Dinner Party Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1White Flag
additional recording engineer:
Grippa
recording engineer and mixer:
Ash Howes (British mixer, writer and musician)
programming:
Mark Bates (member of the band Dusted) and P*Nut
producer:
Dido (English singer‐songwriter) and Rollo (Rollo Armstrong of Faithless)
additional acoustic guitar:
Paul Herman
bass guitar and drums (drum set):
P*Nut
electric guitar:
Rusty Anderson
guitar and keyboard:
Rick Nowels
piano:
Mark Bates (member of the band Dusted)
lead vocals:
Dido (English singer‐songwriter)
conductor:
Gavyn Wright (UK violinist, conductor)
strings arranger:
Nick Ingman
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (in 2003)
recording of:
White Flag
lyricist:
Dido (English singer‐songwriter)
composer:
Dido (English singer‐songwriter), Rick Nowels and Rollo Armstrong
part of:
The Ballad of the Costa Concordia
Dido4.354:00
2Red
recording engineer:
Tim Conklin, Matt Lawrence, Derek Pacuk and Mark Ronson (British DJ and producer)
assistant engineer:
Dan Parry (British mix/recording engineer) and Justin Gerrish
producer:
Mark Ronson (British DJ and producer)
mixer:
Tom Elmhirst (mixing engineer)
bass guitar:
Jack Daley (bass guitarist and producer)
cello:
Larry Corbett and Steve Richards (cellist)
drums (drum set):
Steven Wolf (drummer from USA)
guitar:
Sean Ono Lennon and Harper Simon
piano:
James Poyser
vibraphone:
Toby Pazner
viola:
Andrew Duckles and Matt Funes
violin:
Jacqueline Brand, Armen Garabedian, Alan Grunfeld, Gerardo Hilera (violinist), Alyssa Park (violinist), Sara Parkins (US violinist), Josefina Vergara (Chilean-American violinist) and John Wittenberg
vocals:
Daniel Merriweather
arranger:
David Campbell (Australian singer) and Daniel Merriweather
phonographic copyright (℗) by:
J Records (US R&B) (in 2008)
recording of:
Red
writer:
David Campbell (Australian singer), Ian Dench, Amanda Ghost, Scott McFarnon and Daniel Merriweather
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) and Songs of Kobalt Music Publishing
Daniel Merriweather3.253:54
3Building a Mystery
producer:
Pierre Marchand
acoustic guitar and electric guitar:
Sarah McLachlan
bass:
Brian Minato
drums (drum set):
Ashwin Sood
electric guitar:
Michel Pepin
background vocals:
Pierre Marchand
vocals:
Sarah McLachlan
music videos:
Building a Mystery by Sarah McLachlan
recording of:
Building a Mystery
writer:
Pierre Marchand and Sarah McLachlan
publisher:
Pierre J Marchand and Tyde Music
part of:
East Coast Music Association Song of the Year Nominees (number: 1998)
Sarah McLachlan44:08
4Dream Catch Me
recording engineer:
Andy McKim
producer and mixer:
Mike Spencer (UK producer)
additional guitar:
Crispin Hunt
bass, drums (drum set) and guitar:
Newton Faulkner
vocals:
Newton Faulkner
phonographic copyright (℗) by:
Peer-Southern Productions Limited (in 2007) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2007)
music videos:
Dream Catch Me by Newton Faulkner
recording of:
Dream Catch Me
writer:
Newton Faulkner, Crispin Hunt and Gordon Mills (UK based engineer and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Newton Faulkner3.353:57
5Soon We’ll Be Found
programming:
Pete Davis (UK engineer, programmer, keyboards)
engineer:
Eric Spring
producer:
Jimmy Hogarth
assistant mixer:
Richard Edgeler
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
bass:
Samuel Dixon
cello:
Abigail Dalmont (cellist)
drums (drum set):
Joey Waronker
guitar:
Gus Seyffert
keyboard:
Larry Goldings and Eddie Stevens
strings:
Oliver Kraus
background vocals:
Mike Green (Los Angeles-based drummer and vocalist from Indiana, aka Mike G) and Gus Seyffert
lead vocals:
Sia (Australian singer‐songwriter)
recorded at:
Jimmy's in London (Greater London), England, United Kingdom and The Bank in Los Angeles, California, United States
mixed at:
Twenty One Studios in London (Greater London), England, United Kingdom
recording of:
Soon We’ll Be Found
writer:
Rick Nowels and Sia Furler (Sia, Australian singer‐songwriter)
Sia3.54:20
6Candy
engineer:
Dani Castelar and Dom Monks
additional producer:
Ethan Johns
producer:
Paolo Nutini
acoustic guitar:
Dave Nelson (writes with Paolo Nutini)
bass guitar:
Michael McDaid
drums (drum set):
Seamus Simon
electric guitar:
Ethan Johns and Donny Little
mellotron and omnichord:
Ethan Johns
background vocals:
Michael McDaid, Dave Nelson (writes with Paolo Nutini) and Paolo Nutini
lead vocals:
Paolo Nutini
recording of:
Candy
lyricist and composer:
Paolo Nutini
Paolo Nutini34:58
7Where I Stood
recording engineer and mixer:
David Boucher
producer:
Mitchell Froom
recorded at and mixed at:
Therabeta Studio in Santa Monica, California, United States
recording of:
