Underneath the Southern Cross

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Great Southern LandIcehouse5:19
2Down Under
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Ron Strykert
keyboard and woodwind:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Men at Work3.953:32
3Better
phonographic copyright (℗) by:
rooArt (in 1991)
recording of:
Better
writer:
Grant Walmsley
publisher:
Polygram Music, Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Screaming Jets4:39
4April Sun in Cuba
electric bass guitar:
Todd Hunter (Todd Stuart Hunter of Dragon)
guitar:
Robert Taylor (Singer-songwriter and guitarist)
keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
lead vocals:
Marc Hunter
vocals:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono), Todd Hunter (Todd Stuart Hunter of Dragon) and Robert Taylor (Singer-songwriter and guitarist)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1977) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1977)
recording of:
April Sun in Cuba
composer:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. and Essex Music of Australia Pty. Ltd.
part of:
APRA Top 100 New Zealand Songs of All Time (number: 10)
Dragon3:27
5Tomorrow
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1995)
recorded at and engineered at:
triple j Studios (Sydney Headquarters) in Sydney, New South Wales, Australia
produced at:
triple j Studios (Sydney Headquarters) in Sydney, New South Wales, Australia
recording of:
Tomorrow
lyricist and composer:
Ben Gillies and Daniel Johns
publisher:
Kobalt Music Publishing Ltd. (UK), Tinia Flab Music, Sony/ATV Music Publishing Australia Pty Ltd. (from 1997-10-14 until 2020-12-15) and Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) (from 2020-12-15 to present)
Silverchair4.14:28
6Hard Act to Follow
recording engineer and mixer:
Mike Plotnikoff (in 2004-06)
programming and editor:
Paul DeCarli
additional engineer:
Eric Miller (engineer)
producer:
Howard Benson (in 2004-06)
keyboard:
Paul DeCarli (in 2004-06)
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 2004)
additionally recorded at:
Sparky Dark Studio in Calabasas, California, United States
recorded at and mixed at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States (in 2004-06)
produced at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States (in 2004-06)
recording of:
Hard Act to Follow (in 2004-06)
writer:
Pat Davern, Joe Hansen, Kristian Hopes and Phil Jamieson (Australian musician)
publisher:
EMI Publishing
Grinspoon33:30
7What's My Scene
bass:
Clyde Bramley
drums (drum set):
Mark Kingsmill
guitar:
Dave Faulkner (David Faulkner) and Brad Shepherd
harmonica:
Brad Shepherd
keyboard:
Dave Faulkner (David Faulkner)
vocals:
Dave Faulkner (David Faulkner)
phonographic copyright (℗) by:
Hoodoo Gurus Pty Ltd (in 1987)
recording of:
What’s My Scene?
writer:
Dave Faulkner (David Faulkner)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Mushroom Music (Mushroom label’s publishing company) and Sony/ATV Music Publishing
Hoodoo Gurus3.353:50
8The Honeymoon Is Over
phonographic copyright (℗) by:
Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1993) and Polydor Records Australia (in 1993)
recording of:
The Honeymoon Is Over
writer:
James Cruikshank, Tex Perkins (Australian singer-songwriter Greg Perkins) and Dan Rumour
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Cruel Sea2.53:09
9Rush You
engineer:
Kevin Shirley (producer & mixer)
producer:
Mike Chapman (Australian producer and songwriter)
mixer:
Mike Chapman (Australian producer and songwriter) and Kevin Shirley (producer & mixer)
bass guitar [bass]:
Eddie Parise
drums (drum set) [drums]:
Frank Celenza
guitar:
Suze DeMarchi and Dave Leslie
lead vocals [vocals]:
Suze DeMarchi
vocals:
Dave Leslie and Eddie Parise
phonographic copyright (℗) by:
The Imago Recording Company (in 2007)
recording of:
Rush You
writer:
Suze DeMarchi, Dave Leslie and Eddie Parise
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Mushroom Music Publishing
Baby Animals4:10
10Don't Go Now
phonographic copyright (℗) by:
BMG Australia Limited (not for release label use!) (in 2001)
recording of:
Don’t Go Now
writer:
Simon Day (Australian musician, member of Ratcat) and Robyn St. Clare
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Ratcat2:53
11Monsters
Something for Kate3:39
12Eagle Rock
bass:
Wayne Duncan (Australian musician)
drums (drum set):
Gary Young (Australian drummer)
guitar:
Ross Hannaford and Ross Wilson (Australian singer-songwriter, guitarist and producer)
vocals:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1971), Sparmac (in 1971), Wizard (Australian rock) (in 1971), Wizard Records (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1998)
recording of:
Eagle Rock
writer:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
Daddy Cool4:11
13Giver of Life
GANGgajang3:39
14Cool World
bass:
Paul Christie
drums (drum set):
Gil Matthews
guitar:
