The Original Sound

~ Release by Purcell, Bach, Handel, Mozart, Beethoven; Bowman, Coin, Hogwood, Kirkby, Lubin, Östman, Pickett, Rousset (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Dum pater familias
engineer:
Jonathan Stokes (engineer)
producer:
Peter Wadland (producer)
orchestra:
New London Consort (from 1989-10 until 1989-11)
conductor:
Philip Pickett (musician) (from 1989-10 until 1989-11)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1989-10 until 1989-11)
recording of:
Codex Calixtinus (Jacobus) Polyphony: Dum pater familias (Version 1) (from 1989-10 until 1989-11)
part of:
Codex Calixtinus
[anonymous]5:32
2Philou
engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
orchestra:
New London Consort (in 1985-03)
conductor:
Philip Pickett (musician) (in 1985-03)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1985-03)
recording of:
Terpsichore, No. 22: Philou à 4 (in 1985-03)
composer:
Michael Praetorius (composer and organist)
part of:
Terpsichore, Musarum Aoniarum
Michael Praetorius3:00
3Canzon decima detta la Paulini
engineer:
Jonathan Stokes (engineer)
producer:
Peter Wadland (producer)
instruments:
Amsterdam Loeki Stardust Quartet (in 1989-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1991)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-11)
recording of:
Canzoni alla francese in partitura: Canzon Decima detta la Paulini, F 10.10
composer:
Girolamo Frescobaldi (composer) (in 1645)
part of:
Frescobaldi Thematic Catalogue Online (number: F 10.10)
part of:
Canzoni alla francese in partitura, libro quarto (Venice: Alessandro Vincenti, 1645)
Girolamo Frescobaldi2:23
4Abdelazer: Rondeau
engineer:
Philip Wade (engineer)
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (in 1974-03)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1974-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1974-03)
recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:36
5Stabat Mater
engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer) (in 1988-08)
editor:
Matthew Hutchinson (engineer / editor)
countertenor vocals:
James Bowman (UK countertenor) (in 1988-08)
soprano vocals:
Emma Kirkby (soprano) (in 1988-08)
orchestra:
Academy of Ancient Music (in 1988-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1988-08)
balance engineer:
John Dunkerley (engineer) (in 1988-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1989)
recorded at:
St Jude’s Church in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1988-08)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa (in 1988-08)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:30
6Cello Concerto in D minor, RV 406: I. (Allegro)
engineer:
Jonathan Stokes (engineer)
producer:
Peter Wadland (producer)
editor:
Timothy Bull
cello:
Christophe Coin (cellist) (in 1990-08)
orchestra:
Academy of Ancient Music (in 1990-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1991)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Concerto for Cello in D minor, RV 406: I. Allegro non molto (in 1990-08)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Cello in D minor, RV 406
Antonio Vivaldi2:47
7Menuet
engineer and balance engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer)
flute:
Lisa Beznosiuk (flautist) (in 1988-02)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1988-02)
orchestra:
Academy of Ancient Music (in 1988-02)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1988-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1988)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1988-02)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (in 1988-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:20
8Badinerie
engineer and balance engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer)
flute:
Lisa Beznosiuk (flautist) (in 1988-02)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1988-02)
orchestra:
Academy of Ancient Music (in 1988-02)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1988-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1988)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1988-02)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1988-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:26
9‘Ei! wie schmeckt der Coffee süße’
producer:
Peter Wadland (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer) (from 1986-09-09 until 1986-09-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1987)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
compilation of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria "Ei, wie schmeckt der Coffee süße" (Liesgen) by Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach5:09
10L’Egyptienne
engineer:
Jonathan Stokes (engineer)
producer:
Peter Wadland (producer)
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1989-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1991)
recorded at:
Church of Saint-Hippolyte in Castres, Tarn, Occitanie (Occitania), France (in 1989-06)
recording of:
Nouvelles Suites de Pièces de Clavecin: L'Égyptienne (in 1989-06)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Nouvelles Suites de Pièces de Clavecin: Suite in G major/G minor
Jean‐Philippe Rameau3:12
11Orlando: ‘Trionfa oggi’l mio cor’
engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer)
bass vocals:
David Thomas (British operatic bass) (from 1989-03 until 1990-07)
contralto vocals:
Catherine Robbin (Canadian mezzo-soprano) (from 1989-03 until 1990-07)
countertenor vocals:
James Bowman (UK countertenor) (from 1989-03 until 1990-07)
soprano vocals:
Arleen Augér (soprano) (from 1989-03 until 1990-07) and Emma Kirkby (soprano) (from 1989-03 until 1990-07)