Where I Stood
lyricist and composer:
Missy Higgins
Missy Higgins4:13
8Out the Airlock
recording of:
Out the Airlock
lyricist and composer:
Paul Dempsey (Australian musician)
Paul Dempsey3:33
9The Last Day on Earth
recording of:
The Last Day on Earth
writer:
Kate Miller‐Heidke (Australian singer/songwriter and actress) and Keir Nuttall
Kate Miller‐Heidke34:48
10Someone So Much
Bob Evans3:32
11And the Boys
co-producer:
Brad Albetta
producer:
Angus & Julia Stone
mixer:
Kieran Kelly
bass guitar [bass] and piano:
Brad Albetta
drums (drum set) [drums]:
Matt Johnson (drummer for Jeff Buckley)
mellotron [melatron] and Moog:
Tommy Eichmann
trumpet:
CJ Camerieri
phonographic copyright (℗) by:
Angus and Julia Stone (in 2009)
recording of:
And the Boys
writer:
Angus Stone and Julia Stone
Angus & Julia Stone34:10
12Lover, You Should’ve Come Over
engineer, producer and mixer:
Andy Wallace (engineer)
bass guitar:
Mick Grondahl
drums (drum set) and percussion:
Matt Johnson (drummer for Jeff Buckley)
guitar and lead vocals:
Jeff Buckley
organ:
Loris Holland
recording of:
Lover, You Should’ve Come Over
lyricist and composer:
Jeff Buckley
Jeff Buckley3.56:42
13A&E
additional recording engineer and additional engineer:
Tim Oliver (UK producer and engineer)
recording engineer and producer:
Goldfrapp
additional drum machine programming:
Nick Batt
co-producer:
Flood (British producer Mark Ellis)
mixer:
Flood (British producer Mark Ellis)
acoustic guitar:
Steve Evans (producer & keyboardist, worked with Robert Plant & Siouxie)
bass:
Justin Meldal‐Johnsen
guitar and keyboard:
Flood (British producer Mark Ellis)
lead vocals:
Alison Goldfrapp
arranger:
Goldfrapp
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 2008)
mixed at:
Sunset Sound Studio 1 in Los Angeles, California, United States
instrumental versions:
A & E (instrumental) by Goldfrapp
recording of:
A&E
composer:
Alison Goldfrapp and Will Gregory (saxophonist and member of Goldfrapp)
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Goldfrapp3.53:18
14Wires
assistant recording engineer:
Ian Davenport (UK based recording engineer) and Mark Duggan (engineer)
producer:
Athlete and Victor van Vugt
assistant mixer:
Keith Gary
mixer:
Michael H Brauer (engineer)
strings:
London Metropolitan Orchestra
conductor:
Adam Peters
strings arranger:
Adam Peters
concertmaster:
David Juritz (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Quad Recording Studios in New York, New York, United States
recording of:
Wires
writer:
Joel Pott, Steve Roberts (drummer of Athlete), Tim Wanstall and Carey Willets
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Athlete3.54:20
15Lay Your Head Down
Keren Ann3.44:45
16Running Up That Hill
mixer:
James Brown (indie-rock engineer James 'Razors' Brown) and Dimitri Tikovoï
recorded at:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, United Kingdom
mixed at:
Strongroom in Shoreditch, Hackney, London (Greater London), England, United Kingdom
cover recording of:
Running Up That Hill
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Placebo3.654:55
17Fade Into You
recording engineer:
Dale Everingham
producer:
David Roback
acoustic guitar, electric guitar, piano and slide guitar:
David Roback
bass:
Jason Yates
drums (drum set):
Keith Mitchell (drummer in several 1980s/90s Californian bands)
tambourine:
Hope Sandoval
vocals:
Hope Sandoval
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recorded at:
Westbeach Recorders in Hollywood, Los Angeles, California, United States
engineered at:
Live Oak Studio in Berkeley, California, United States
music videos:
Fade Into You (Official Video) by Mazzy Star
part of:
Indie 88: Top 500 Indie Rock Songs (number: 468) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 468)
recording of:
Fade Into You
lyricist:
Hope Sandoval
composer:
David Roback
Mazzy Star3.84:52
18You’ve Got the Love
assistant engineer:
Al Riley (engineer)
producer:
Charlie Hugall (producer/songwriter/engineer)
assistant mixer:
Neil Comber (engineer)
mixer:
Cenzo Townsend (engineer)
additional bass:
Charlie Hugall (producer/songwriter/engineer)
drums (drum set):
Christopher Lloyd Hayden
guitar:
Rob Ackroyd
harp:
Tom Moth (harpist)
piano:
Isabella Summers
lead vocals:
Florence Welch (English singer)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2009)
recorded at:
The Dairy Studios in Brixton, Lambeth, London (Greater London), England, United Kingdom
mixed at:
Metropolis (London) in London (Greater London), England, United Kingdom
cover recording of:
You Got the Love
writer:
John Bellamy, Arnecia Michelle Harris, Rush (written‐by credit) and Anthony B. Stephens
publisher:
Polygram Music Publ. and Warner Chappell (Warner/Chappell Music, Inc.)