James Black (Australian guitarist and keyboard), Eric McCusker and Ross Wilson (Australian singer-songwriter, guitarist and producer)
keyboard:
James Black (Australian guitarist and keyboard)
vocals:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
phonographic copyright (℗) by:
Fable Records (in 1980, in 1981) and Avenue Records (Australian record label) (in 1981)
recording of:
Cool World
composer:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
publisher:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd. and Mushroom Music Publishing
Mondo Rock3:35
15Mama Loves To
Lobby Loyde & The Coloured Balls4:04
16Tonight! (There's a Party Goin' Down)
Dallas Crane2:50
17Black Eyed Bruiser
producer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
recorded at:
Albert Studios (Australian studio, original King Street location, until 1985) in Sydney, New South Wales, Australia
recording of:
Black Eyed Bruiser
writer:
Harry Vanda (Australian musician), Vanda, Young (songwriting & producing duo) and George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
Stevie Wright5:51
18Countrywide
recording of:
Countrywide
composer:
Tommy Emmanuel
publisher:
Universal Music Publishing Australia (Australian subsidiary of Universal Music Publishing Group)
Tommy Emmanuel3:44
19Under the Milky Way
assistant engineer:
Duane Seykora
engineer:
Shep Lonsdale
producer:
The Church, Greg Ladanyi and Waddy Wachtel
mixer:
Greg Ladanyi, Shep Lonsdale and Waddy Wachtel
bass and lead vocals:
Steve Kilbey
drums (drum set):
Richard Ploog
guitar:
Peter Koppes and Marty Willson-Piper
keyboard:
Greg Kuehn
synclavier:
Awesome Welles
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987, in 1988) and The Church Pty Limited (in 1988, in 2005)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 84)
recording of:
Under the Milky Way
writer:
Karin Jansson and Steve Kilbey
publisher:
Campbell Connelly (Australia) P/L, Funzalo Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Sales Corporation (American copyright holder in both popular and classical music) and Universal/MCA Music Publishing Pty Ltd
The Church4.354:59
2CD
#TitleArtistRatingLength
1Joker and the Thief
recording of:
Joker & the Thief
writer:
Myles Heskett, Chris Ross (Australian bassist/keyboardist for Wolfmother & The Slew) and Andrew Stockdale
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Wolfmother33:31
2Are You Gonna Be My Girl
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
additional guitar:
Brooklyn’s own Dave Sardy (American score composer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:36
3We Gotta Get Out of This Place
cover recording of:
We Gotta Get Out of This Place
writer:
Barry Mann and Cynthia Weil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Francis, Day & Hunter (publisher) (in 1979) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Angels4:40
4Boys in Town
bass:
Rick Grossman
drums (drum set):
Richard Harvey (Australian drummer)
guitar:
Bjarn Ohlin and Mark McEntee
keyboard:
Bjarn Ohlin
vocals:
Christina Amphlett
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Warner Music International (trademark of Warner Music International the company) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983)
recording of:
Boys in Town
writer:
Chrissy Amphlett, Mark McEntee and Jeremy Paul (bassist, Air Supply, Divinyls)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!) and EMI Songs
Divinyls32:52
5Second Solution
assistant recording engineer and assistant engineer:
Matt Voight
recording engineer and engineer:
Lindsay Gravina (engineer & guitarist)
producer:
Lindsay Gravina (engineer & guitarist) and The Living End (Australian punk band)
mixer:
Jerry Finn
recorded at:
Sing Sing Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Second Solution
writer:
Chris Cheney (The Living End frontman)
The Living End43:01
6Rock'n Roll Outlaw
producer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
recording of:
Rock ’n’ Roll Outlaw
writer:
Angry Anderson, Mick Cocks, Geordie Leach, Dallas “Digger” Royall and Peter Wells (Rose Tattoo guitarist)
publisher:
Rivus Music (publisher) (in 1981)
Rose Tattoo3.53:21
7Get Free
recording engineer:
Doug Boehm (from 2001-07 until 2002-02)
producer:
Rob Schnapf
mixer:
Rob Schnapf and Andy Wallace (engineer) (in 2001)
bass:
Patrick Matthews (from 2001-07 until 2002-02)
drums (drum set):
Joey Waronker (from 2001-07 until 2002-02)
electric guitar, tambourine, background vocals and lead vocals:
Craig Nicholls (from 2001-07 until 2002-02)
phonographic copyright (℗) by:
Engine Room Music Pty Limited (in 2002)
recorded at:
The Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States (from 2001-07 until 2002-02)
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States (in 2001)
recording of:
Get Free (Vines song) (from 2001-07 until 2002-02)
lyricist and composer:
Craig Nicholls
writer:
The Vines (Australian alternative rock band)
publisher:
Mushroom Music Pty. Ltd.
