Pub Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1The Bucket
recording engineer:
Jacquire King
assistant engineer:
Robert Fulps
producer:
Ethan Johns and Angelo Petraglia
assistant mixer:
Chris Reynolds (keyboardist for Red Flag)
mixer:
Ethan Johns and Jacquire King
recorded at:
Three Crows Studio in North Hollywood, Los Angeles, California, United States
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 19)
recording of:
The Bucket
writer:
Caleb Followill, Jared Followill, Matthew Followill and Nathan Followill
Kings of Leon3.52:56
2Pumped Up Kicks
recording engineer, producer and mixer:
Mark Foster (of Foster the People)
performer:
Mark Foster (of Foster the People)
part of:
Grammy Award: Best Pop Duo/Group Performance nominees (number: 2012) and Indie 88: Top 500 Indie Rock Songs (number: 46)
recording of:
Pumped Up Kicks
lyricist and composer:
Mark Foster (of Foster the People)
publisher:
Smims Coffee and Tea Music Publishing
Foster the People4.24:00
3You Can Call Me Al
assistant engineer:
Mark Cobrin
engineer:
Roy Halee
producer:
Paul Simon (of Simon & Garfunkel)
baritone saxophone and bass saxophone:
Ronald E. Cuber
bass guitar:
Baghiti Khumalo
drums (drum set):
Isaac Mtshali
electric bass guitar [six-string electric bass] and background vocals:
Paul Simon (of Simon & Garfunkel)
guitar:
Chikapa “Ray” Phiri
guitar synthesizer:
Adrian Belew
percussion:
Ralph MacDonald
solo tin whistle [pennywhistle]:
Morris Goldberg (saxophonist and flutist)
synthesizer:
Rob Mounsey
trombone:
Kim Allan Cissel and David W. Bargeron (US trombonist & tubist)
trumpet:
Alan Rubin, John Faddis, Lewis Michael Soloff and Ronald E. Brecker
vocals:
Paul Simon (of Simon & Garfunkel)
horn arranger:
Rob Mounsey
additional arranger:
Chikapa “Ray” Phiri
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (from 1985-05 until 1986-04)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (in 1986)
recording of:
You Can Call Me Al
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music (in 1986)
Paul Simon4.44:40
4Mr. Blue Sky
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass:
Kelly Groucutt (in 1977)
drums (drum set), other instruments [fire extinguisher] and percussion:
Bev Bevan (English rock drummer) (in 1977)
guitar, synthesizer and lead vocals:
Jeff Lynne (in 1977)
keyboard:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1977)
background vocals:
Bev Bevan (English rock drummer) (in 1977) and Kelly Groucutt (in 1977)
conductor:
Louis Clark (in 1977)
arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
Jet Records (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977, in 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1977)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (in 1977)
mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 17) and Q50 – December 2005 (number: 33)
recording of:
Mr. Blue Sky (in 1977)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
Concerto for a Rainy Day
Electric Light Orchestra4.555:03
5Walk on the Wild Side
producer:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
double bass and electric bass guitar:
Herbie Flowers (in 1972-08)
drums (drum set):
John Halsey (in 1972-08)
background vocals:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
lead vocals:
Lou Reed (in 1972-08)
brass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
samples from:
2018-12-11: Lexicon Valley, “Why Language Can’t Be Tamed” by John McWhorter
part of:
Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 221)
recording of:
Walk on the Wild Side (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Six Continents Music Publishing Inc.
