Wave: The Biggest New Wave Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1To Cut a Long Story Short
producer:
Richard James Burgess
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
mixed at:
Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, United Kingdom
recording of:
To Cut a Long Story Short
lyricist and composer:
Gary Kemp
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PDC Music Publishing Pty. Ltd. and Reformation Publishing Co. Ltd.
Spandau Ballet3.53:20
2White Wedding
assistant engineer:
Steve Bates (engineer)
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
bass guitar:
Phil Feit
drums (drum set):
Steve Missal
guitar:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
music videos:
White Wedding, Pt. 1 by Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Rare Blue Music Inc
Billy Idol4.84:11
3So Long
Fischer‐Z5:00
4Asylums in Jeruzalem
recording of:
Asylums in Jerusalem
lyricist and composer:
Green Gartside
Scritti Politti3:14
5Don't Dictate
engineer:
Tony Platt (UK engineer and producer)
producer:
Mike Howlett
bass:
Robert Blamire
drums (drum set):
Gary Smallman
guitar:
Gary Chaplin
vocals:
Pauline Murray
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Pebble Beach Studios in Worthing, West Sussex, England, United Kingdom
recording of:
Don’t Dictate
writer:
Gary Chaplin and Pauline Murray
publisher:
Virgin Music (Publishers) Ltd.
Penetration52:55
6Everybody's Gotta Learn Sometime
recording of:
Everybody’s Got to Learn Sometime
lyricist and composer:
James Warren (English singer and guitarist)
publisher:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (in 1980) and Warner Bros. Ltd. (publisher) (in 1980)
The Korgis4.054:12
7Wishing
engineer:
Dave Hutchins (UK engineer)
producer:
Mike Howlett
bass guitar:
Frank Maudsley
drums (drum set):
Ali Score
guitar:
Paul Reynolds (UK guitarist, in A Flock of Seagulls)
keyboard and lead vocals:
Mike Score
phonographic copyright (℗) by:
Zomba Productions Limited (in 1983) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recorded at:
Conny Plank's Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
mixed at:
Union Studios (Established in 1963 as 'Studio Allach') in München (Munich), Bayern (Bavaria), Germany
recording of:
Wishing (If I Had a Photograph of You)
writer:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score and Mike Score
publisher:
Zomba Enterprises, Inc. and Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls4.255:31
8All Stood Still
recording of:
All Stood Still
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
Ultravox3:42
9Girls
engineer:
Mark Smith (Canadian engineer)
producer:
John Hug, Noah Shark and Mark Smith (Canadian engineer)
bass:
Kenny Lee Lewis (Steve Miller Band guitarist)
drum machine [linn drums program]:
Noah Shark
drums (drum set):
Mike Baird (drummer) and Craig Krampf
guitar:
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Buzz Feiten, John Hug, Craig Hull, Roger Linn, Jimmy May (guitarist), Bill Pitcock IV, Sandy Stein (guitarist) and Richie Zito
keyboard:
Michael Boddicker, Steve Goldstein, George Michalski, Alan Pasqua and Barry Trop
percussion:
Steve Forman (US percussionist)
background vocals:
Susan Cowsill
vocal:
Tom Petty
recording of:
Girls
additional lyricist:
Dwight Twilley
composer:
Dwight Twilley
Dwight Twilley3:30
10She Blinded Me With Science
drum machine and other instruments [wave computer] programming:
Thomas Dolby
producer:
Thomas Dolby and Tim Friese‐Greene
guest Moog [Moog bass]:
Matthew Seligman (in 1982-08)
violin:
Simon House (in 1982-08)
background vocals:
Robert John “Mutt” Lange (Robert John Lange) (in 1982-08) and Miriam Stockley (in 1982-08)
spoken vocals:
Magnus Pyke (in 1982-08)
vocals:
Thomas Dolby (in 1982-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
recorded at:
Odyssey Studio (London) in London (Greater London), England, United Kingdom (in 1982-08)
mixed at:
Odyssey Studio (London) in London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 76)
recording of:
She Blinded Me With Science (in 1982-08)
lyricist:
Thomas Dolby and Tim Kerr (songwriter working with Thomas Dolby)
composer:
Thomas Dolby
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Participation Music Inc.
Thomas Dolby3.83:42
11Wishful Thinking
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1984)
recording of:
Wishful Thinking
lyricist:
Eddie Lundon (China Crisis)
composer:
Gary Daly and Eddie Lundon (China Crisis)
publisher:
EMI/Virgin Music Publishing Ltd.
