Classics 2001

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Ave Maria (arr. Gounod) (Andrea Bocelli)
recording engineer:
Thijs Hoekstra, Everett Porter and Roger de Schot
producer:
Anna Barry (classical producer)
mixer and balance engineer:
Jean‐Marie Geijsen
tenor vocals:
Andrea Bocelli (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
recorded at:
Auditorium Conciliazione in Roma (Rome), Roma, Lazio, Italy
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach43:04
2Thaïs: Méditation (Kennedy)
producer:
James Mallinson (producer)
violin:
Nigel Kennedy (violinist) (in 1983-12)
orchestra:
The National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1983-12)
conductor:
Richard Bonynge (conductor and pianist) (in 1983-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1984) and The Decca Record Company Limited (for copyrights use only!) (in 1992)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1983-12)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet5:40
3Turandot: Nessun Dorma! (Luciano Pavarotti)
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini52:59
4Lakmé: Dôme Épais le Jasmin (Joan Sutherland)
soprano vocals [Lakmé]:
Joan Sutherland (soprano)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika)
composer:
Léo Delibes (composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes3:48
5Nocturne
Secret Garden3:13
6Samson: Let the Bright Seraphim (Kiri Te Kanawa)
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer)
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
English Chamber Orchestra
conductor:
Barry Rose (organist / choirmaster)
recording of:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
Georg Friedrich Händel5:55
7Violin Concerto No. 1 in G Minor, Op. 26: Adagio (Kyung Wha Chung)
recording engineer:
James Lock (James Locke, engineer) (from 1972-05-15 until 1972-05-20)
producer:
Ray Minshull (record producer)
violin:
Kyung Wha-Chung (Kyung-Wha Chung, violinist) (from 1972-05-15 until 1972-05-20)
orchestra:
Royal Philharmonic Orchestra (from 1972-05-15 until 1972-05-20)
conductor:
Rudolf Kempe (conductor) (from 1972-05-15 until 1972-05-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-05-15 until 1972-05-20)
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (from 1972-05-15 until 1972-05-20)
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch8:41
8Gladiator - Now We Are Free
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000), Dreamworks Productions LLC (in 2000) and Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Now We Are Free (Gladiator)
lyricist:
Lisa Gerrard
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs and Universal‐MCA Music Publishing (US)
part of:
Gladiator
medley including a cover recording of:
Now We Are Free (Gladiator)
lyricist:
Niloofar Rafiei
is based on:
Now We Are Free (Gladiator)
medley of:
Now We Are Free (Gladiator)
Lisa Gerrard54:21
9Ride of the Valkyries (Sir Georg Solti)
engineer:
James Lock (James Locke, engineer)
producer:
Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
conductor:
Sir Georg Solti (conductor) (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1982-10-11 until 1982-10-12)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1982-10-14 until 1982-10-15)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner3:06
10Riders on the Storm
producer:
Jaz Coleman
đàn tranh:
Trần Quang Hải
percussion:
Chris Goody
violin:
Nigel Kennedy (violinist)
orchestra:
Symfonický orchestr hlavního města Prahy FOK (Prague Symphony Orchestra)
additional conductor:
Petr Pýcha
conductor:
Peter Scholes (NZ composer & conductor)
arranger and orchestrator:
Jaz Coleman
cover recording of:
Riders on the Storm
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company and Rondor Music (London) Ltd.
