. “Somewhere”. Adagio (on 1961-03-06)
additional orchestrator:
Irwin Kostal and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
53:52
3Symphonic Dances from West Side Story: III. Scherzo: Vivace e leggiero
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: III. Scherzo. Vivace leggiero (on 1961-03-06)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
41:18
4Symphonic Dances from West Side Story: IV. Mambo: Meno presto
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: IV. Mambo. Presto (on 1961-03-06)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
52:15
5Symphonic Dances from West Side Story: V. Cha-Cha: Andantino con grazia
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: V. Cha-Cha (“Maria”). Andantino con grazia (on 1961-03-06)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
50:58
6Symphonic Dances from West Side Story: VI. Meeting Scene: Meno mosso
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: VI. Meeting Scene. Meno mosso (on 1961-03-06)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
50:43
7Symphonic Dances from West Side Story: VII. Cool Fugue: Allegretto
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: VII. “Cool” Fugue. Allegretto (on 1961-03-06)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
53:03
8Symphonic Dances from West Side Story: VIII. Rumble: Molto allegro
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: VIII. Rumble. Molto allegro (on 1961-03-06)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
51:52
9Symphonic Dances from West Side Story: XI. Finale: Adagio
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: IX. Finale. Adagio (on 1961-03-06)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
52:51
10Symphonic Suite from the Film on the Waterfront: I. Andante (with dignity). Preso barbaro
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1960-05-16)
conductor:
Leonard Bernstein (on 1960-05-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-05-16)
recording of:
Symphonic Suite from On the Waterfront: I. Andante (with dignity) - Presto barbaro (on 1960-05-16)
composer:
Leonard Bernstein (in 1955)
part of:
Symphonic Suite from On the Waterfront
2:59
11Symphonic Suite from the Film on the Waterfront: II. Adagio. Allegro molto agitato. Alla breve (Poco più mosso). Presto come prima
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1960-05-16)
conductor:
Leonard Bernstein (on 1960-05-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-05-16)
recording of:
Symphonic Suite from On the Waterfront: II. Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima (on 1960-05-16)
composer:
Leonard Bernstein (in 1955)
part of:
Symphonic Suite from On the Waterfront
2:17
12Symphonic Suite from the Film on the Waterfront: III. Andante largamente. More flowing. Still more flowing. Poco meno mosso. Lento
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1960-05-16)
conductor:
Leonard Bernstein (on 1960-05-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-05-16)
recording of:
Symphonic Suite from On the Waterfront: III. Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento (on 1960-05-16)
composer:
Leonard Bernstein (in 1955)
part of:
Symphonic Suite from On the Waterfront
4:43
13Symphonic Suite from the Film on the Waterfront: IV. Moving forward, with warmth. Largamente. A Tempo. Calmato. Andante come prima. Sempre avanti, with intensity. Ancora più mosso
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1960-05-16)
conductor:
Leonard Bernstein (on 1960-05-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-05-16)
recording of:
Symphonic Suite from On the Waterfront: IV. Moving forward, with warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, with intensity - Ancora più mosso (on 1960-05-16)
composer:
Leonard Bernstein (in 1955)
part of:
Symphonic Suite from On the Waterfront
4:25
14Symphonic Suite from the Film on the Waterfront: V. Allegro non troppo, molto marcato. Poco più sostenuto. Moving forward. Meno mosso
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1960-05-16)
conductor:
Leonard Bernstein (on 1960-05-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-05-16)
recording of:
Symphonic Suite from On the Waterfront: V. Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso (on 1960-05-16)
composer:
Leonard Bernstein (in 1955)
part of:
Symphonic Suite from On the Waterfront
2:50
15Symphonic Suite from the Film on the Waterfront: VI. A Tempo
producer:
Howard Scott (classical music producer)
orchestra:
New York Philharmonic (on 1960-05-16)
conductor:
Leonard Bernstein (on 1960-05-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-05-16)
recording of:
Symphonic Suite from On the Waterfront: VI. A tempo (on 1960-05-16)
composer:
Leonard Bernstein (in 1955)
part of:
Symphonic Suite from On the Waterfront
2:08