China Crisis4:10
12Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.43:29
13Hit Me With Your Rhythm Stick
producer:
Laurie Latham
drums (drum set):
Charley Charles (UK drummer) (in 1978)
electric bass guitar:
Norman Watt-Roy (in 1978)
guitar:
John Turnbull (in 1978)
Hammond organ:
Mick Gallagher (UK hammond organ player) (in 1978)
piano:
Chaz Jankel (English musician and songwriter) (in 1978)
saxophone:
Davey Payne (UK saxophonist) (in 1978)
lead vocals:
Ian Dury (in 1978)
phonographic copyright (℗) by:
Templemill Music Ltd (in 1979)
recorded at:
The Workhouse in London (Greater London), England, United Kingdom (in 1978)
recording of:
Hit Me With Your Rhythm Stick (in 1978)
lyricist:
Ian Dury
composer:
Chaz Jankel (English musician and songwriter)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ian Dury and the Blockheads3.93:45
14My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in The Knack) (in 1979-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack4.14:00
2▼CD
#TitleArtistRatingLength
1Hot in the City
assistant engineer:
Steve Bates (engineer)
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
bass guitar:
Phil Feit
drums (drum set):
Steve Missal
guitar:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
edit of:
Hot in the City (extended version) by Billy Idol (English rock singer‐songwriter)
music videos:
Hot in the City (uncensored version) by Billy Idol (English rock singer‐songwriter)
recording of:
Hot in the City
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Mushroom Music (Mushroom label’s publishing company) and Rare Blue Music Inc
Billy Idol4.53:35
2The Telephone Always Rings
recording of:
The Telephone Always Rings
writer:
Lynval Golding, Terry Hall and Neville Staple
Fun Boy Three3:30
3Love Like Blood
producer:
Chris Kimsey
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Love Like Blood
writer:
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) and Geordie Walker
publisher:
BMG Africa Music Publishing, BMG Songs Ltd. and E.G. Music Ltd. (publisher)
Killing Joke3.654:24
4I Ran
recording engineer:
Mike Score
engineer:
Mike Shipley (audio engineer, mixer, producer)
producer:
Mike Howlett
bass guitar and background vocals:
Frank Maudsley
drums (drum set):
Ali Score
guitar:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) and Mike Score
keyboard and lead vocals:
Mike Score
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982), Zomba Productions Limited (in 1982) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
music videos:
I Ran by A Flock of Seagulls
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 55)
recording of:
I Ran
writer:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score and Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.45:05
5Dear God
mastering:
Ian Cooper (UK mastering engineer)
engineer and producer:
Todd Rundgren
guest vocals:
Jasmine Veillette
lead vocals:
Andy Partridge
strings arranger:
Dave Gregory (XTC)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 62)
recording of:
Dear God
lyricist and composer:
Andy Partridge
XTC4.353:37
6Chant No. 1 (I Don't Need This Pressure On)
producer:
Richard James Burgess
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recording of:
Chant No. 1 (I Don't Need This Pressure On)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet44:04
7Sinful
recording of:
Sinful
lyricist and composer:
Pete Wylie
Pete Wylie3:56
8Reasons to Be Cheerful (Part 3)
saxophone:
Davey Payne (UK saxophonist) (in 1979)
lead vocals:
Ian Dury (in 1979)
performer:
Chaz Jankel (English musician and songwriter) (in 1979)
recorded at:
Eretcia Studios in Roma (Rome), Roma, Lazio, Italy (in 1979)
part of:
TV Cream: Real 100 Best Singles Ever (number: 20)
recording of:
Reasons to Be Cheerful, Part 3 (in 1979)
lyricist:
Ian Dury
composer:
Chaz Jankel (English musician and songwriter) and Davey Payne (UK saxophonist)
Ian Dury and the Blockheads4.54:45
9Slippery People (live)
recording engineer:
Record Plant Mobile and Allen Chinowsky (in 1983-12)
additional engineer:
Joel Moss (task: overdubs) and Mark Wolfson (task: overdubs)
producer:
Talking Heads
assistant mixer:
Robin Laine, Nick Del Re, Linda Randazzo and Glenn Rosenstein
mixer:
Eric “E.T.” Thorngren, Chris Frantz and Jerry Harrison (Talking Heads)
additional guitar:
Alex Weir (in 1983-12)
additional keyboard:
Bernie Worrell (keyboardist, composer and record producer) (in 1983-12)
additional percussion:
Steve Scales (in 1983-12)
bass guitar [bass]:
Tina Weymouth (in 1983-12)
drums (drum set):
Chris Frantz (in 1983-12)
guitar and lead vocals:
David Byrne (Talking Heads) (in 1983-12)
keyboard:
Jerry Harrison (Talking Heads) (in 1983-12)
additional background vocals:
Ednah Holt (in 1983-12), Lynn Mabry (in 1983-12) and Alex Weir (in 1983-12)
additionally recorded at:
Can Am in Tarzana, Los Angeles, California, United States, Ocean Way in Hollywood, Los Angeles, California, United States and Right Track in Manhattan, New York, New York, United States
recorded at:
Hollywood Pantages Theatre in Hollywood, Los Angeles, California, United States (in 1983-12)
mixed at:
Sigma Sound (New York) in New York, New York, United States and Soundworks (New York) in New York, New York, United States
live recording of:
Slippery People (in 1983-12)
lyricist:
David Byrne (Talking Heads)
composer:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads) and Tina Weymouth
publisher:
Bleu Disque Music Co., Inc. (publisher) and Index Music, Inc.
