M!LF

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Catalog numbers for the individual CDs:
CD1 - 50999 6993192 5
CD2 - 50999 6993202 1

Annotation last modified on 2020-06-16 09:41 UTC.

Tracklist

| |
1CD
#TitleArtistRatingLength
1Smack My Bitch Up
producer:
Liam Howlett
vocals:
Shahin Badar
phonographic copyright (℗) by:
XL-Recordings (in 1997)
samples:
Give the Drummer Some by Ultramagnetic MC’s
recording of:
Smack My Bitch Up
writer:
Cedric Miller, Liam Howlett, Maurice Smith, Trevor Randolph and Keith Matthew Thornton
publisher:
Beats G Music, EMI Virgin Music Ltd. (do not use this as a release label!) and Next Plateau Music Inc.
The Prodigy44:46
2Paranoid
engineer:
Tom Allom and Brian Humphries
producer:
Rodger Bain (from 1970-06 until 1970-07)
drums (drum set) and percussion:
Bill Ward (from 1970-06-16 until 1970-06-21)
electric bass guitar:
Geezer Butler (from 1970-06-16 until 1970-06-21)
electric guitar:
Tony Iommi (from 1970-06-16 until 1970-06-21)
lead vocals:
Ozzy Osbourne (in 1970)
phonographic copyright (℗) by:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970) and Icarus Music (Argentinian metal label and distributor) (in 2006)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970) and Regent Sound Studios in London (Greater London), England, United Kingdom (from 1970-06-16 until 1970-06-21)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 13), TV Cream: Real 100 Best Singles Ever (number: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 250) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 338)
recording of:
Paranoid (from 1970-06-16 until 1970-07-08)
lyricist:
Geezer Butler
composer:
Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. and Westminster Music Ltd. (in 1970)
Black Sabbath4.552:47
3One Night Stand
additional engineer:
Sergio Chavez
engineer, producer and mixer:
Cameron Webb (engineer)
bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead)
drums (drum set):
Mikkey Dee (Motörhead/Scorpions drummer Micael Delaouglou)
guitar:
Phil Campbell (Welsh metal guitarist for Motörhead & Persian Risk)
recording of:
One Night Stand (in 2006)
writer:
Phil Campbell (Welsh metal guitarist for Motörhead & Persian Risk), Mikkey Dee (Motörhead/Scorpions drummer Micael Delaouglou) and Ian Fraser Kilmister (“Lemmy” from Motörhead)
Motörhead3:06
4I Love It Loud
assistant recording engineer:
Kevin Eddy and Rich Bosworth
recording engineer:
Niko Bolas and Dave Wittman
producer:
Michael James Jackson, Gene Simmons (KISS bassist and vocalist) and Paul Stanley (KISS frontman)
mixer:
Bob Clearmountain
drums (drum set):
Eric Carr (KISS drummer)
electric guitar [lead guitar] and solo electric guitar:
Vinnie Vincent
electric guitar [rhythm guitar]:
Paul Stanley (KISS frontman)
lead vocals:
Gene Simmons (KISS bassist and vocalist)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
I Love It Loud
writer:
Gene Simmons (KISS bassist and vocalist) and Vinnie Vincent
publisher:
KISS (publisher for the rock band KISS, formerly KISS Songs Inc.) (ended), Streetbeat Music (ended), Hori Productions America Inc. and Riho Music Inc.
sub-publisher:
大洋音楽 (Taiyō Music)
KISS4.54:12
5Anarchy in the UK
engineer:
Bill Price (UK producer/engineer)
producer:
Bill Price (UK producer/engineer) and Chris Thomas (UK record producer / remixer)
lead vocals:
Johnny Rotten (Johnny Rotten of the Sex Pistols)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (in 1976-11)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 120)
recording of:
Anarchy in the UK
lyricist:
Paul Cook (drummer for the Sex Pistols), John Lydon (Johnny Rotten of the Sex Pistols) and Glen Matlock (bass guitarist of the Sex Pistols)
composer:
Paul Cook (drummer for the Sex Pistols), Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols) and Glen Matlock (bass guitarist of the Sex Pistols)
publisher:
Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
Sex Pistols4.23:32
6Sharp Dressed Man
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar and lead vocals:
Billy Gibbons
vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Sharp Dressed Man
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic and Stage Three Songs
sub-publisher:
BMG Gold Songs and Zazta Muzic Ltd.