orchestra:
The Academy of Ancient Music (from 1989-03 until 1990-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1989-03 until 1990-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1991)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1989-03 until 1990-07)
recording of:
Orlando, HWV 31: Atto III, Scena X. Soli e Coro “Trionfa oggi’l mio cor” (Orlando, Angelica, Medoro, Dorinda, tutti)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Orlando, HWV 31: Atto III
George Frideric Handel2:08
12Water Music: Air & Hornpipe
recorded in:
London (Greater London), England, United Kingdom (from 1980-09 until 1980-12)
engineer:
John Dunkerley (engineer) and Stanley Goodall (engineer)
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (from 1980-09 until 1980-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1980-09 until 1980-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1981)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VIII. Hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel7:04
13Flute & Harp Concerto: II. Andantino
engineer:
Simon Eadon (classical music engineer)
producer:
Peter Wadland (producer)
flute:
Lisa Beznosiuk (flautist) (in 1986-09)
harp:
Frances Kelly (harpist) (in 1986-09)
orchestra:
The Academy of Ancient Music (in 1986-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1986-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1988)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-09)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart8:32
14Così fan tutte: ‘Soave sia il vento’
engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer)
bass vocals:
Carlos Feller (operatic bass) (from 1984-07 until 1984-08)
soprano vocals:
Alicia Nafé (mezzo-soprano) (from 1984-07 until 1984-08) and Rachel Yakar (soprano) (from 1984-07 until 1984-08)
orchestra:
Orchestra of the Drottingholm Court Theatre (Swedish period instrument ensemble) (from 1984-07 until 1984-08)
conductor:
Arnold Östman (Swedish conductor) (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1985)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1984-07 until 1984-08)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:31
15Mass in C minor, K 427: Qui tollis
recording engineer:
John Pellowe (audio engineer) (in 1988-11)
engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
bass vocals:
David Thomas (British operatic bass) (in 1988-11)
choir vocals:
Winchester Cathedral Choir (in 1988-11) and Winchester College Quiristers (in 1988-11)
soprano vocals [Soprano I]:
Arleen Augér (soprano) (in 1988-11)
soprano vocals [Soprano II]:
Lynne Dawson (soprano) (in 1988-11)
tenor vocals:
John Mark Ainsley (tenor) (in 1988-11)
orchestra:
Academy of Ancient Music (in 1988-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1988-11)
chorus master:
David Hill (organist and conductor) (in 1988-11) and Julian Smith (UK baritone singer, teacher and choirmaster at Winchester College) (in 1988-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1990)
recorded at:
St. Jude’s Church, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Great Mass in C minor, K. 427: II. Gloria (ed. Maunder) (in 1988-11)
additional composer:
Richard Maunder (musicologist)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Great Mass in C minor, K. 427 (ed. Maunder)
Wolfgang Amadeus Mozart4:53
16Symphony no. 31 ‘Hornsignal’: I. Allegro
engineer:
Simon Eadon (classical music engineer)
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (from 1988-11 until 1989-04)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1988-11 until 1989-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1990)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1988-11 until 1989-04)
recording of:
Symphony no. 31 in D major, Hob. I:31 “Hornsignal”: I. Allegro
composer:
Joseph Haydn (composer) (in 1765)
publisher:
Oxford University Press
part of:
Symphony no. 31 in D major, Hob. I:31 “Hornsignal”
Joseph Haydn7:15
17The Creation: ‘The Heavens Are Telling…’
engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer)
bass-baritone vocals:
Michael George (operatic bass) (in 1990-02)
choir vocals:
Academy of Ancient Music Chorus (in 1990-02) and Choir of New College Oxford (in 1990-02)
soprano vocals:
Emma Kirkby (soprano) (in 1990-02)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1990-02)
orchestra:
Academy of Ancient Music (in 1990-02)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-02)
chorus master:
Simon Halsey (conductor) (in 1990-02) and Edward Higginbottom (keyboardist, organist) (in 1990-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1990)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-02)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn3:42
18Piano Concerto no. 1: III. Rondo: Allegro
engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer)
fortepiano:
Steven Lubin (pianist) (in 1987-09)
orchestra:
Academy of Ancient Music (in 1987-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1987-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1988)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1987-09)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando (in 1987-09)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven8:59

Credits

Release

manufactured in:Germany
printed in:Germany
art direction:David Smart (classical music graphic designer/art director)
illustration:Evert Collier (painter)
copyrighted (©) by:The Decca Record Company Limited (for copyrights use only!) (in 1992)
Discogs:https://www.discogs.com/release/5564577 [info]
ASIN:UK: B0002WTK7A [info]