Talking Heads3.354:14
10Love of the Common People
cover recording of:
Love of the Common People
lyricist and composer:
John Hurley and Ronnie Wilkins
publisher:
Kassner Associated Publishers, Sony/ATV Music Publishing Ltd., Tideland Music Publishing Corporation, Tree Pub. Co. Inc., TRO Essex Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) (in 1983) and Westminster Music Ltd. (in 1983)
Stiff Little Fingers2:41
11Drowning in Berlin
producer:
Paul Lynton
bass:
David Blundell
drums (drum set):
Eddie Fragile
guitar:
Jhon and Russell Madge
guitar [lead]:
Chris Downton
lead vocals:
Anna Maria (Mobiles singer)
phonographic copyright (℗) by:
Rialto Records (Record company. Label -> see Rialto)
recording of:
Drowning in Berlin
writer:
David Blundell, Chris Downton and Russell Madge
publisher:
Servecity Ltd.
Mobiles23:28
12Big Apple
mastering:
Gordon Vicary
recording of:
Big Apple
lyricist:
Nick Beggs and Limahl
composer:
Steve Askew, Nick Beggs, Limahl, Stuart Croxford Neale and Jez Strode
Kajagoogoo4:12
13Independance Day
The Comsat Angels3:51
14Temptation
producer:
B.E.F. and Greg Walsh (producer and engineer)
vocals:
Carol Kenyon
recording of:
Temptation
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 172.353:06
3▼CD
#TitleArtistRatingLength
1Musclebound
producer:
Richard James Burgess
recording of:
Muscle Bound
lyricist and composer:
Gary Kemp
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Reformation Publishing Co. Ltd.
Spandau Ballet3:52
2Hyperactive!
engineered in:
Brussels (Brussels-Capital Region), Belgium
engineer:
Dan Lacksman (Belgian musician & producer)
producer:
Thomas Dolby
mixer:
Alan Douglas (Scottish born engineer)
bass:
Matthew Seligman
drum machine:
Justin Hildreth
electronic drum set and percussion:
Clif Brigden
guitar and trumpet:
Kevin Armstrong (UK guitarist, producer & songwriter)
percussion:
Matthew Salt
piano:
Thomas Dolby
trombone:
Peter Thoms (trombone)
additional vocals:
Louise Ulfstedt
background vocals:
Kevin Armstrong (UK guitarist, producer & songwriter) and Adele Bertei
vocals:
Thomas Dolby
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Hyperactive!
lyricist and composer:
Thomas Dolby
publisher:
Scale Music, Smash Ltd. and Street Music Ltd.
Thomas Dolby54:13
3A Good Heart
producer:
David A. Stewart (UK guitarist/singer for Eurythmics)
mixer:
Shelly Yakus
arranger:
Feargal Sharkey and Dave Stewart (UK guitarist/singer for Eurythmics)
phonographic copyright (℗) by:
EMI Music Italy S.p.A. (company 1997–2007, not the same as "EMI Music Italy" its main imprint) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
A Good Heart
lyricist and composer:
Maria McKee
publisher:
J. Albert & Son Pty. Ltd.
Feargal Sharkey3.64:37
4Shouldn't Have to Be Like That
recording of:
Shouldn’t Have to Be Like That
writer:
Rune Kristoffersen and Øyvind Kvalnes
publisher:
Virgin Music (Publishers) Ltd.