ZZ Top4.64:13
7Geft Da Kaske Na Is Hier!
The Clement Peerens Explosition2:38
8Morregen
Belgian Asociality41:43
9What’s My Age Again
engineer:
Sean O’Dwyer (US producer & engineer)
producer:
Jerry Finn
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
arranger:
blink‐182
part of:
Indie 88: Top 500 Indie Rock Songs (number: 84)
recording of:
What’s My Age Again?
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Fun With Goats (ended), Beat Poet Music, EMI April Music Inc., HMNIM Music and Jolly Old Saint Dick
blink‐1824.32:29
10Who’s the King
remixer:
Ray Martin (producer/recording engineer at Shelter Island Sound)
remix of:
Who’s the King? by Dog Eat Dog (US band)
recording of:
Who's the King?
writer:
Dog Eat Dog (US band)
publisher:
Roadblock Music, Inc.
Dog Eat Dog43:33
11My Way
recording engineer:
Terry Date (American record producer and engineer)
additional producer:
Josh Abraham and Scott Weiland
producer:
Terry Date (American record producer and engineer) and Limp Bizkit
assistant mixer:
Steve Sisco and Josh Wilbur (musician, writer, engineer, mixer & producer)
mixer:
Andy Wallace (engineer)
additional editor:
Domenic Barbera (engineer)
keyboard:
Scott Borland
performer:
Limp Bizkit
mixed at:
Soundtrack Studios in New York, New York, United States
samples:
My Melody by Eric B. & Rakim
recording of:
My Way
lyricist:
Fred Durst
writer:
Eric Barrier, Leor Dimant and William Griffin (William Michael Griffin Jr., American rapper)
composer:
Wes Borland, John Otto (Limp Bizkit drummer) and Sam Rivers (Limp Bizkit bassist)
publisher:
Zomba Enterprises, Inc. (ended), Big Bizkit Music, Lethal Dose Music, Robert Hill Music, Universal Music – Z Tunes and Universal Songs of PolyGram International, Inc.
Limp Bizkit4.154:34
12Fight for Your Right
engineer:
Steve Ett
co-producer:
Beastie Boys
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
electric guitar:
Kerry King (co‐founder of Slayer)
phonographic copyright (℗) by:
Def Jam Recordings (US) (in 1986)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 49) and Indie 88: Top 500 Indie Rock Songs (number: 269)
recording of:
Fight for Your Right (to Party)
lyricist:
Adam Horovitz, Rick Rubin (US record producer, former co‐president of Columbia Records) and Adam Yauch
composer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
publisher:
Brooklyn Dust Music and Def Jam Music
Beastie Boys4.153:26
13Walk This Way
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records) and Russell Simmons
guest guitar:
Joe Perry (guitarist for Aerosmith)
guest vocals:
Steven Tyler
phonographic copyright (℗) by:
Profile Records, Inc. (distributor / holding / manufacturer) (in 1986) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1986)
recording of:
Walk This Way
writer:
Joe Perry (guitarist for Aerosmith) and Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited and Vindaloo Productions, Inc.