Nigel Kennedy6:19
11'O Sole Mio
recording of:
’O sole mio
lyricist:
Giovanni Capurro (in 1898)
composer:
Eduardo Di Capua (in 1898) and Alfredo Mazzucchi (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) and Gennarelli Casa Editrice
The Three Tenors2:34
12Requiem: Pie Jesu (Sarah Brightman)
associate engineer:
Martin Levan
engineer:
John Kurlander (engineer)
producer:
David R. Murray
organ:
James Lancelot (in 1984-12)
choir vocals:
Winchester Cathedral Choir (in 1984-12)
soprano vocals:
Sarah Brightman (in 1984-12)
treble vocals:
Paul Miles-Kingston (in 1984-12)
orchestra:
English Chamber Orchestra (in 1984-12)
conductor:
Lorin Maazel (conductor) (in 1984-12)
chorus master:
Martin Neary (organist and choral conductor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1984-12-20 until 1984-12-22)
music videos:
Pie Jesu by Sarah Brightman & Paul Miles-Kingston with the Winchester Cathedral Choir
recording of:
Requiem: Pie Jesu (from 1984-12-20 until 1984-12-22)
lyricist and composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
MCA Music Ltd., The Really Useful Company Limited and The Really Useful Music Co. Ltd. (not for release label use!)
part of:
Requiem
Andrew Lloyd Webber33:58
13The Piano: The Heart Asks Pleasure First (Jean-Yves Thibaudet)
piano:
Jean‐Yves Thibaudet (pianist)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
The Heart Asks Pleasure First (The Piano)
composer:
Michael Nyman (composer)
publisher:
Chester Music Ltd., G. Schirmer Inc., J&W Chester/Ed Wilhelm, Michael Nyman Ltd. (independent UK record, publishing and holding company) and Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
part of:
The Piano (1993 film score)
Michael Nyman2:12
14Serse: Ombra Mai Fu (Andreas Scholl)
countertenor vocals and countertenor vocals [Serse]:
Andreas Scholl (countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Roger Norrington (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel3:00
15Tosca: E Lucevan le Stelle (José Carreras)
tenor vocals [Cavaradossi]:
José Carreras (Spanish tenor)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:07
16Star Wars - Main Theme
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Main Title (Star Wars) (in 1980-06)
composer:
John Williams (American score composer) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams5:38
17Victory
recording of:
Victory
composer:
Tonči Huljić
is based on:
Aureliano in Palmira: Sinfonia
bond3:27
18Granada
producer:
Günther Breest (producer for classical music) and Bobby Schmidt
tenor vocals:
Plácido Domingo (tenor) (in 1975-10)
orchestra:
London Symphony Orchestra (in 1975-10)
conductor:
Marcel Peeters (Belgian orchestra-leader and clarinetist) (in 1975-10)
arranger:
Marcel Peeters (Belgian orchestra-leader and clarinetist)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1975-10)
recording of:
Granada (original Spanish version) (in 1975-10)
lyricist and composer:
Agustín Lara (in 1932)
publisher:
Latin-American Music, Southern Music Co. and Peer International Corporation (BMI) (from 1932 to present)
Plácido Domingo3:52
19Carousel - You'll Never Walk Alone (Rodgers)
vocals:
Bryn Terfel (bass-baritone opera singer)
recording of:
You’ll Never Walk Alone (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
Bryn Terfel3:02
2▼CD
#TitleArtistRatingLength
1R. Strauss: Also sprach Zarathustra - Opening
recording engineer:
James Brown (Decca engineer, 1960s) (in 1959-03) and Gordon Parry (engineer) (in 1959-03)
producer:
John Culshaw and Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-03)
conductor:
Herbert von Karajan (conductor) (in 1959-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-03, from 1959-03-09 until 1959-03-10)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (in 1959-03)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Herbert Von Karajan1:46
2Kotahitanga (Union)
Oceania3:29
3Nella Fantasia
guitar:
John Themis
choir vocals:
Metro Voices
tenor vocals:
Russell Watson (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Nick Ingman
chorus master:
William Hayward
recording of:
Nella fantasia
lyricist:
Chiara Ferraú (lyricist)
composer:
Ennio Morricone (Italian classical and score composer)
arranger:
Audrey Snyder (composer, arranger)
publisher:
EMI/Virgin Music Publishing Ltd.
