Bach Collection

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Brandenburgisches Konzert Nr. 1 in F-Dur, BWV 1046: [ohne Bezeichnung]
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
4:02
2Brandenburgisches Konzert Nr. 1 in F-Dur, BWV 1046: Adagio
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
4:27
3Brandenburgisches Konzert Nr. 1 in F-Dur, BWV 1046: Allegro
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
4:36
4Brandenburgisches Konzert Nr. 1 in F-Dur, BWV 1046: Menuetto (Trio - Polonaise - Trio)
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto – Trio I – Menuetto da capo – Polacca – Menuetto da capo – Trio II – Menuetto da capo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
8:06
5Brandenburgisches Konzert Nr. 2 in F-Dur, BWV 1047: [ohne Bezeichnung]
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
4:45
6Brandenburgisches Konzert Nr. 2 in F-Dur, BWV 1047: Andante
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
3:44
7Brandenburgisches Konzert Nr. 2 in F-Dur, BWV 1047: Allegro assai
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
2:43
8Brandenburgisches Konzert Nr. 3 in G-Dur, BWV 1048: [ohne Bezeichnung]
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
6:03
9Brandenburgisches Konzert Nr. 3 in G-Dur, BWV 1048: Allegro
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
2:59
2▼CD
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1Konzert für Klavier, Streicher und Basso continuo Nr. 1 in d-Moll, BWV 1052: Allegro
piano:
Dana Milanova
orchestra:
Sofia Soloists Chamber Ensemble
conductor:
Vassil Kazandjiev
recording of:
Keyboard Concerto in D minor, BWV 1052: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Harpsichord Concerto No.1 in D minor, BWV 1052a: I. Allegro (early version of BWV 1052)
part of:
Keyboard Concerto in D minor, BWV 1052
8:51
2Konzert für Klavier, Streicher und Basso continuo Nr. 1 in d-Moll, BWV 1052: Adagio
piano:
Dana Milanova
orchestra:
Sofia Soloists Chamber Ensemble
conductor:
Vassil Kazandjiev
recording of:
Keyboard Concerto in D minor, BWV 1052: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Keyboard Concerto in D minor, BWV 1052a: II. Adagio (early version of BWV 1052)
part of:
Keyboard Concerto in D minor, BWV 1052
7:55
3Konzert für Klavier, Streicher und Basso continuo Nr. 1 in d-Moll, BWV 1052: Allegro moderato
piano:
Dana Milanova
orchestra:
Sofia Soloists Chamber Ensemble
conductor:
Vassil Kazandjiev
recording of:
Keyboard Concerto in D minor, BWV 1052: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Keyboard Concerto in D minor, BWV 1052a: III. Allegro (early version of BWV 1052)
part of:
Keyboard Concerto in D minor, BWV 1052
8:30
4Konzert für Klavier, Streicher und Basso continuo Nr. 4 in A-Dur, BWV 1055: Allegro moderato
piano:
Dana Milanova
orchestra:
Sofia Soloists Chamber Ensemble
conductor:
Vassil Kazandjiev
recording of:
Keyboard Concerto no. 4 in A major, BWV 1055: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 4 in A major, BWV 1055
5:11
5Konzert für Klavier, Streicher und Basso continuo Nr. 4 in A-Dur, BWV 1055: Larghetto
piano:
Dana Milanova
orchestra:
Sofia Soloists Chamber Ensemble
conductor:
Vassil Kazandjiev
recording of:
Keyboard Concerto no. 4 in A major, BWV 1055: II. Larghetto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 4 in A major, BWV 1055
5:13
6Konzert für Klavier, Streicher und Basso continuo Nr. 4 in A-Dur, BWV 1055: Allegro ma non troppo
piano:
Dana Milanova
orchestra:
Sofia Soloists Chamber Ensemble
conductor:
Vassil Kazandjiev
recording of:
Keyboard Concerto no. 4 in A major, BWV 1055: III. Allegro ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 4 in A major, BWV 1055
4:41
7Konzert für Klavier, Streicher und Basso continuo Nr. 5 in f-Moll, BWV 1056: Allegro moderato
piano:
Dana Milanova
orchestra:
Sofia Soloists Chamber Ensemble
conductor:
Vassil Kazandjiev
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
3:26
8Konzert für Klavier, Streicher und Basso continuo Nr. 5 in f-Moll, BWV 1056: Largo
piano:
Dana Milanova
orchestra:
Sofia Soloists Chamber Ensemble
conductor:
Vassil Kazandjiev
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
3:20
9Konzert für Klavier, Streicher und Basso continuo Nr. 5 in f-Moll, BWV 1056: Allegro con fuoco
piano:
Dana Milanova
orchestra:
Sofia Soloists Chamber Ensemble
conductor:
Vassil Kazandjiev
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: III. Presto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
3:59
10Konzert für zwei Klaviere, Streicher und Basso continuo in C-Dur, BWV 1056: Allegro moderato
piano:
Julia Ganev (Bulgarian pianist) and Konstantin Ganev (Bulgarian pianist)
orchestra:
Sofia Soloists Chamber Ensemble
conductor:
Yordan Dufov
recording of:
Concerto in C major for Two Harpsichords, BWV 1061: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto in C major for Two Harpsichords, BWV 1061
7:09
11Konzert für zwei Klaviere, Streicher und Basso continuo in C-Dur, BWV 1056: Adagio - Largo
piano:
Julia Ganev (Bulgarian pianist) and Konstantin Ganev (Bulgarian pianist)
orchestra:
Sofia Soloists Chamber Ensemble
conductor:
Yordan Dufov
recording of:
Concerto in C major for Two Harpsichords, BWV 1061: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto in C major for Two Harpsichords, BWV 1061
5:12
12Konzert für zwei Klaviere, Streicher und Basso continuo in C-Dur, BWV 1056: Allegro
piano:
Julia Ganev (Bulgarian pianist) and Konstantin Ganev (Bulgarian pianist)
orchestra:
Sofia Soloists Chamber Ensemble
conductor:
Yordan Dufov
recording of:
Concerto in C major for Two Harpsichords, BWV 1061: III. Vivace
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto in C major for Two Harpsichords, BWV 1061
5:12
3▼CD
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1Toccata und Fuge in d-Moll, BWV 565
producer:
Horst Kunze (balance engineer)
organ:
Hannes Kästner (German organist and cembalist) (in 1981)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (in 1981)
recording of:
Toccata und Fuge d-Moll, BWV 565 (in 1981)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
9:27
2Präludium und Fuge in Es-Dur (aus Clavierübung III), BWV 552
organ:
Gábor Lehotka (organist)
recording of:
Präludium und Fuge Es-Dur, BWV 552 (Prelude and Fugue in E-flat major, BWV 552)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 552)
15:03
3Fantasie mit Fuge in a-Moll, BWV 561
organ:
Gábor Lehotka (organist)
recording of:
Fantasia and Fugue in A minor, BWV 561
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 561)
8:32
4Präludium (Große Fantasie) und Fuge in g-Moll, BWV 542
organ:
Gábor Lehotka (organist)
recording of:
Fantasie (Praeludium) und Fuge g-Moll, BWV 542 (Fantasia and Fugue in G minor, BWV 542)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1720 until 1725)
part of:
Bach-Werke-Verzeichnis (number: BWV 542)
11:42
5Choral „O Mensch, bewein dein Sünde groß“ (aus dem Orgelbüchlein), BWV 622
organ:
Gábor Lehotka (organist)
recording of:
Choralvorspiel, BWV 622 "O Mensch bewein dein Sünde groß"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 24) and Bach-Werke-Verzeichnis (number: BWV 622)
4:51
6Choral „Vater unser im Himmelreich“ (aus Clavierübung III), BWV 683
organ:
Gábor Lehotka (organist)
recording of:
Choralbearbeitung, BWV 683 "Vater unser im Himmelreich"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 15), Bach Compendium (number: BC K 15) and Bach-Werke-Verzeichnis (number: BWV 683)
1:22
7Choral „Herzlich tut mich verlangen“, BWV 727
organ:
Gábor Lehotka (organist)
recording of:
Herzlich tut mich verlangen, BWV 727
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 727)
2:39
8Choral (Fughetta) „Gottes Sohn ist gekommen“ (aus Kirnbergers Sammlung), BWV 702
organ:
Gábor Lehotka (organist)
recording of:
Gottes Sohn ist kommen, BWV 703
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chorale Preludes, Kirnberger Collection (number: 14) and Bach-Werke-Verzeichnis (number: BWV 703)
0:46
9Choral „Das alte Jahr vergangen ist“ (aus dem Orgelbüchlein), BWV 614
organ:
Gábor Lehotka (organist)
recording of:
Choralvorspiel, BWV 614 "Das alte Jahr vergangen ist"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 16) and Bach-Werke-Verzeichnis (number: BWV 614)
2:36
10Fuge in g-Moll (aus den Kleinen Orgelfugen), BWV 578
organ:
Gábor Lehotka (organist)
recording of:
Fugue in G minor, BWV 578 ("Little")
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: BC J 66) and Bach-Werke-Verzeichnis (number: BWV 578)
3:53
4▼CD
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1Matthäus-Passion, BWV 244: Nr. 1 Chor „Kommt, ihr Töchter, helft mir klagen“
