60s Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Happy Together
phonographisches Urheberrecht (℗) von:
White Whale (late 60s/early 70s California) (in 1967)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 257)
recording of:
Happy Together (in 1967)
Verfasser(in):
Garry Bonner und Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
publisher:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) und Trio Music Co., Inc.
Teil von:
Freaky Friday (2003)
The Turtles4.452:55
2She's Not There
recording of:
She’s Not There
Texter und Komponist(in):
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA und Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
The Zombies2:24
3For What It's Worth
Produzent(in):
Charles Greene (producer) und Brian Stone (producer)
Hintergrundgesang:
Richie Furay und Dewey Martin
vocals:
Stephen Stills
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 63)
recording of:
For What It’s Worth (am 1966-12-05)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Buffalo Springfield4.252:37
4Alone Again Or
Techniker(in):
Bruce Botnick
Produzent(in):
Bruce Botnick und Arthur Lee
Akustikgitarre und Sologesang:
Bryan MacLean (am 1967-09-10)
E-Bass:
Ken Forssi (am 1967-09-10)
Schlagzeug:
Michael Stuart-Ware (US drummer for Love) (am 1967-09-10)
zusätzlich Sologesang:
Arthur Lee (in 1967-09)
Horn arranger und Saiteninstrumente arranger:
David Angel (composer and arranger) (am 1967-09-10)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-09-10)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 436)
recording of:
Alone Again Or (am 1967-09-10)
Texter und Komponist(in):
Bryan MacLean
Love4.23:16
5Let's Go to San Francisco
recording of:
Let’s Go to San Francisco
Verfasser(in):
John Carter (songwriter & producer, b. 1942) und Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
Peermusic Ltd. (BMI)
The Flower Pot Men33:34
659th Street Bridge Song (Feeling Groovy)
Produzent(in):
Lenny Waronker
cover recording of:
The 59th Street Bridge Song (Feelin’ Groovy)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:38
7Cathy's Clown
Bass:
Floyd Chance (am 1960-03-18)
Gitarre:
Don Everly (am 1960-03-18)
Klavier:
Floyd Cramer (am 1960-03-18)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1960-03-18)
Interpret(in):
The Everly Brothers (am 1960-03-18)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 30) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 149)
recording of:
Cathy’s Clown (am 1960-03-18)
Texter und Komponist(in):
Don Everly
Verfasser(in):
Don Everly und Phil Everly
publisher:
Acuff-Rose (BMI) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers3.352:25
8Spanish Harlem
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
Cello:
Charles McCracken (cellist) (am 1960-10-27)
Gitarre:
Al Caiola (am 1960-10-27)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1960-10-27)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1960-10-27)
Perkussion:
Phil Kraus (am 1960-10-27)
Rohrblattinstrumente:
Romeo Penque (am 1960-10-27)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1960-10-27)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1960-10-27)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 350)
recording of:
Spanish Harlem (am 1960-10-27)
Texter:
Jerry Leiber
Komponist(in):
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. und Unichappell Music
Ben E. King4.42:54
9Hold on I'm Coming
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-03-08)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (am 1966-03-08)
recording of:
Hold On, I’m Comin’ (am 1966-03-08)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:35
10Hard to Handle
Produzent(in):
Steve Cropper
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
Gitarre:
Steve Cropper
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer)
vocals:
Otis Redding
recording of:
Hard to Handle
Verfasser(in):
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell und Otis Redding
publisher:
Irving Music (BMI), Carlin Music Corporation (in 1968) und Irving Music, Inc. (in 1968)
Otis Redding4.22:19
11I Say a Little Prayer
recording engineer:
Tom Dowd (am 1968-04-17)
Produzent(in):
Jerry Wexler
Bass:
Jerry Jemmott (am 1968-04-17)
Gitarre:
Tommy Cogbill (am 1968-04-17)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-17)
Schlagzeug:
Roger Hawkins (am 1968-04-17)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-17)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 117)
cover recording of:
I Say a Little Prayer (am 1968-04-17)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) und Windswept Pacific Music Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:32
12In the Midnight Hour
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-05-12)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-05-12)
Gitarre:
Steve Cropper (am 1965-05-12)
Klavier:
Joe Hall (Stax studio pianist, 1960s) (am 1965-05-12)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-05-12)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-05-12) und Andrew Love (am 1965-05-12)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-05-12)
vocals:
Wilson Pickett (am 1965-05-12)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 134) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 218)
recording of:
In the Midnight Hour (am 1965-05-12)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. und Irving Music, Inc.