is based on:
Gabriel’s Oboe (The Mission, main theme)
Russel Watson4:29
4Bach: Prelude No.1
classical guitar and guitar:
John Williams (classical guitarist)
performer:
John Williams (classical guitarist)
recording of:
Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude)
part of:
Suite no. 1 in G major, BWV 1007 (catch-all for arrangements)
John Williams2:22
5Leoncavallo: Pagliacci - Vesti la Giubba
tenor vocals:
José Cura (tenor)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
José Cura2:38
6Rachmaninov: Piano Concerto No.3 - Allegro Ma Non Tanto (excerpt)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto
composer:
Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer) (from 1909 until 1909-09-23)
part of:
Piano Concerto no. 3 in D minor, op. 30
Vladimir Ashkenazy5:06
7Barber: Adagio
producer:
Richard Killough (producer) and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1971-01-12)
conductor:
Leonard Bernstein (on 1971-01-12)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1971)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-01-12)
recording of:
Adagio for Strings (on 1971-01-12)
orchestrator:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Leonard Bernstein10:04
8Braveheart - Main Title
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Jonathan Allen (engineer)
producer:
James Horner (American score composer)
assistant editor:
Christine Cholvin and Joe E. Rand (editor)
editor:
Jim Henrikson
choir vocals:
Westminster Abbey Choir
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Martin Neary (organist and choral conductor)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
B.H. Finance C.V. (in 1995) and Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Main Title (Braveheart)
composer:
James Horner (American score composer)
publisher:
Festival Music Pty, Ltd.
part of:
Braveheart
James Horner2:52
9Bernstein: West Side Story - Tonight
soprano vocals:
Kiri Te Kanawa (soprano)
tenor vocals:
José Carreras (Spanish tenor)
recording of:
West Side Story: Tonight (Maria, Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
José Carreras & Kiri Te Kanawa4:34
10Puccini: La Bohème - O Soave Fanciulla
baritone vocals [Marcello]:
Simon Keenlyside (baritone)
soprano vocals and soprano vocals [Mimì]:
Angela Gheorghiu (Romanian soprano)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Chailly (conductor)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Roberto Alagna & Angela Gheorghiu4:06
11Baïlèro
Izzy4:24
12Allegri: Miserere (excerpt)
King's College Choir5:42
13Canto Gregoriano: Gloria
producer:
Harald Baudis (sound engineer)
choir vocals:
Coro de monjes del Monasterio Benedictino de Santo Domingo de Silos (The Benedictine Monks of Santo Domingo de Silos) (in 1968, from 1968-10-07 until 1968-10-12)
chorus master:
Ismael Fernández de la Cuesta (in 1968, from 1968-10-07 until 1968-10-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Iglesia del Monasterio Benedictino de Santo Domingo de Silos in Santo Domingo de Silos, Burgos (Province of Burgos), Castilla y León (Castile and León), Spain (in 1968)
Monks of Silos3:05
14Shostakovich: Waltz No.2
André Rieu3:42
15Bellini: Norma - Casta diva
producer:
Celso Valli
violin [first violin]:
Gavin Wright (UK violinist, conductor)
soprano vocals [Norma]:
Filippa Giordano (classic crossover singer)
orchestra:
The London Session Orchestra
conductor:
Celso Valli
arranger and orchestrator:
Celso Valli
recorded at and mixed at:
Fonoprint in Bologna, Emilia-Romagna, Italy
partial recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Filippa Giordano4:06
16Gershwin: Porgy & Bess - Summertime
Renée Fleming4:19
17All That Jazz (from Chicago)
vocals:
Ute Lemper
conductor:
Gareth Valentine
recording of:
All That Jazz (Chicago)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Larry Shayne Enterprises, Inc. and Warner/Chappell North America
part of:
Chicago (Kander & Ebb musical)
Ute Lemper4:05
18My Heart Will Go On
Jamie Shaw4:41
19Verdi: Rigoletto - La Donna è Mobile
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1971-06-28)
orchestra:
London Symphony Orchestra (on 1971-06-28)
conductor:
Richard Bonynge (conductor and pianist) (on 1971-06-28)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1971-06-28)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (on 1971-06-28)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Luciano Pavarotti2:21