The Vines4.252:06
8Feeler
Pete Murray34:23
9Tip of My Tongue
assistant recording engineer:
Marc DeSisto
recording engineer:
John Philip Shenale and Rick Will
assistant engineer:
Stoli Jaeger
engineer and mixer:
Rick Will
producer:
Don Gehman
assistant mixer:
Marc DeSisto and Ulrich Wild
bass:
Tommy Sims (r&b, ccm)
drums (drum set):
Yak Sherrit (drummer)
keyboard arranger, percussion arranger and strings arranger:
John Philip Shenale
recorded at:
Hot Tin Roof in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
Tip of My Tongue
writer:
Diesel (Australian pop rock aka Mark Lizotte), Danny Tate and John Daniel Tate
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Virgin Music Publishing, EMI Virgin Music Publishing Australia Pty Ltd and Mushroom Music Pty. Ltd.
Diesel34:15
10Chained to the Wheel
producer:
Jeff Burstin, Joe Camilleri and Tomie (producer)
bass guitar:
Mick Girasole
drums (drum set):
Peter Luscombe
percussion:
Alex Pertout
vocals:
Joe Camilleri
phonographic copyright (℗) by:
CBS Productions Pty. Limited (in 1988), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1988), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1988) and Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1988)
recorded at:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia
mixed at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia and RBX Studios in Melbourne, Victoria, Australia
recording of:
Chained to the Wheel
lyricist:
Nick Smith (Australian Guitar Player and Songwriter)
writer:
Joe Camilleri
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing, Orient Pacific Music Pty. Ltd. and Warner Chappell Music (publisher as Warner/Chappell Music)
The Black Sorrows3:56
11Get on Down the RoadAdam Brand3:12
12Hot Chilli WomanNoiseworks3:25
13Howzat
phonographic copyright (℗) by:
Festival Records (Australian) (in 1976), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1976) and Sherbet Record Productions (in 1976)
recording of:
Howzat
writer:
Tony Mitchell (bass, songwriter, Australia) and Garth Porter
publisher:
Heath Levy Music Ltd. (publisher), Rondor Music and Rondor Music (Australia) Pty Ltd
Sherbet23:45
14Hollywood Seven
phonographic copyright (℗) by:
Sound One Pty Limited (in 2008)
recording of:
Hollywood Seven
writer:
Harry Lloyd (songwriter) and Gloria Sklerov
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Jon English4:53
15Tenterfield Saddler
recording of:
Tenterfield Saddler
lyricist and composer:
Peter Allen (Australian singer‐songwriter)
Peter Allen3:37
16Hands Up in the Air
phonographic copyright (℗) by:
Boom Crash Opera (in 2013)
recording of:
Hands Up in the Air
writer:
Peter Farnan, Richard Pleasance and Dale Ryder
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Insync Music Publishing
Boom Crash Opera3:55
17As the Days Go By
phonographic copyright (℗) by:
F.A.M. Pty. Ltd. (in 1988) and Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1988)
cover recording of:
As the Days Go By
lyricist and composer:
Ian Thomas (Canadian singer/songwriter)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Peer Music
Daryl Braithwaite4:01
18I Was Only 19 (A Walk in the Light Green)
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1983), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1983) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1983)
recording of:
I Was Only 19 (A Walk in the Light Green)
lyricist and composer:
John Schumann
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Universal/MCA Music Publishing Pty Ltd
Redgum4:19
19Runnin' Wild
phonographic copyright (℗) by:
Nettwerk Music Group Inc. (in 2007)
recording of:
Runnin' Wild
lyricist and composer:
Joel O'Keeffe and Ryan O'Keeffe
Airbourne4.43:41