Wilson Pickett32:34
13Valley of the Dolls
recording of:
(Theme from) Valley of the Dolls
Komponist(in):
André Previn (pianist, conductor, composer, arranger) und Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
Dionne Warwick3:32
14Come on Over to My Place
recording of:
Come on Over to My Place
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Drifters2:28
15Sugar Sugar
Musikvideos:
Sugar, Sugar von The Archies
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 6), Rolling Stone: The 50 Best Tunes by Made-Up Musicians (Nummer: 18), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 90) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 155)
recording of:
Sugar, Sugar (in 1969)
Verfasser(in):
Jeff Barry und Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Archies3.52:51
16Louie Louie
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 3), New York Post: 100 Greatest Covers (2007) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 55), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 156) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 169)
cover recording of:
Louie Louie (in 1963)
Texter und Komponist(in):
Richard Berry (US singer/songwriter, composed “Louie Louie”)
publisher:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Windswept Pacific Music Ltd. und World Wide Music
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Kingsmen3.82:44
17No Regrets
Techniker(in):
Brooks Arthur und Bruce Botnick
Produzent(in):
Arthur Gorson
Bassgitarre:
Bob Bushnell und Joe Mack (bassist)
Bassgitarre und klassiche Gitarre:
Jonathan Raskin
E-Gitarre:
Eric Gale, Hugh McCracken und Don Thomas (US guitarist, singer songwriter)
Gitarre:
Bruce Langhorne und Tom Rush
Keyboard:
Paul Harris (American keyboardist/pianist session player)
membranophone:
Herb Lovelle und Richie Ritz
Saxophon:
Joe Grimm (flute and saxophone player) und Buddy Lucas (Tenor saxophonist / vocalist / harmonica player)
Schlagzeug:
Bernard “Pretty” Purdie
vocals:
Tom Rush
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Paul Harris (American keyboardist/pianist session player)
arranger:
Paul Harris (American keyboardist/pianist session player)
recording of:
No Regrets
Texter und Komponist(in):
Tom Rush
publisher:
BMG Bumblebee (BMI) (A BMI-affiliated publishing entity of BMG Rights Management), Essex International und Tubbs Hill Music
Tom Rush4.53:53
18You Keep Me Hangin' On
sonstige Unterstützung:
Shadow Morton (Aufgabe: directed by)
Produzent(in):
Shadow Morton
cover recording of:
You Keep Me Hangin’ On (in 1967)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Vanilla Fudge3:00
19In-A-Gadda-Da-Vida
phonographisches Urheberrecht (℗) von:
ATCO Records (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recording of:
In‐A‐Gadda‐Da‐Vida
Texter und Komponist(in):
Douglas Lloyd Ingle
publisher:
Ten East-Cotillion-Itasca
Iron Butterfly42:53
20No Fun
Produzent(in):
John Cale (The Velvet Underground founder)
Bassgitarre:
Dave Alexander (bassist for The Stooges)
E-Gitarre:
Ron Asheton
Schlagzeug:
Scott Asheton
Sologesang:
Iggy Stooge
recording of:
No Fun
Texter:
Iggy Pop
Komponist(in):
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton und James Newell June Osterberg
The Stooges3.755:16
2▼CD
Nr.TitelKünstlerBewertungLänge
1(Sittin' on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:41
2Walk on By
vocals:
Dionne Warwick
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 129)
recording of:
Walk On By
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:52
3Sweet Soul Music
Techniker(in):
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
Produzent(in):
Otis Redding
Gitarre:
Moses Dillard (am 1967-01-20)
vocals:
Arthur Conley (am 1967-01-20)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-01-20)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 351)
recording of:
Sweet Soul Music (am 1967-01-20)
Verfasser(in):
Arthur Conley, Sam Cooke und Otis Redding
publisher:
ABKCO Music und Rondor
basiert auf:
Yeah Man
Arthur Conley42:20
4Always See Your Face
Love3:21
5She'd Rather Be With Me
Interpret(in):
The Turtles (late 60s US rock band)
recording of:
She’d Rather Be With Me
Verfasser(in):
Garry Bonner und Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
The Turtles3.352:20
6Turn, Turn, Turn
Judy Collins3:40
7I Can't See You
recording of:
I Can’t See You
Verfasser(in):
Larry Beckett und Tim Buckley (1960s~1970s US vocalist, songwriter, guitarist & producer)
Tim Buckley2:42