is based on:
Your Love
Florence + the Machine3.752:45
2▼CD
#TitleArtistRatingLength
1Why
recording of:
Why
lyricist and composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Records (not for release label use! primarily named as distributor in the UK), La Lennoxa Music Co. Ltd. and Universal Music Publishing MGB Ltd.
Annie Lennox4:54
2Other Side of the World
recording of:
Other Side of the World
writer:
Martin Terefe and KT Tunstall
publisher:
Sony/ATV Music Publishing (UK) Ltd.
KT Tunstall3:33
3Back to Black
assistant recording engineer:
Jesse Gladstone and Mike Makowski
recording engineer:
Vaughan Merrick and Mark Ronson (British DJ and producer)
miscellaneous support:
Isobel Griffiths (task: contractor)
engineer:
Dom Morley
producer:
Mark Ronson (British DJ and producer)
assistant mixer:
Matt Paul
mixer:
Tom Elmhirst (mixing engineer)
alto saxophone:
Chris Davies and Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Dave Bishop (saxophonist)
bass guitar:
Nick Movshon
cello:
John Heley (cellist), Joely Koos (cellist) and Anthony Pleeth (cellist)
drums (drum set):
Homer Steinweiss
guitar:
Thomas Brenneck and Binky Griptite
percussion:
Frank Ricotti (percussionist)
piano:
Victor Axelrod
tambourine:
Mark Ronson (British DJ and producer)
tenor saxophone:
Jamie Talbot (English jazz alto saxophonist)
viola:
Rachel Bolt (violist), Jonathan Thorne (viola), Bruce White (violist) and Katie Wilkinson (violist)
violin:
Mark Berrow (violinist), Elizabeth Edwards (violinist), Peter Hanson (violinist), Boguslaw Kostecki (violinist), Perry Montague‐Mason (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Jonathan Rees, Chris Tombling (violinist) and Warren Zielinski (violinist)
conductor:
Chris Elliott (composer and arranger)
strings arranger:
Chris Elliott (composer and arranger)
arranger:
Gabriel Roth (Gabriel Alexander Roth)
recorded at:
Chung King Studios in New York, New York, United States, Daptone’s House of Soul in Bushwick, New York, New York, United States and Metropolis (London) in London (Greater London), England, United Kingdom
part of:
BILLIONS CLUB, Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 62) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 79)
recording of:
Back to Black
writer:
Mark Ronson (British DJ and producer) and Amy Winehouse
publisher:
BMG Platinum Songs, BMG VM Music Ltd., EMI Blackwood Music Inc. and EMI Music Publishing Ltd. (PRS‐affiliated)
Amy Winehouse4.354:00
4Paris Nights/New York Mornings
recording of:
Paris Nights/New York Mornings
writer:
Corinne Bailey Rae
Corinne Bailey Rae3:50
5New Soul
Yael Naïm3:42
6I Don’t Wanna Lose You
engineer:
Mike Ging and Tommy Vicari
producer:
Roger Davies (producer), Albert Hammond and Graham Lyle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
I Don’t Wanna Lose You
writer:
Albert Hammond and Graham Lyle
Tina Turner2.84:19
7Rome Wasn’t Built in a Day
recording of:
Rome Wasn’t Built in a Day
writer:
Paul Godfrey, Ross Godfrey and Skye Edwards (Skye Edwards, singer for Morcheeba)
Morcheeba3:34
8The Windmills of Your Mind
recording engineer and producer:
Duck Blackwell (in 2007) and Paul Guardiani (in 2007)
bass programming, drums (drum set) programming and guitar programming:
Mark Blackwell
keyboard programming:
Paul Guardiani and Mark Blackwell
executive producer:
Tina Arena
mixer:
Duck Blackwell and Paul Guardiani
lead vocals:
Tina Arena (in 2007)
orchestra:
London Studio Orchestra (in 2007) and Macedonian Radio Symphonic Orchestra (in 2007)
conductor:
Simon Hale (in 2007) and Oleg Kondratenko (in 2007)
strings arranger:
Simon Hale
phonographic copyright (℗) by:
Tina Arena (in 2007)
mixed for and produced for:
Sharks Productions
cover recording of:
The Windmills of Your Mind (in 2007)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., SBK United Partnership Ltd. and United Partnership Ltd.