Lou Reed4.24:13
6Budapest
programming and producer:
Cam Blackwood
engineer:
Cam Blackwood and Liam Thorne
assistant producer:
Liam Thorne
assistant mixer:
Sean Julliard
mixer:
Cenzo Townshend (engineer)
bass synthesizer:
Cam Blackwood
guitar, keyboard and percussion:
Cam Blackwood and George Ezra
lead vocals:
George Ezra
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
recorded at:
Voltaire Road Recording Studios in Clapham, Lambeth, London (Greater London), England, United Kingdom
mixed at:
Decoy Studios in Studio City, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 89)
recording of:
Budapest
writer:
George Ezra Barnett and Joel Pott
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
George Ezra3.653:21
7Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (Van Morrison song) (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.253:03
8A Little Less Conversation (JXL radio edit remix)
assistant engineer:
Dan Milazzo and Claudius Mittendorfer (engineer, producer, mixer)
engineer:
Ray Bardani
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1968-03-07 until 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
phonographic copyright (℗) by:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 2002) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1968-03-07 until 1968-06-23)
mixed at:
Computer Hell Cabin in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
remix of:
A Little Less Conversation by Elvis Presley (“The King of Rock and Roll”)
cover recording of:
A Little Less Conversation (from 1968-03-07 until 1968-06-23)
writer:
Mac Davis (US country singer, songwriter & actor) and Billy Strange
publisher:
Carlin Music Corporation and Elvis Presley Music
Elvis vs. JXL3.453:33
9Should I Stay or Should I Go
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd. and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.43:09
10Dancing in the Dark
recording engineer:
Toby Scott (on 1984-02-14)
assistant engineer:
John R. Davenport (engineer), Jeff Hendrickson (sound engineer), Bruce Lampcov, Billy Straus and Zoë Yanakas
producer:
Jon Landau, Little Steven, Chuck Plotkin and Bruce Springsteen
mixer:
Bob Clearmountain (from 1984-02 until 1984-03-08)
bass guitar:
Garry Tallent (on 1984-02-14)
drums (drum set):
Max Weinberg (on 1984-02-14)
guitar and lead vocals:
Bruce Springsteen (on 1984-02-14)
organ:
Danny Federici (on 1984-02-14)
percussion and saxophone:
Clarence Clemons (on 1984-02-14)
piano and synthesizer:
Roy Bittan (on 1984-02-14)
phonographic copyright (℗) by:
Bruce Springsteen (in 1984)
phonographic copyright (℗) by:
Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1984-02-14)
mixed at:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 234)
recording of:
Dancing in the Dark (on 1984-02-14)
publisher:
Bruce Springsteen (in 1984)
lyricist and composer:
Bruce Springsteen (in 1984)
publisher:
Bruce Springsteen Music, Jonathan Msc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Bruce Springsteen4.54:01
11Human
producer:
Two Inch Punch (pop producer from London)
mixer:
Manny Marroquin
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2017)
music videos:
Human by Rag’n’Bone Man and Human (official video) by Rag’n’Bone Man
recording of:
Human (in 2016)
writer:
Jamie Hartman, Nick Monson and Rory Graham
Rag’n’Bone Man4.13:20
12Ring of Fire
recorded in:
Nashville, Tennessee, United States (on 1963-03-25)
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
performer:
The Carter Family (later generations of the family after 1943)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1963, in 1977)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 25), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 87), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 201) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 388)
cover recording of:
Ring of Fire (on 1963-03-25)
writer:
June Carter Cash (American Country singer and songwriter) and Merle Kilgore
publisher:
Painted Desert Music Corporation
Johnny Cash4.252:36
13Like a Rolling Stone
recorded in:
New York, New York, United States (on 1965-06-15)
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.) (from 1965-07-15 until 1965-07-16)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 4) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 16)
recording of:
Like a Rolling Stone (on 1965-06-15)
lyricist and composer:
Bob Dylan (in 1965)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bob Dylan4.556:10
14Africa
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
acoustic guitar:
Timothy B. Schmit
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) and gong:
Jeff Porcaro
electric guitar and guitar:
Steve Lukather
keyboard and piano:
David Paich
marimba:
Joe Porcaro
percussion:
Lenny Castro and Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
synthesizer:
Steve Porcaro
background vocals:
Bobby Kimball, Steve Lukather, David Paich and Timothy B. Schmit
lead vocals:
Bobby Kimball and David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
music videos:
Africa by Toto (US rock group)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 105) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 452)
recording of:
Africa (Toto)
writer:
Jeffrey Porcaro and David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.154:56
15Smooth
assistant recording engineer:
Steve Fontano
recording engineer and mixer:
David Thoener
programming and editor:
Mark Dobson (engineer)
mastering:
Stephen Marcussen (mastering engineer)
producer:
Matt Serletic
assistant mixer:
Andy Haller
bass guitar:
Benny Rietveld (bass guitar player)
congas:
Raul Rekow
drums (drum set):
Rodney Holmes
guitar:
Carlos Santana
keyboard:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
percussion:
Karl Perazzo
trombone:
Jeff Cressman and Jose Abel Figueroa
trumpet:
Julius Meléndez and Bill Ortiz
guest lead vocals and lead vocals:
Rob Thomas (Matchbox Twenty)
performer:
Rob Thomas (Matchbox Twenty)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1999) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (from 2005 to present)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
mixed at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States
part of:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much (number: 2000) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 206)
recording of:
Smooth
lyricist:
Rob Thomas (Matchbox Twenty)
composer:
Itaal Shur and Rob Thomas (Matchbox Twenty)
publisher:
Bidnis, Inc., EMI April Music Inc., EMI Blackwood Music Inc., Itaal Shur Music and U Rule Music
Santana feat. Rob Thomas3.14:58
1699 Red Balloons
producer:
Jay Faires, Tricia Holloway, Reinhold Heil (from 1982 until 1983) and Manne Praeker (from 1982 until 1983)
lead vocals:
Nena (the person, performing solo since 1987) (in 1983)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (in 1983) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
recorded at:
Spliff Studio in Berlin, Germany (from 1982 until 1983)
part of:
TV Cream: Real 100 Best Singles Ever (number: 64)
recording of:
99 Red Balloons (from 1982 until 1983)
lyricist:
Carlo Karges (in 1982)
composer:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
translator:
Kevin McAlea (in 1983)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Songs Ltd.