choir vocals:
Chorale des Jeunesses Musicales de France
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
8:11
2Matthäus-Passion, BWV 244: Nr. 2 Choral „Herzliebster Jesu, was hast du verbrochen“
choir vocals:
Chorale des Jeunesses Musicales de France
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (in 1976-05)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
0:50
3Matthäus-Passion, BWV 244: Nr. 21 Choral „Erkenne mich, mein Hüter“
choir vocals:
Chorale des Jeunesses Musicales de France
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (in 1976-05)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
1:02
4Matthäus-Passion, BWV 244: Nr. 25 Rezitativ „O Schmerz“ / Nr. 26 Arie und Chor „Ich will bei meinem Jesu wachen“
choir vocals:
Chorale des Jeunesses Musicales de France
tenor vocals:
Zeger Vandersteene (Belgian tenor, opera singer)
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (in 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
7:29
5Matthäus-Passion, BWV 244: Nr. 31 Choral „Was mein Gott will, das g'scheh allzeit“
choir vocals:
Chorale des Jeunesses Musicales de France
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (in 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
1:06
6Matthäus-Passion, BWV 244: Nr. 33 Duett und Chor „So ist mein Jesu nun gefangen“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
choir vocals:
Chorale des Jeunesses Musicales de France
soprano vocals:
Kalmár Magda (soprano)
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (in 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
4:55
7Matthäus-Passion, BWV 244: Nr. 35 Choral „O Mensch, bewein dein Sünde groß“
choir vocals:
Chorale des Jeunesses Musicales de France
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (in 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
7:07
8Matthäus-Passion, BWV 244: Nr. 36 Arie und Chor „Ach! Nun ist mein Jesu hin!“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
choir vocals:
Chorale des Jeunesses Musicales de France
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
4:45
9Matthäus-Passion, BWV 244: Nr. 44 Choral „Wer hat dich so geschlagen?“
choir vocals:
Chorale des Jeunesses Musicales de France
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 1976-05)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
1:02
10Matthäus-Passion, BWV 244: Nr. 48 Choral „Bin ich gleich von dir gewichen“
choir vocals:
Chorale des Jeunesses Musicales de France
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1976-05)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
1:03
11Matthäus-Passion, BWV 244: Nr. 53 Choral „Befiehl du deine Wege“
choir vocals:
Chorale des Jeunesses Musicales de France
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 1976-05)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
1:17
12Matthäus-Passion, BWV 244: Nr. 62 Rezitativ „Da nahmen die Kriegsknechte Jesu“ / Nr. 63 Choral „O Haupt voll Blut und Wunden“
choir vocals:
„Jeunesses Musicales“ Chorus
tenor vocals:
Dénes Gulyás (tenor)
orchestra:
Franz Liszt Chamber Orchestra (Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden"
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
4:49
13Matthäus-Passion, BWV 244: Nr. 67 Chor „Der du den Tempel Gottes zerbrichst“
choir vocals:
Chorale des Jeunesses Musicales de France
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori) (in 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
1:48
14Matthäus-Passion, BWV 244: Nr. 72 Choral „Wenn ich einmal soll scheiden“
choir vocals:
Chorale des Jeunesses Musicales de France
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 1976-05)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
1:34
15Matthäus-Passion, BWV 244: Nr. 77 Rezitativ und Chor „Nun ist der Herr zur Ruh gebracht“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
bass vocals:
Ernst Gerold Schramm (German baritone)
choir vocals:
Chorale des Jeunesses Musicales de France
soprano vocals:
Kalmár Magda (soprano)
tenor vocals:
Zeger Vandersteene (Belgian tenor, opera singer)
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:40
16Matthäus-Passion, BWV 244: Nr. 78 Choral „Wir setzen uns mit Tränen nieder“
choir vocals:
Chorale des Jeunesses Musicales de France
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:31