Highlights

~ Release by Stan Getz (see all versions of this release, 1 available)

Annotation

The CD-release lists three different catalog-numbers altogether:

"847430-2" on the cover (both spines and the back-cover)
"847431-2" on the first CD
"847432-2" on the second CD

Annotation last modified on 2012-09-14 12:23 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Stella by Starlight
recorded in:
New York, New York, United States (on 1952-12-12)
producer:
Norman Granz
bass guitar and double bass:
Bill Crow (on 1952-12-12)
drums (drum set):
Frank Isola (on 1952-12-12)
guitar:
Jimmy Raney (on 1952-12-12)
piano:
Duke Jordan (on 1952-12-12)
tenor saxophone:
Stan Getz (on 1952-12-12)
instrumental recording of:
Stella by Starlight (on 1952-12-12)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:44
2Cool Mix
3:06
3Exactly Like You
5:00
4With the Wind and the Rain
3:48
5It Don’t Mean a Thing
5:32
6Night in Tunisia
6:09
7A Handful of Stars
3:20
8Over the Rainbow
5:23
9Wee (Allen’s Alley)
8:29
10Smiles
bass:
Leroy Vinnegar (on 1957-08-02)
drums (drum set):
Stan Levey (on 1957-08-02)
piano:
Lou Levy (on 1957-08-02)
tenor saxophone:
Stan Getz (on 1957-08-02)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-08-02)
4:46
11Blues for Herky
recording of:
Blues for Herky
composer:
Stan Getz
publisher:
Lynnstorm Publ. Co.
3:49
12Ballad
5:46
13You’re Blase
3:59
14My Funny Valentine
8:33
2▼CD
#TitleRatingLength
1Gold Rush
baritone saxophone:
Lars Gullin (on 1958-09-16)
double bass:
Gunnar Johnson (on 1958-09-16)
drums (drum set):
William Schiöpffe (on 1958-09-16)
piano:
Jan Johansson (Swedish jazz pianist, composer of Pippi Longstocking song) (on 1958-09-16)
tenor saxophone:
Stan Getz (on 1958-09-16) and Erik Nordström (saxophone, arranger) (on 1958-09-16)
trombone:
Åke Persson (on 1958-09-16)
trumpet:
Benny Bailey (on 1958-09-16)
4:22
2Goodbye
3:41
3’round Midnight
3:06
4I’m Late, I’m Late
recorded in:
New York, New York, United States (on 1961-07-14)
cello:
Bruce Rogers (on 1961-07-14)
double bass [bass]:
John Neves (on 1961-07-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1961-07-14)
tenor saxophone:
Stan Getz (on 1961-07-14)
viola:
Jacob Glick (American violist) (on 1961-07-14)
violin:
Norman Carr (on 1961-07-14), Alan Martin (on 1961-07-14) and Gerald Tarack (on 1961-07-14)
conductor:
Hershy Kay (on 1961-07-14)
arranger:
Eddie Sauter
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recording of:
I’m Late, I’m Late
composer:
Eddie Sauter
publisher:
Cressada Music Inc. (publisher for Eddie Sauter)
part of:
Focus
8:12
5Desafinado
recording engineer:
Edward Green (engineer) (on 1962-02-13)
producer:
Norman Granz and Creed Taylor
bass and guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
bass guitar:
Gene “Joe” Byrd (jazz lyrical bassist)
double bass:
Keter Betts (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
instrumental cover recording of:
Desafinado (on 1962-02-13)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
45:52
6Manha de Carnaval
recorded in:
New York, New York, United States (on 1962-08-28)
alto flute:
Eddie Caine (saxophone player, not the rapper) (on 1962-08-28)
bass:
Tommy Williams (jazz bassist) (on 1962-08-28)
bass clarinet:
Romeo Penque (on 1962-08-28)
bass trombone:
Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Tony Studd (on 1962-08-28)
cabasa:
Carmen Costa (on 1962-08-28)
clarinet:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28), Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1962-08-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (on 1962-08-28)
flute:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28)
French horn:
Ray Alonge (french horn) (on 1962-08-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion and piano:
Hank Jones (piano) (on 1962-08-28)
tambourine:
José Paulo (percussionist) (on 1962-08-28)
tenor saxophone:
Stan Getz (on 1962-08-28)
trombone:
Bob Brookmeyer (on 1962-08-28), Willie Dennis (on 1962-08-28), Joe Ferrante (on 1962-08-28), Tony Studd (on 1962-08-28) and Nick Travis (on 1962-08-28)
trumpet:
Joe Ferrante (on 1962-08-28), Doc Severinsen (on 1962-08-28), Clark Terry (American swing trumpeter) (on 1962-08-28) and Nick Travis (on 1962-08-28)
orchestra:
Gary McFarland and His Orchestra (on 1962-08-28)
conductor:
Gary McFarland (on 1962-08-28)
arranger:
Luiz Bonfá and Gary McFarland
instrumental recording of:
Manhã de Carnaval (on 1962-08-28)
lyricist:
Antônio Maria
composer:
Luiz Bonfá
5:51
7Girl From Ipanema
recording engineer:
Phil Ramone
producer:
Creed Taylor
bass guitar:
Tommy Williams (jazz bassist) (from 1963-03-18 until 1963-03-19)
double bass [bass]:
Tommy Williams (jazz bassist) (in 1963-03)
drums (drum set):
Milton Banana (from 1963-03-18 until 1963-03-19)
drums (drum set) [drums]:
Milton Banana (in 1963-03)
guest piano and piano:
Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
guitar:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
tenor saxophone:
Stan Getz (from 1963-03-18 until 1963-03-19)
vocals:
Astrud Gilberto (from 1963-03-18 until 1963-03-19) and João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
performer:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) and Antônio Carlos Jobim
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (from 1963-03-18 until 1963-03-19)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 461)
recording of:
The Girl From Ipanema (from 1963-03-18 until 1963-03-19)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
3.655:15
8Corcovado
5:15
9Melinda
producer:
Creed Taylor
bass:
Richard Davis (American jazz bassist) (on 1964-05-05)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-05)
piano:
Bill Evans (pianist) (on 1964-05-05)
tenor saxophone:
Stan Getz (on 1964-05-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-05)
instrumental cover recording of:
Melinda (On a Clear Day You Can See Forever) (on 1964-??-05)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA)
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
5:07
10I Didn’t Know What Time It Was
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1966-12-08)
drums (drum set):
Grady Tate (on 1966-12-08)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1966-12-08)
percussion:
Artie Butler (on 1966-12-08) and Bobby Rosengarden (on 1966-12-08)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1966-12-08)
tenor saxophone:
Stan Getz (on 1966-12-08)
conductor:
Claus Ogerman (on 1966-12-08)
arranger:
Claus Ogerman
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-12-08)
cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (on 1966-12-08)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
3:28
11Sweet Rain
7:12
12I Remember Clifford
drums (drum set):
Bernard Lubat (in 1971-03)
guitar:
René Thomas (Belgian jazz guitarist) (in 1971-03)
organ:
Eddy Louiss (in 1971-03)
tenor saxophone:
Stan Getz (in 1971-03)
live recording of:
I Remember Clifford (in 1971-03)
lyricist:
Jon Hendricks
composer:
Benny Golson
version of:
I Remember Clifford (instrumental original)
5:25
13Communication 72
2:31