8Expecting to Fly
recording of:
Expecting to Fly
Texter und Komponist(in):
Neil Young (Canadian singer, songwriter & musician)
publisher:
Broken Arrow Music, Broken Arrow Music Pub, Co., Hipgnosis Side B, Richie Furay Music (BMI), Springalo Toones (BMI) und Ten‐East Music (BMI)
Buffalo Springfield3:44
9Painter Man
Produzent(in):
Shel Talmy
recording of:
Painter Man
Verfasser(in):
Eddie Phillips und Kenny Pickett
The Creation2:52
10Cherish
recording of:
Cherish
Texter und Komponist(in):
Terry Kirkman
publisher:
Beechwood Music Corp., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Association3:27
11La Mer (Beyond the Sea)
Bobby Darin2:55
12Lucille
cover recording of:
Lucille (am 1960-07-08)
Verfasser(in):
Albert Collins (US blues guitarist/vocalist/harmonica), Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) und Richard Wayne Penniman
publisher:
Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Universal/MCA Music Ltd. (not for release label use!) und Venice Music
The Everly Brothers2:32
13Save the Last Dance for Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-05-19)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1960-05-19)
Baritongesang:
Doc Green (am 1960-05-19)
Bass-Gesang:
Elsbeary Hobbs (am 1960-05-19)
Sologesang:
Benny Nelson (am 1960-05-19)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1960-05-19) und Johnny Williams (soul/blues vocalist) (am 1960-05-19)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-05-19)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 12) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 182)
recording of:
Save the Last Dance for Me (am 1960-05-19)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) und Trio Music (publisher) (in 1974)
The Drifters52:27
14Everybody Needs Somebody
Solomon Burke2:46
15When a Man Loves a Woman
Produzent(in):
Marlin Greene (’60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene (’60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:52
16Knock on Wood
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-07-13)
Produzent(in):
Steve Cropper
baritone saxophone:
probably Floyd Newman
Bassgitarre [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1966-07-13)
Gitarre:
Steve Cropper (am 1966-07-13)
Klavier:
Isaac Hayes (am 1966-07-13) und Booker T. Jones (am 1966-07-13)
Orgel:
Booker T. Jones (am 1966-07-13)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (am 1966-07-13)
Tenorsaxophon:
probably Andrew Love (am 1966-07-13)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1966-07-13)
vocals:
Eddie Floyd (am 1966-07-13)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recording of:
Knock on Wood (am 1966-07-13)
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Eddie Floyd43:05
17Land of 1000 Dances
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1966-05-08 bis 1966-05-11)
Bassgitarre [bass]:
Tommy Cogbill (von 1966-05-08 bis 1966-05-11)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-05-08 bis 1966-05-11) und Chips Moman (von 1966-05-08 bis 1966-05-11)
Klavier:
Spooner Oldham (von 1966-05-08 bis 1966-05-11)
Schlagzeug:
Roger Hawkins (von 1966-05-08 bis 1966-05-11)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-05-08 bis 1966-05-11) und Andrew Love (von 1966-05-08 bis 1966-05-11)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1966-05-08 bis 1966-05-11)
vocals:
Wilson Pickett (von 1966-05-08 bis 1966-05-11)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-05-08 bis 1966-05-11)
cover recording of:
Land of 1000 Dances (von 1966-05-08 bis 1966-05-11)
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. und Tune-Kel
Wilson Pickett42:27
18Soul Finger
The Bar‐Kays2:21
19Soul Man
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1967-08-10)
Produzent(in):
Isaac Hayes, David Porter (US soul musician, producer & songwriter) und Jim Stewart (US producer, founder for Stax & Volt Records)
Instrumente:
Booker T. & the MG’s (in 1967) und The Mar‐Keys Horns (in 1967)
Sologesang:
Sam Moore (singer, ex "Sam and Dave") (in 1967) und David Prater (soul artist) (in 1967)
phonographisches Urheberrecht (℗) von:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 458)
recording of:
Soul Man (am 1967-08-10)
Verfasser(in):
Isaac Hayes (in 1967) und David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) und Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:39
20Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:56

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