Every Classical Tune You'll Ever Want

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Adagio for strings (from the film Platoon)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber37:28
2Moonlight Sonata, First movement - From Immortal Beloved
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca) (in 1977-09)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1977-09)
balance engineer:
John Dunkerley (engineer) (in 1977-09)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1977-09)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:08
3Clarinet Concerto - Adagio - From the Film Out Of Africa
clarinet:
Emma Johnson (UK clarinettist)
orchestra:
Royal Philharmonic Orchestra
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:42
4Nimrod / Enigma Variations
orchestra:
Royal Philharmonic Orchestra (in 1975-06)
conductor:
Norman Del Mar (conductor) (in 1975-06)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (in 1975-06)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:57
5The Four Seasons - Spring The First Movement
Antonio Vivaldi3:25
6Air On A G String
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02, in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1984-02, in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1985)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:48
7Pueri Hebraerorum
choir vocals:
Choralschola der Benediktinerabtei Münsterschwarzach
chorus master:
Pater Godehard Joppich
[unknown]2:54
8Hallelujah Chorus
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:02
9Eine Kleine Nachtmusik - Romance Andante - From The Privilege Insurence Tv Ad
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (in 1974-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:56
10Adagio - From Gallipoli
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
organ:
Martin Haselböck (organist, conductor and composer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Adagio for Strings and Organ in G minor (in 1984-02)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni6:36
11Benedictus
producer:
Giles Martin (producer)
solo cello:
François Rive (cellist)
choir vocals:
Metro Voices
solo vocals:
Hayley Westenra
orchestra:
Royal Philharmonic Orchestra
conductor:
Ian Dean (conductor)
chorus master:
Jenny O’Grady
recording of:
The Armed Man: A Mass for Peace: Benedictus
composer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
part of:
The Armed Man: A Mass for Peace (the complete work)
Karl Jenkins43:49
12Intermezzo
recording of:
Cavalleria rusticana: Intermezzo
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:30
13Meditation
producer:
James Mallinson (producer)
violin:
Nigel Kennedy (violinist) (in 1983-12)
orchestra:
The National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1983-12)
conductor:
Richard Bonynge (conductor and pianist) (in 1983-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1984) and The Decca Record Company Limited (for copyrights use only!) (in 1992)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1983-12)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet5:40
14Vide Cor Meum - From The Film Hannibal
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals:
Jennifer Larmore (mezzo-soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Rizzi (conductor)
recording of:
Vide cor meum
orchestrator:
Paul Bateman (conductor)
composer:
Patrick Cassidy (Irish composer)
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
Patrick Cassidy4:01
15Also Sprach Zarathustra - From 2001 - A Space Odessey
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Lorin Maazel (conductor)
partial recording of:
Also sprach Zarathustra, op. 30 (TrV 176)
premiered in:
Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (on 1896-11-27)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Works of Richard Strauss by opus number (number: op. 30) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 176)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:57
16I Vow To Thee, My Country
recording engineer:
Jean‐Marie Geijsen (in 1996-01) and Cees Heijkoop (recording engineer) (in 1996-01)
producer:
Anna Barry (classical producer) (in 1996-01)
choir vocals:
Royal Choral Society (The Royal Choral Society) (in 1996-01)
mezzo-soprano vocals:
Della Jones (mezzo-soprano) (in 1996-01)
orchestra:
BBC Concert Orchestra (in 1996-01)
conductor:
Barry Wordsworth (conductor) (in 1996-01)
chorus master:
Richard Cooke (chorus master/conductor) (in 1996-01)
choir vocals arranger:
Royal Choral Society (The Royal Choral Society)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-01)
recording of:
I Vow to Thee, My Country (in 1996-01)
lyricist:
Sir Cecil Spring-Rice (in 1918)
composer:
Gustav Holst (composer) (in 1921)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Rive Droite Music Ltd.
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 148)
Gustav Holst4:44
2▼CD
#TitleArtistRatingLength
1Nessun Dorma
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini52:58
2O Fortuna (Carmina Burana)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:36
3Jerusalem
recording engineer:
Jean‐Marie Geijsen (in 1996-01) and Cees Heijkoop (recording engineer) (in 1996-01)
producer:
