American Bandstand’s Greatest Hits of the Century: 70’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Bad, Bad Leroy Brown
voce:
Jim Croce (il 1972-06-02)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1972-06-02)
registrazione di:
Bad, Bad Leroy Brown (il 1972-06-02)
paroliere e compositore:
Jim Croce
editore:
American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Jim Croce5?:??
2This Will Be (An Everlasting Love)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1987)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 4) (numero: 3) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 316)
registrazione di:
This Will Be (An Everlasting Love)
autore:
Chuck Jackson (songwriter/producer) e Marvin Yancy (R&B/soul singer and pastor)
editore:
Chappell & Co., Inc. (USA) e Jay’s Enterprises Inc.
Natalie Cole3.5?:??
3Fire
produttore:
Richard Perry (producer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1996)
registrazione cover di:
Fire
paroliere e compositore:
Bruce Springsteen (nel 1977-05)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Pointer Sisters4.35?:??
4Let’s Stay Together
produttore:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
basso elettrico :
Leroy Hodges
batteria :
Howard Grimes e Al Jackson, Jr. (Booker T & The MGs drummer)
famiglia delle chitarre :
Mabon Hodges (“Teenie”, soul guitarist)
organo e pianoforte :
Charles Hodges (soul organist)
sassofono :
James Mitchell (US saxophonist/arranger)
sassofono tenore :
Ed Logan
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
trombone :
Jack Hale (trombone)
voce:
Al Green (US soul singer, songwriter, pastor and record producer)
voce di accompagnamento:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes e Sandra Rhodes
diritti fonografici (℗) detenuti da:
Cream Records (70s Los Angeles) (nel 1971) e HI Records Inc. (nel 1971)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 34), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 84)
registrazione di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
Al Green4.5?:??
5Heart of Glass
produttore:
Mike Chapman (Australian producer and songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979) e EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1981)
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie5?:??
6Boogie Oogie Oogie
produttore:
Fonce Mizell e Larry Mizell
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2002)
registrazione di:
Boogie Oogie Oogie
autore:
Janice Marie Johnson e Perry L. Kibble
editore:
Conducive Music, Inc. e On Time Music, Inc.
A Taste of Honey2.65?:??
7I Am Woman
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1972)
registrazione di:
I Am Woman
paroliere:
Helen Reddy
compositore:
Ray Burton (Australian singer/songwriter)
editore:
Rondor Music e Rondor Music (Australia) Pty Ltd
Helen Reddy?:??
8You Sexy Thing
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
registrazione di:
You Sexy Thing
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate3.65?:??
9Last Dance
produttore:
Pete Bellotte (English lyricist and producer) e Giorgio Moroder
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1978)
registrazione di:
Last Dance
paroliere e compositore:
Paul Jabara
editore:
EMI Blackwood Music Inc., Management Three Music, Olga Music e フジパシフィックミュージック (Fujipacific Music, Inc.)
parte di:
The 51st Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1978 winner)
Donna Summer3.65?:??
10Proud Mary
registrazione cover di:
Proud Mary
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (il 1968-12-27) e Jondora Musikverlag (publisher) (nel 1970)
Ike & Tina Turner?:??
11Tie a Yellow Ribbon ’round the Ole Oak Tree
diritti fonografici (℗) detenuti da:
Bell Records (50s-70s US/UK pop, later became Arista) (nel 1973)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 52)
registrazione di:
Tie a Yellow Ribbon Round the Ole Oak Tree
autore:
Lawrence Russell Brown (lyricist) e Irwin Levine
editore:
Irwin Levine Music (BMI-affiliated), Larball Publishing Co., Inc. e peermusic (publisher)
Tony Orlando & Dawn5?:??
12Without You
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
batteria :
Jim Keltner (nel 1971-06)
chitarra acustica :
John Uribe (nel 1971-06)
chitarra basso :
Klaus Voormann (nel 1971-06)
pianoforte :
Gary Wright (US singer/keyboardist) (nel 1971-06)
voce:
Harry Nilsson (US singer-songwriter) (nel 1971-06)
direttore d'orchestra:
Paul Buckmaster (nel 1971-06)
arrangiatore ottoni e archi :
Paul Buckmaster
diritti fonografici (℗) detenuti da:
BMG Music (nel 1971, nel 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1972) e RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1989)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 496)
registrazione cover di:
Without You (nel 1971-06)
autore:
Tom Evans (UK guitarist for Badfinger) e W. Peter Ham
editore:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, dal 1970 a oggi), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Harry Nilsson4.3?:??
13Rock Me Gently
Andy Kim?:??