Fra Lippo Lippi3:51
5At Home He's a Tourist
recording engineer:
Edwin Cross (in 1979) and Davy Phee (in 1979)
additional engineer:
Edwin Cross and Davy Phee
engineer:
Rick Walton
producer:
Andy Gill (guitarist and record producer), Jon King (vocalist in Gang of Four) and Rob Warr
bass guitar:
Dave Allen (UK bassist for Gang of Four/Shriekback/Low Pop Suicide) (in 1979)
drums (drum set):
Hugo Burnham (drummer) (in 1979)
guitar:
Andy Gill (guitarist and record producer) (in 1979)
lead vocals:
Jon King (vocalist in Gang of Four) (in 1979)
arranger:
Gang of Four (English post‐punk band)
recorded at:
The Workhouse in London (Greater London), England, United Kingdom (in 1979)
recording of:
At Home He’s a Tourist (in 1979)
writer:
Dave Allen (UK bassist for Gang of Four/Shriekback/Low Pop Suicide), Hugo Burnham (drummer), Andy Gill (guitarist and record producer) and Jon King (vocalist in Gang of Four)
publisher:
Bug Music (music publishing), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Publishing Ltd.
Gang of Four53:32
6Dream Kitchen
Frazier Chorus3:36
7Echo Beach
assistant engineer:
Laurence Diana
engineer:
Richard Manwaring (Producer)
producer:
Mike Howlett
phonographic copyright (℗) by:
Dindisc Ltd (in 1980) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (in 1979-08)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 87)
recording of:
Echo Beach
lyricist and composer:
Mark Gane
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha and the Muffins3.63:32
8The Worker
producer:
Mike Howlett
arranger:
John Watts
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
The Worker
lyricist and composer:
John Watts
publisher:
Rondor Music UK
Fischer Z3:35
9Turning Japanese
producer:
Vic Coppersmith‐Heaven
drums (drum set):
Howard Smith (UK drummer for the Vapors)
electric bass guitar [bass guitar]:
Steve Smith (UK bassist for the Vapors)
guitar and lead vocals:
David Fenton
guitar [lead guitar]:
Edward Bazalgette
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1980)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 30)
recording of:
Turning Japanese
lyricist and composer:
David Fenton
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) and Glenwood Music Corp.
The Vapors3.653:44
10Day One
Comsat Angels4:03
11Money
producer:
David Cunningham
cover recording of:
Money (That’s What I Want)
writer:
Janie Bradford and Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
Flying Lizards4.22:30
12Church of the Poison Mind
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar and piano:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
harmonica:
Judd Lander
organ:
Phil Pickett (songwriter, producer, keyboard player)
saxophone:
Steve Grainger (saxophonist)
trumpet:
Terry Bailey (trumpeter)
background vocals:
Helen Terry (UK singer)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (from 1983 to present, in 1983, in 2003) and Virgin Records (imprint + company) (in 1983)
produced for:
Do Not Erase Productions
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Church of the Poison Mind by Culture Club (English pop group)
recording of:
Church of the Poison Mind (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd. (from 1983 to present)
Culture Club3.53:32
13Sex & Drugs & Rock & Roll
drums (drum set):
Charley Charles (UK drummer) (in 1976)
electric bass guitar:
Norman Watt-Roy (in 1976)
electric guitar:
Chaz Jankel (English musician and songwriter) (in 1976)
lead vocals:
Ian Dury (in 1976)
phonographic copyright (℗) by:
Stiff Records (in 1977) and Templemill Music Ltd (in 1977)
recorded at:
Alvic Studios (Wimbledon) in Wimbledon, Merton, London (Greater London), England, United Kingdom (in 1976)
recording of:
Sex & Drugs & Rock & Roll (in 1976)
lyricist:
Ian Dury
composer:
Chaz Jankel (English musician and songwriter)
publisher:
Blackhill Music Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Ian Dury3.83:14
14Psycho Killer (live)
recording engineer:
Allen Chinowsky (in 1983-12)
mastering:
Ted Jensen (American mastering engineer) and Jack Skinner (engineer)
assistant engineer:
Nick Delre, Robin Laine, Linda Randazzo and Glenn Rosenstein
engineer:
Joel Moss and Mark Wolfson
producer:
Talking Heads
additional mixer:
Chris Frantz and Jerry Harrison (Talking Heads)
mixer:
Eric Thorngren
vocals:
David Byrne (Talking Heads) (in 1983-12)
recorded at:
Hollywood Pantages Theatre in Hollywood, Los Angeles, California, United States (in 1983-12)
live recording of:
Psycho Killer (in 1983-12)
lyricist:
David Byrne (Talking Heads), Chris Frantz and Tina Weymouth
composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music (publisher as Warner/Chappell Music)
Talking Heads4.54:30