part of:
The 41st Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1968 winner)
part of:
The Thomas Crown Affair (The Thomas Crown Affair (1968))
Tina Arena3:46
9The Time Is Now
engineer:
Matt Sime
lead vocals:
Róisín Murphy
edit of:
The Time Is Now (album version) by Moloko (English‐Irish electronic music duo)
recording of:
The Time Is Now
writer:
Mark Brydon and Róisín Murphy
publisher:
Chrysalis Music Publishing
Moloko43:42
10Twist in My Sobriety
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1988)
recording of:
Twist in My Sobriety (in 1988)
lyricist and composer:
Tanita Tikaram
publisher:
Brogue Music, Warner Basart (publisher) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram4.74:51
11Wonderful Life
producer:
Dave Dix (Dave Dix)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1987)
music videos:
Wonderful Life by Black (UK indie pop musician Colin Vearncombe)
recording of:
Wonderful Life
lyricist and composer:
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Black4.44:48
12Stop Your Fussin’
assistant engineer:
Saul Raye
associate producer:
David Ricketts (of David & David)
producer:
David Tickle
vocals:
Toni Childs
recording of:
Stop Your Fussin
composer:
Toni Childs and David Ricketts (of David & David)
Toni Childs4:38
13Smoke
producer:
Matt Bronleewe
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
recording of:
Smoke
writer:
Matt Bronleewe and Natalie Imbruglia
publisher:
BMG Music Publishing Ltd.
Natalie Imbruglia2.354:36
14I Don’t Want to Be With Nobody but You
phonographic copyright (℗) by:
rooART Pty Ltd (in 1989) and Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1990)
recording of:
I Don’t Want to Be With Nobody but My Baby
writer:
Eddie Floyd and Joe Shamwell (Soul singer, songwriter, producer and radio deejay)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia) P/L and Rondor Music (Australia) Pty Ltd
Absent Friends4:46
15Luka
sound engineer:
Robin Danar
engineer:
Steve Addabbo and Rod O’Brien
producer:
Steve Addabbo and Lenny Kaye
mixer:
Shelly Yakus
solo guitar:
Jon Gordon (guitarist, music director, producer, composer)
background vocals:
Shawn Colvin
vocals:
Suzanne Vega (American singer-songwriter)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1987)
recorded at:
duo Music Exchange in Dōgenzaka, Shibuya (Shibuya-ku), Tokyo, Japan
recording of:
Luka
lyricist and composer:
Suzanne Vega (American singer-songwriter)
publisher:
WB Music Corp. (1929–2019)
Suzanne Vega4.53:51
16Old Friends
cymbal and percussion:
Ralph Salmins
electric piano, guitar, percussion, synthesizer and background vocals:
Ben Watt
vocals:
Tracey Thorn (of Everything but the Girl)
recording of:
Old Friends
lyricist and composer:
Ben Watt
Everything but the Girl3:43
17How Does It Make You Feel?
Air3:38
18Pale Horses
engineer and producer:
Moby (electronic musician Richard Melville Hall)
vocals:
Amelia Rose Zirin-Brown
phonographic copyright (℗) by:
Moby Entertainment Inc. (in 2009) and Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 2009)
recording of:
Pale Horses
composer:
Moby (electronic musician Richard Melville Hall)
publisher:
Kobalt Music (publisher)
Moby2.653:34
19Nothing Compares 2 U
engineer:
Chris Birkett
producer:
Nellee Hooper and Sinéad O’Connor (Irish singer-songwriter)
mixer:
Chris Birkett, Fachtna Ó Ceallaigh and Sinéad O’Connor (Irish singer-songwriter)
vocals:
Sinéad O’Connor (Irish singer-songwriter)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) and Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
music videos:
Nothing Compares 2 U (music video) by Sinéad O’Connor (Irish singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 184) and Indie 88: Top 500 Indie Rock Songs (number: 413)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing and Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:08