Anna Barry (classical producer) (in 1996-01)
choir vocals:
Royal Choral Society (The Royal Choral Society) (in 1996-01)
orchestra:
BBC Concert Orchestra (in 1996-01)
conductor:
Barry Wordsworth (conductor) (in 1996-01)
chorus master:
Richard Cooke (chorus master/conductor) (in 1996-01)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-01)
recording of:
Jerusalem (orchestrated by Elgar) (in 1996-01)
orchestrator:
Edward Elgar (composer)
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
Hubert Parry (English composer)
orchestration of:
Jerusalem (anthem by Hubert Parry)
Sir Hubert Parry2:34
4Canon
producer:
James Mallinson (producer) (in 1977-10)
orchestra:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor) (in 1977-10)
balance engineer:
John Dunkerley (engineer) (in 1977-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1977)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements) (in 1977-10)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
Johann Pachelbel4:31
5O Mio Bambino Caro
orchestra:
BBC Concert Orchestra
conductor:
Barry Wordsworth (conductor)
instrumental recording of:
“O mio babbino caro” (from Gianni Schicchi) (catch‐all for arrangements)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
arrangement of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
instrumental recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini4:04
6Greensleeves
orchestra:
Orpheus Chamber Orchestra (US orchestra)
recording of:
Fantasia on “Greensleeves”
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:25
7Now We Are Free
recording of:
Now We Are Free (Gladiator)
lyricist:
Lisa Gerrard
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs and Universal‐MCA Music Publishing (US)
part of:
Gladiator
Hans Zimmer4:14
8The Pearl Fishers Duet
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet6:31
9Pavane pour une infante défunte
recording of:
Pavane pour une infante défunte (orchestrated version)
orchestrator:
Maurice Ravel (French composer) (in 1910)
composer:
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel7:07
10Morning From Peer Gynt
orchestra:
Gothenburg Symphony Orchestra (in 1987-06)
conductor:
Neeme Järvi (Estonian conductor) (in 1987-06)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (in 1987-06)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1987-06)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:11
11Gymnopedie No.1
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
part of:
Gymnopédies (orchestrated by Debussy)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Gymnopédies
Erik Satie3:36
12The Humming Chorus
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1974-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:58
13Santa Lucia
Teodoro Cottrau2:36
14Dance of the Knights
orchestra:
Kirov Orchestra (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) (in 1990-08)
conductor:
Valery Gergiev (conductor) (in 1990-08)
recorded at:
Mariinsky Theatre, St. Petersburg (Mariinsky Theatre, Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia
recording of:
Romeo and Juliet, op. 64: Act I. Scene II. No. 13. Dance of the Knights (in 1990-08)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Сергей Сергеевич Прокофьев5:24
15The Swan
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:12
16Pictures at an Exhibition - Promenade
producer:
Günther Breest (producer for classical music)
orchestra:
Chicago Symphony Orchestra (in 1976-04)
conductor:
Carlo Maria Giulini (conductor) (in 1976-04)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1976-04)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (in 1976-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский1:50
17Barcarolle
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1980-06-10 until 1980-09-30)
conductor:
Herbert von Karajan (conductor) (from 1980-06-10 until 1980-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1980-06-10 until 1980-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1980-06-10 until 1980-09-30)
recording of:
Gaîté Parisienne: XXIII. Barcarolle (from « Les Contes d'Hoffmann ») (from 1980-06-10 until 1980-09-30)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités)
part of:
Gaîté parisienne
Jacques Offenbach3:32
18Dies Irae
partial recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi2:20
19Rule Brittanina
recording engineer:
Jean‐Marie Geijsen (in 1996-01) and Cees Heijkoop (recording engineer) (in 1996-01)
producer:
Anna Barry (classical producer) (in 1996-01)
choir vocals:
Royal Choral Society (The Royal Choral Society) (in 1996-01)
mezzo-soprano vocals:
Della Jones (mezzo-soprano) (in 1996-01)
orchestra:
BBC Concert Orchestra (in 1996-01)
conductor:
Barry Wordsworth (conductor) (in 1996-01)
chorus master:
Richard Cooke (chorus master/conductor) (in 1996-01)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-01)
recording of:
Rule, Britannia! (orchestrated by Sargent) (in 1996-01)
orchestrator:
Sir Malcolm Sargent (conductor)
lyricist:
James Thomson (Scottish poet, 1700-1748)
composer:
Thomas Arne (composer) (in 1740)
publisher:
Oxford University Press
orchestration of:
Rule, Britannia!
Thomas Arne4:51

Credits

Release

ASIN:US: B000HT3KJM [info]