Run‐D.M.C.3.653:37
14Freedom of Speech
programming:
Afrika Islam
guest spoken vocals [spoken words]:
Jello Biafra (former lead singer of Dead Kennedys)
vocals:
Jello Biafra (former lead singer of Dead Kennedys)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Freedom of Speech
writer:
Ice‐T
Ice‐T4:11
15Candy Shop
recording engineer:
Kameron Houff
assistant engineer:
Rouble Kapoor
producer:
Scott Storch (producer)
mixer:
Dr. Dre (Andre Young, rap producer) and Mauricio “Veto” Iragorri
guest vocals:
Olivia (US R&B & hip‐hop artist)
lead vocals:
50 Cent
phonographic copyright (℗) by:
Aftermath Entertainment (US rap) (in 2005), Aftermath Records (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) and Shady Records (Eminem's US rap label) (in 2005)
recorded at:
Sound Villa in Miami, Florida, United States
mixed at:
Record One in Sherman Oaks, Los Angeles, California, United States
part of:
BILLIONS CLUB
recording of:
Candy Shop (A song originally recorded by 50 Cent)
writer:
Curtis Jackson (50 Cent) and Scott Storch (producer)
publisher:
50 Cent Music, Kobalt Music Copyrights SARL, Reservoir Media Music, Scott Storch Music, TVT Music, TVT Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Group
50 Cent feat. Olivia4.153:27
16Drop It Like It’s Hot
assistant recording engineer:
Mike Nemirovsky (engineer)
recording engineer:
Andrew Coleman (recording/mix engineer, Neptunes-associated)
producer:
The Neptunes (US producer duo Chad Hugo & Pharrell Williams)
mixer:
Phil Tan (Malaysian-American audio engineer)
vocals:
Pharrell and Snoop Dogg (US rapper)
phonographic copyright (℗) by:
Geffen Records (in 2004)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
mixed at:
Suite E in Atlanta, Georgia, United States
recording of:
Drop It Like It’s Hot
writer:
Calvin Broadus (aka Snoop Dogg), Chad Hugo and Pharrell Williams
publisher:
EMI Blackwood Music Inc., My Own Chit Publishing, Raynchaser Music, Universal Music Careers and Waters of Nazareth Publishing
Snoop Dogg feat. Pharrell3.94:28
17Because I Got High
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2001)
recording of:
Because I Got High
lyricist and composer:
Joseph Foreman (american rapper, singer and songwriter)
Afroman3.23:18
18I Wanna Get High
producer:
DJ Muggs
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1993 to present)
recording of:
I Wanna Get High
writer:
Louis Freese and Larry Muggerud
publisher:
Cypress Phuncky Music (Cypress Hill publisher), Hits From Da' Bong Music and Soul Assassins Inc.
Cypress Hill32:53
19Darling Nikki
producer:
Prince (“The Artist Formerly Known as…”)
instruments:
Prince (“The Artist Formerly Known as…”) (in 1983-08)
lead vocals:
Prince (“The Artist Formerly Known as…”) (in 1983-08)
arranger:
Prince (“The Artist Formerly Known as…”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and NPG Records, Inc. (in 2017)
recorded at:
Kiowa Trail Home Studio in Chanhassen, Minnesota, United States (in 1983-08)
recording of:
Darling Nikki (in 1983-08)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music and Warner Brothers Inc. (not for release label use!)
