Body Talk: Once in a Lifetime

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1(I Just) Died in Your Arms
diritti fonografici (℗) detenuti da:
Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1986)
registrazione di:
(I Just) Died in Your Arms
paroliere e compositore:
Nick Van Eede
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. e Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew34:35
2We Belong
assistente tecnico:
Dave Hernandez (Dave "Zulu" Hernandez Engineer)
produttore:
Pete Coleman e Neil Giraldo
assistente tecnico di missaggio:
Murray Dvorkin e Bino Espinoza
armonica (a bocca) e chitarra :
Neil Giraldo
batteria :
Myron Grombacher
chitarra basso :
Donnie Nossov
chitarra basso ospite aggiunto:
Roger Capps
percussione :
Charles Giordano (American keyboardist and accordionist), Neil Giraldo e Myron Grombacher
tastiera :
Charles Giordano (American keyboardist and accordionist)
voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1981) e Chrysalis Records, Inc. (not for release label use!) (nel 1984)
mixata presso:
Soundcastle (Interactive Studios) in Santa Monica, California, Stati Uniti e The Complex Studios in Los Angeles, California, Stati Uniti
registrazione di:
We Belong
autore:
Eric Lowen e Dan Navarro (singer/songwriter/voice actor)
editore:
Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar4.453:42
3If This Is It
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1983)
registrazione di:
If This Is It
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Huey Lewis
editore:
Hulex Music (publisher)
Huey Lewis and the News3:51
4You Can’t Change That
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1979)
registrazione di:
You Can't Change That
autore:
Ray Parker Jr.
Raydio3:25
5Oh No
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1981)
registrazione di:
Oh No
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Jobete Music Co., Inc. e Libren Music
The Commodores43:02
6Because I Love You (The Postman Song)
diritti fonografici (℗) detenuti da:
LMR Records (company, for copyrights purposes) (nel 1991)
registrazione di:
Because I Love You (The Postman Song)
autore:
Stevie B (Miami freestyle artist best known for Because I Love You (The Postman Song)) e Warren Allen Brooks
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MyaT Publishing Co. e SHR Publishing Co.
Stevie B55:03
7Every Time I Think of You
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
registrazione di:
Every Time I Think of You
autore:
Jack Conrad (nel 1978) e Ray Kennedy (singer, songwriter, and record producer based in L.A.) (nel 1978)
editore:
Ensign Music Corporation, Hudson Bay Music, Seven Summits Music e X‐Ray Music
The Babys4:02
8Angel in Your Arms
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1976)
registrazione di:
Angel in Your Arms
autore:
Tom Brasfield, Clayton Ivey (American producer, pianist, keyboardist and composer) e Terry Woodford (American songwriter, producer, music publisher, recording engineer)
editore:
Careers–BMG Music Publishing, Inc. e New Envoy Music, Inc.
Hot2:55
9This Night Won’t Last Forever
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1979)
registrazione di:
This Night Won’t Last Forever
autore:
Bill LaBounty e Roy Freeland
editore:
Captain Crystal Music, Careers–BMG Music Publishing, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Michael Johnson3:41
10All Out of Love
produttore:
Robie Porter
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
assistente tecnico di missaggio:
Linda Corbin
tecnico di missaggio:
Jim Hilton
batteria :
Ralph Cooper (drummer)
chitarra [lead guitar] :
David Moyse
chitarra [rhythm guitar] :
Graham Russell (Air Supply)
chitarra basso :
Criston Barker
tastiera :
Frank Esler‐Smith e Sam McNally
voce:
Graham Russell (Air Supply)
voce di accompagnamento:
Criston Barker e David Moyse
voce principale:
Russell Hitchcock
arrangiatore:
Air Supply e Robie Porter
orchestratore:
Frank Esler‐Smith e Robie Porter
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1980), Arista Records, LLC (holding company - file NO releases here!) (nel 1980), Big Time Phonograph Recording Co. (nel 1980), Big Time Phonograph Recording Co. Pty Ltd. (nel 1980) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980)
registrata presso:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia e Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia
mixata presso:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, Stati Uniti
parte di:
The Downloader’s Music Source Book (numero: 290)
registrazione di:
All Out of Love
autore:
Clive Davis (record producer, A&R executive and music industry chief executive) e Graham Russell (Air Supply)
editore:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.454:04
11Shower the People
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1976)
registrazione di:
Shower the People
paroliere e compositore:
James Vernon Taylor (singer-songwriter and guitarist)
editore:
Country Road Music, Inc. (ASCAP-affiliated)
James Taylor3:57
12Lady
prodotta a:
Australia
assistente tecnico e assistente tecnico di missaggio:
Jim Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
tecnico e tecnico di missaggio:
Ern Rose
produttore:
John Boylan e Little River Band
basso :
George McArdle (nel 1978-03)
batteria , batteria elettronica [syndrum] e percussione :
Derek Pellicci (nel 1978-03)
chitarra acustica :
Graham Goble (nel 1978-03)
chitarra elettrica :
David Briggs (producer, guitarist of Little River Band) (nel 1978-03) e Graham Goble (nel 1978-03)
pianoforte :