14Hot Child in the City
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1976, nel 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 22)
registrazione di:
Hot Child in the City
autore:
Nick Gilder e Jim McCulloch (Canadian guitarist for Sweeney Todd/Nick Gilder)
editore:
Beechwood Music Canada e Beechwood Music Corp.
Nick Gilder5?:??
15Sylvia’s Mother
registrazione di:
Sylvia’s Mother
paroliere e compositore:
Shel Silverstein
editore:
Essex Music, Essex Music of Australia Pty. Ltd. e Evil Eye Music Inc.
Doctor Hook and the Medicine Show?:??
2▼CD
#TitoloArtistaValutazioneDurata
1Oh, Girl
registrazione di:
Oh Girl
paroliere e compositore:
Eugene Record
editore:
Unichappell Music, Inc.
The Chi‐Lites33:30
2If You Don’t Know Me by Now
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce di accompagnamento:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s) (nel 1972)
voce principale:
Harold Melvin (nel 1972)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972, nel 1991)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
If You Don’t Know Me by Now (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
Harold Melvin & The Blue Notes4.153:29
3I’ve Got Love on My Mind
registrazione di:
I’ve Got Love on My Mind
autore:
Chuck Jackson (US R&B/soul vocalist) e Marvin Yancy (R&B/soul singer and pastor)
editore:
Chappell & Co., Inc. (USA) e Jay’s Enterprises Inc.
Natalie Cole4:23
4One Less Bell to Answer
tecnico audio, tecnico e produttore:
Bones Howe
assistente tecnico:
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) e Rik Pekkonen
basso :
Joe Osborn (American bass guitar player, session musician and songwriter)
membranofono :
Hal Blaine (U.S. studio drummer and percussionist)
voce solista:
Marilyn McCoo Davis (nel 1970)
esecutore:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis e Ron Townson
lavorazione tecnica effettuata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
One Less Bell to Answer (nel 1970)
paroliere:
Hal David (nel 1967)
compositore:
Burt Bacharach (nel 1967)
editore:
Blue Seas Music, Inc. (conclusa), JAC Music Co., Inc. (conclusa), BMG Rights Management (UK) Ltd. (Hal David), New Hidden Valley Music Co., PW Arrangements e Universal Music Corp. (USA, affiliated with ASCAP)
The 5th Dimension3:33
5Sad Eyes
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1979) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1979)
registrazione di:
Sad Eyes
paroliere e compositore:
Robert John (US singer‐songwriter)
editore:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John3:32
6Break Up to Make Up
registrazione di:
Break Up to Make Up
autore:
Thom Bell (keyboards, songwriter, producer), Linda Creed e Kenneth Gamble (songwriter for Philadelphia International)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stylistics3:57
7Don’t It Make My Brown Eyes Blue
registrazione di:
Don’t It Make My Brown Eyes Blue
paroliere e compositore:
Richard Leigh (American country music songwriter and singer)
editore:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) e EMI United Partnership Ltd.
Crystal Gayle2:37
8Close the Door
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
registrazione di:
Close the Door
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teddy Pendergrass5:28
9Let Me Make Love to You
registrazione di:
Let Me Make Love to You
autore:
Allan Felder e Bunny Sigler
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays43:39
10Lovin’ You
voce:
Minnie Riperton
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1993)
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:25
11The Best Thing That Ever Happened to Me
registrazione cover di:
Best Thing That Ever Happened to Me
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
registrazione di:
Best Thing That Ever Happened to Me
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:46
12(If Loving You Is Wrong) I Don’t Want to Be Right
registrazione di:
(If Loving You Is Wrong) I Don’t Want to Be Right
autore:
Homer Banks (soul singer and songwriter), Carl Hampton (pianist, songwriter and producer) e Raymond Jackson (songwriter, guitarist and producer)
editore:
East/Memphis Music, Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Luther Ingram43:28
13Lady Blue
Leon Russell3:32
14Wildflower
registrazione di:
Wildflower
paroliere:
Thomas David Richardson (lyricist of Canadian band Skylark’s “Wildflower”)
compositore:
Douglas Fraser Edwards
editore:
Edsel Music (pub, affiliated to SOCAN), Inaudible Music (pub, affiliated to SOCAN), Kobalt Music Copyrights SARL, Kobalt Music Publishing Ltd. (UK), Nettwerk Songs Publishing Ltd., Nettwerk Tunes, Songs of Kobalt Music Publishing e Summerless Music Inc. (pub, affiliated to SOCAN)
Skylark54:11
15I’m Not Lisa
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 140)
registrazione di:
I’m Not Lisa
paroliere e compositore:
Jessi Colter
Jessi Colter3:21

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