part of:
“The Filthy Fifteen” (PRMC’s list of songs with “offensive lyrical content”) (number: 1)
Prince & The Revolution3.34:14
20White Horse
producer:
The Dwarfs
performer:
Laid Back (Danish electronic music duo, famous for hits like “Sunshine Reggae” and “Bakerman”) (in 1983)
phonographic copyright (℗) by:
Parlophone Music Denmark (in 1983)
recording of:
White Horse (in 1983)
lyricist and composer:
John Guldberg and Tim Stahl
publisher:
PolyGram Music Publishing
Laid Back4.53:53
2CD
#TitleArtistRatingLength
1Song 2
engineer:
John Smith (UK producer/engineer)
producer:
Stephen Street (famous producer, songwriter)
acoustic guitar:
Damon Albarn and Graham Coxon
bass guitar:
Alex James (UK bassist for Blur/Fat Les)
drums (drum set):
Graham Coxon and Dave Rowntree
electric guitar, theremin and background vocals:
Graham Coxon
Hammond organ, keyboard, piano and lead vocals:
Damon Albarn
percussion:
Dave Rowntree
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
music videos:
Song 2 (music video) by Blur (UK alternative rock band)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 8), NME: Greatest “Indie” Anthems Ever: 2007 (number: 15), Indie 88: Top 500 Indie Rock Songs (number: 57) and BILLIONS CLUB
recording of:
Song 2
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
sub-publisher:
FujiPacific Music (S.E. Asia) Ltd., 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch) and 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Blur4.252:01
2That’s When I Reach for My Revolver
engineer and mixer:
Moby (electronic musician Richard Melville Hall) and Alan Moulder (producer and engineer)
producer:
Moby (electronic musician Richard Melville Hall)
bass, guitar, keyboard, membranophone and percussion:
Moby (electronic musician Richard Melville Hall)
vocals:
Moby (electronic musician Richard Melville Hall)
music videos:
That’s When I Reach for My Revolver by Moby (electronic musician Richard Melville Hall)
cover recording of:
That’s When I Reach for My Revolver
lyricist and composer:
Clint Conley (bassist in Mission of Burma)
Moby43:55
3The Bad Touch
producer:
Jimmy Pop (member of Bloodhound Gang)
mixer:
Raahu
drums (drum set):
Spanky G
guitar:
Lüpüs Thünder
Moog and lead vocals and spoken vocals:
Jimmy Pop (member of Bloodhound Gang)
background vocals:
DJ Q-Ball
music videos:
The Bad Touch by Bloodhound Gang
recording of:
The Bad Touch
lyricist and composer:
James Franks
publisher:
Universal–Songs of PolyGram International, Inc., PolyGram Music Publishing (from 2000 to ????), Hey Rudy Music Publishing (from 2000 to present) and The Jimmy Franks Publishing Company (from 2000 to present)
Bloodhound Gang3.754:20
4Fuck That Shit
The Subs5:27
5We Don’t Care
producer:
Audio Bullys
mixer:
Audio Bullys, Tom Dinsdale, Simon Franks and Alan Mawdsley
performer:
Audio Bullys
phonographic copyright (℗) by:
Mawlaw 388 Ltd. (t/a Source UK) (in 2003)
recording of:
We Don't Care
writer:
Audio Bullys, Douglas Brayfield and Miles Goodman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Audio Bullys4.353:32
6Fight Like a Brave
recording engineer:
Judy Clapp
engineer:
James Bauerlein (engineer)
producer:
Michael Beinhorn
assistant mixer:
Russell Bracher and Stan Katayama
mixer:
John Potoker (producer/engineer aka Tokes)
bass:
Flea (US bassist)
drums (drum set):
Jack Irons
guitar:
Hillel Slovak
lead vocals:
Anthony Kiedis
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1987)
produced for:
Demolition Sound
recording of:
Fight Like a Brave
writer:
Jack Irons, Anthony Kiedis, Michael Peter Balzary (US bassist) and Hillel Slovak
publisher:
EMI Music Inc., Moebetoblame Music and Screen Gems
Red Hot Chili Peppers3.753:51
7Fuck tha Police
producer:
Dr. Dre (Andre Young, rap producer) and Yella (US hip-hop/electro producer Antoine Carraby)
samples:
Funky Drummer, Part 1 by James Brown (The Godfather of Soul) and It's My Thing, Part 1 by Marva Whitney
part of:
Fuck tha Police: 20 Songs Against Police Brutality (number: 1), CBC Music: 10 Songs That Have Changed the World, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 190) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 417)
recording of:
Fuck tha Police
writer:
Eazy‐E, Lorenzo Patterson and O’Shea Jackson
N.W.A4.155:45
8X
Xzibit4:16
9What Have I Done for You Lately
King MC6:01
10Me So Horny
recording of:
Me So Horny
writer:
Brother Marquis, Chris Wong Won, David Hobbs (US hip-hop DJ and producer Mr. Mixx), Luther Campbell (US rapper Luther Campbell (2 Live Crew); aka Luke Skyywalker, Uncle Luke) and Ricardo Williams
publisher:
Pac-Jam Publishing
The 2 Live Crew4:26
11Pussy
Lords of Acid3:28
12Ik sta scherp
Arbeid Adelt!3:29
13Putain putain
vocals:
Arno (Belgian rock vocalist Arno Hintjens)
phonographic copyright (℗) by:
EMI Music Belgium (in 1983, in 2004)
recording of:
Putain putain
lyricist:
Arno (Belgian rock vocalist Arno Hintjens)
composer:
Jean-Marie Aerts (Belgian guitarist & producer) and Arno Hintjens (Belgian rock vocalist Arno Hintjens)
publisher:
EMI Music Publishing (do not use as a release label!) and Universal Songs (publisher)
T.C. Matic34:23
14This Is Not a Love Song
producer:
Martin Atkins (UK drummer) and John Lydon (Johnny Rotten of the Sex Pistols)
recording of:
This Is Not a Love Song
writer:
Martin Atkins (UK drummer), Keith Levene and John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing and Warner/Chappell Music Ltd. (1996–2019)
version of:
Love Song
Public Image Ltd.3:31
15Lords of the Boards
miscellaneous support:
Tom Jackson (Canadian actor & singer) (task: vocal coach) and Michael Wolpers (task: 24 hour Drum-Tuning)
programming:
Geo Schaller
additional engineer:
Anyway Wölfle
engineer:
Wolfgang Stach
producer:
Guano Apes
mixer:
Ronald Prent (Dutch Sound engineer and producer)
bass:
Stefan
cello:
Smoke (Cellist)
drums (drum set) [drums]:
Dennis
guitar:
Henning
keyboard [keys]:
Geo Schaller
percussion:
Michael Wolpers
turntable [scratches]:
Afam
lead vocals [voices]:
Sandra
phonographic copyright (℗) by:
GUN (Great Unlimited Noises) (in 1997)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
engineered at:
Horus Studio in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany
produced at:
Horus Studio in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany
recording of:
Lords of the Boards
lyricist:
Trevor Lewis and Sandra Nasić
composer:
Sandra Nasić, Dennis Poschwatta, Henning Rümenapp and Stefan Ude
publisher:
Edition Artist Station and EMI Songs Musikverlag GmbH
Guano Apes43:40
16Sun Hits the Sky
recording of:
Sun Hits the Sky
writer:
Gaz Coombes, Rob Coombes, Danny Goffey and Mick Quinn
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Supergrass23:39
17Love’s Not a Competition (But I’m Winning)
assistant recording engineer:
Alex Mackenzie
recording engineer:
Tom Stanley and Cenzo Townshend (engineer)
producer:
Stephen Street (famous producer, songwriter)
mixer:
Stephen Street (famous producer, songwriter) and Cenzo Townshend (engineer)
phonographic copyright (℗) by:
B‐Unique Records (in 2007)
recorded at:
Hook End Manor (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Love’s Not a Competition (But I’m Winning)
writer:
Nick Baines, Nick J.D. Hodgson (ex Kaiser Chiefs), Simon Rix, Andrew White (Guitarist for the Kaiser Chiefs) and Ricky Wilson (Kaiser Chiefs)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Concord Songs Ltd.
Kaiser Chiefs43:15
18Welgemeende
Flip Kowlier3:00
19As the Bottle Runs Dry
The Wolf Banes3:41
20I Don’t Want to Grow UpRamones52:44

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:EMI Music Belgium (from 2009 to present)
Discogs:https://www.discogs.com/release/3392199 [info]