translated version of:
99 Luftballons
Nena3.84:44
17I Am the Resurrection
engineer:
Paul Schroeder (UK rock/pop producer, engineer & remixer)
producer:
John Leckie
bass guitar:
Gary Mounfield
drums (drum set) and background vocals:
Reni
guitar:
John Squire
vocals:
Ian Brown (UK singer, member of Stone Roses)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom (from 1988-08 until 1989-01)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 8)
recording of:
I Am the Resurrection
writer:
Ian Brown (UK singer, member of Stone Roses) and John Squire
The Stone Roses4.58:14
18Alive
additional engineer:
Don Gilmore (American rock/nu metal music producer), Dave Hillis and Adrian Moore (recording engineer)
producer:
Rick Parashar and Pearl Jam
mixer:
Tim Palmer (British producer/mixer)
bass guitar:
Jeff Ament (from 1991-03 until 1991-04)
drums (drum set):
Dave Krusen (from 1991-03 until 1991-04)
guitar:
Stone Gossard (from 1991-03 until 1991-04) and Mike McCready (from 1991-03 until 1991-04)
lead vocals:
Eddie Vedder (from 1991-03 until 1991-04)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recorded at:
London Bridge Studios in Seattle, Washington, United States (from 1991-03 until 1991-04)
mixed at:
Ridge Farm Studios in Dorking, Surrey, England, United Kingdom (in 1991-06)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 26), Indie 88: Top 500 Indie Rock Songs (number: 158) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 416)
recording of:
Alive (from 1991-03 until 1991-04)
lyricist:
Eddie Vedder
composer:
Stone Gossard
Pearl Jam4.255:41
19If You Tolerate This Your Children Will Be Next
assistant engineer and assistant producer:
Lee Butler (UK engineer)
engineer, producer and mixer:
Dave Eringa
assistant mixer:
John Bailey (engineer)
12 string guitar and acoustic guitar:
James Dean Bradfield
bass guitar [bass]:
Nicky Wire
drums (drum set):
Sean Moore (Manic Street Preachers)
Hammond organ [Hammond], mellotron and Wurlitzer electric piano [Wurlitzer]:
Nick Nasmyth
percussion:
Andy Duncan (UK drummer and producer)
vocals:
James Dean Bradfield
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1998)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
music videos:
If You Tolerate This Your Children Will Be Next by Manic Street Preachers
recording of:
If You Tolerate This Your Children Will Be Next
lyricist:
Nicky Wire
composer:
James Dean Bradfield and Sean Moore (Manic Street Preachers)
Manic Street Preachers44:50
20Come Closer
recording engineer and mixer:
Tom Elmhirst (mixing engineer)
assistant engineer:
Alexis Smith (producer Dan Carey's engineer)
additional producer:
Dan the Automator
assistant producer:
Tim Carter (multi-instrment musician & engineer)
producer:
Dan Carey (producer, writer, mixer, remixer)
bass guitar and keyboard:
Dan Carey (producer, writer, mixer, remixer)
drums (drum set):
Leo Taylor (drummer, producer, and DJ)
guitar:
Miles Kane
background vocals:
Lianne Barnes and Gruff Rhys
vocals:
Miles Kane
recording of:
Come Closer
lyricist and composer:
Miles Kane
recording of:
Come Closer
writer:
Miles Kane
Miles Kane4.52:59
21Tribute
additional engineer:
Adam Kasper
assistant engineer:
Tony Schloss
engineer:
Bernie Becker
producer:
The Dust Brothers (production duo John King & Mike Simpson)
assistant mixer:
Cameron Webb (engineer)
mixer:
Ken Andrews
acoustic guitar:
Kyle Gass (US musician & actor)
bass:
Steve McDonald (American bass player & producer)
electric guitar:
Warren Fitzgerald
guitar:
Ken Andrews and Jack Black (American actor/singer/comedian)
keyboard:
Page McConnell
percussion:
Alfredo Ortiz (percussion)
vocals:
Jack Black (American actor/singer/comedian) and Kyle Gass (US musician & actor)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2001)
recorded at:
ArchAngel Recording Studio and The Boat (PCP Labs) in Silver Lake, Los Angeles, California, United States
recording of:
Tribute
lyricist and composer:
Jack Black (American actor/singer/comedian) and Kyle Gass (US musician & actor)
publisher:
Buttflap Music and Time for My Breakfast Music
Tenacious D4.154:08
22Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.853:59
23Tribute
additional engineer:
Adam Kasper
assistant engineer:
Tony Schloss
engineer:
Bernie Becker
producer:
The Dust Brothers (production duo John King & Mike Simpson)
assistant mixer:
Cameron Webb (engineer)
mixer:
Ken Andrews
acoustic guitar:
Kyle Gass (US musician & actor)
bass:
Steve McDonald (American bass player & producer)
electric guitar:
Warren Fitzgerald
guitar:
Ken Andrews and Jack Black (American actor/singer/comedian)
keyboard:
Page McConnell
percussion:
Alfredo Ortiz (percussion)
vocals:
Jack Black (American actor/singer/comedian) and Kyle Gass (US musician & actor)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2001)
recorded at:
ArchAngel Recording Studio and The Boat (PCP Labs) in Silver Lake, Los Angeles, California, United States
recording of:
Tribute
lyricist and composer:
Jack Black (American actor/singer/comedian) and Kyle Gass (US musician & actor)
publisher:
Buttflap Music and Time for My Breakfast Music
Tenacious D4.154:08
24More Than a Feeling
assistant engineer:
Bruce Hensal, Deni King (engineer) and Doug Rider
engineer:
Warren Dewey and Tom Scholz
producer:
John Boylan and Tom Scholz
assistant mixer:
Steve Hodge (engineer and producer)
acoustic guitar, bass guitar, guitar [lead guitar] and guitar [rhythm guitar]:
Tom Scholz (from 1975 until 1976)
drums (drum set) and percussion:
Sib Hashian (from 1975 until 1976)
lead vocals and lead vocals [Harmony]:
Brad Delp (from 1975 until 1976)
arranger:
Brad Delp and Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
earliest release:
More Than a Feeling by Boston (US rock band)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 39), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 500)
recording of:
More Than a Feeling (from 1975 until 1976)
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Pure Songs (in 1976)
Boston3.94:45
25Don’t Stop Believin’
assistant engineer:
Wally Buck
engineer:
Kevin Elson
producer:
Kevin Elson and Mike Stone (producer and engineer, 1960s–80s)
bass guitar:
Ross Valory (from 1981-04 until 1981-06)
drums (drum set) and percussion:
Steve Smith (US drummer most associated with Journey) (from 1981-04 until 1981-06)
guitar:
Neal Schon (from 1981-04 until 1981-06)
keyboard and piano:
Jonathan Cain (from 1981-04 until 1981-06)
background vocals:
Jonathan Cain (from 1981-04 until 1981-06), Neal Schon (from 1981-04 until 1981-06) and Ross Valory (from 1981-04 until 1981-06)
lead vocals:
Steve Perry (former lead singer of Journey) (from 1981-04 until 1981-06)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1981-04 until 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
part of:
SWR1 Hitparade 2022 (Baden-Württemberg) (number: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 11), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 51) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 133)
recording of:
Don’t Stop Believin’ (Journey song) (from 1981-04 until 1981-06)
writer:
Jonathan Cain, Steve Perry (former lead singer of Journey) and Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) and Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Journey4.34:10
26Jessie’s Girl
producer:
Keith Olsen (US producer and engineer)
arranger:
Neil Geraldo, Keith Olsen (US producer and engineer) and Rick Springfield
phonographic copyright (℗) by:
BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2001) and Wizard Records (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 20) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 55)
recording of:
Jessie’s Girl
lyricist and composer:
Rick Springfield
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. and Wizard Music
Rick Springfield4.453:13
27We Built This City
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Bill Bottrell
other vocals [DJ voice]:
Les Garland (American entertainment executive) (in 1985)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
BMG Music (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
remixed at:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, United States
recording of:
We Built This City (in 1985)
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) and Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship44:54
28Ziggy Stardust
recorded at:
Point Theatre in Dublin, County Dublin, Leinster, Ireland (from 2003-11-22 until 2003-11-23)
live recording of:
Ziggy Stardust (from 2003-11-22 until 2003-11-23)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG RM Chrysalis Music France, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Éditer à Paris, EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), Fleur Music Ltd. (publisher), Jones Music America, Mainman Saag (New York), Tintoretto Music, フジパシフィックミュージック (Fujipacific Music, Inc.), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
David Bowie43:45
29Lean on Me (single version)
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
drums (drum set) and percussion:
James Gadson (American drummer) (in 1972)
electric bass guitar:
Melvin Dunlap (in 1972)
electric guitar:
Benorce Blackmon (guitarist, producer, writer) (in 1972)
piano and lead vocals:
Bill Withers (in 1972)
Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger) (in 1972)
strings arranger:
Ray Jackson (trombonist, pianist and arranger)
phonographic copyright (℗) by:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 236)
recording of:
Lean on Me (in 1972)
lyricist and composer:
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.34:17