Peter Sullivan (nel 1978-03)
talk box :
David Briggs (producer, guitarist of Little River Band) (nel 1978-03)
voce di accompagnamento e voce principale:
Beeb Birtles (nel 1978-03), Graeham Goble (nel 1978-03) e Glenn Shorrock (nel 1978-03)
orchestra:
Melbourne Symphony Orchestra (nel 1978-03)
direttore d'orchestra:
Rick Formosa (nel 1978-03: archi)
arrangiatore archi :
Riccardo Formosa
arrangiatore voci:
Graeham Goble
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (nel 1978), EMI Australia (company credits only; file no releases here!) (nel 1978), EMI Music Australia Pty. Limited (not for release label use!) (nel 1978) e EMI Music Australia (defunct holding company, not for release label use!) (nel 2002)
è stato produttore per:
Tumbleweed Productions
registrata presso:
Armstrong Audio Visual (later renamed AAV Studios) in Melbourne, Victoria, Australia (nel 1978-03)
mixata presso:
Armstrong Audio Visual (later renamed AAV Studios) in Melbourne, Victoria, Australia
registrazione di:
Lady (nel 1978-03)
paroliere e compositore:
Graeham Goble
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. e Wheatley Music Pty Ltd.
Little River Band3.354:56
2CD
#TitoloArtistaValutazioneDurata
1This Will Be (An Everlasting Love)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1975)
registrazione di:
This Will Be (An Everlasting Love)
autore:
Chuck Jackson (songwriter/producer) e Marvin Yancy (R&B/soul singer and pastor)
editore:
Chappell & Co., Inc. (USA) e Jay’s Enterprises Inc.
Natalie Cole2:51
2More Than Words Can Say
diritti fonografici (℗) detenuti da:
EMI Canada (nel 1990)
registrazione di:
More Than Words Can Say
autore:
Freddy Curci e Steve DeMarchi
editore:
Could Be Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Alias3:55
3We Can’t Go Wrong (edit)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989)
registrazione di:
We Can't Go Wrong
autore:
David Cole (US musician/producer, member of C+C Music Factory), Tony Moran e Andy “Panda” Tripoli
editore:
Disco Fever Publishing, EMI Virgin Music, Inc., Latin Rascals Music e Zomba Enterprises, Inc.
The Cover Girls4:29
4You Could Have Been With Me
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrazione di:
You Could Have Been with Me
autore:
Lea Maalfrid
editore:
Chrysalis Songs
Sheena Easton3:47
5Why Not Me
diritti fonografici (℗) detenuti da:
All American Music Group (nel 1980)
registrazione di:
Why Not Me
autore:
Fred Knoblock (American country singer-songwriter) e Carson Whitsett (Keyboardist, songwriter and producer)
editore:
EMI U Catalog Inc. (publisher; do NOT use as release label), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Melody, Whitsett Churchill Music Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Fred Knobloch3:48
6Strange Way
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrazione di:
Strange Way (Firefall song)
paroliere e compositore:
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
editore:
El Sueno Music, Stephen Stills Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Firefall4:46
7Look What You’ve Done for Me
diritti fonografici (℗) detenuti da:
Hi Records (nel 1972)
registrazione di:
Look What You Done for Me
paroliere e compositore:
Al Green (US soul singer, songwriter, pastor and record producer), Al Jackson, Jr. (Booker T & The MGs drummer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music e Irving Music, Inc.
Al Green3:07
8Heartbreaker
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1982)
registrazione di:
Heartbreaker (Dionne Warwick song)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music e Universal Music Publishing International MGB Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick4:19
9Imaginary Lover
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1978) e PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978)
registrazione di:
Imaginary Lover
autore:
Buddy Buie, Dean Daughtry e Robert Nix
editore:
Low-Sal Music Co.
Atlanta Rhythm Section54:10
10Sexy Eyes
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979)
registrazione di:
Sexy Eyes
autore:
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) e Chris Waters (Country music singer and songwriter)
editore:
EMI April Music Inc., EMI Blackwood Music Inc. e EMI Songs Ltd.
Dr. Hook3:01
11You and I
registrazione di:
You and I
paroliere e compositore:
Frank Joseph Myers
editore:
Colgems-EMI Music Inc. e Four Way Music (affiliated with ASCAP)
Eddie Rabbitt and Crystal Gayle4:01
12Break It to Me Gently
registrazione di:
Break It to Me Gently
autore:
Diane Lampert (composer) e Joe Seneca (Songwriter, film and television actor)
editore:
Northern Music Company, Rainbow Music Corp e The Songwriters Guild
Juice Newton4:02

Accreditamenti

Pubblicazione

stampata a:Stati Uniti
fotografia:Waring Abbott
Andy Catlin (photographer)
London Features International (photo agency)
Brian D. McLaughlin (photographer)
Michael Ochs Archives
PhotoDisc (storage of free images)
Superstock, Inc.
produttore:Joe Sasfy
produttore esecutivo:Robert Hull (Production)
tecnico di mastering:Dennis Drake (US PolyGram engineer)
design:Red Herring Design (graphic designer)
fabbricata da:EMI‐Capitol Music Special Markets
copyright (©) detenuto da:Time Life Inc. (nel 1997)
diritti fonografici (℗) detenuti da:EMI‐Capitol Music Special Markets (nel 1997)
licenziata da:Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
Hi Records
PolyGram Special Markets (US only)
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
fabbricata per:Time–Life Music
Discogs:https://www.discogs.com/release/13817180 [info]