Hidden Figures (Original Score)

~ Release by Hans Zimmer, Pharrell Williams & Benjamin Wallfisch (see all versions of this release, 5 available)

Annotation

℗ «2016 Columbia Records, a division of Sony Music Entertainment»

Countries excluded (Deezer + Spotify)

(As of 2024-10-19).

  • South America: 🇫🇰 Falkland Islands (fk)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇹🇰 Tokelau (tk)
Annotation last modified on 2024-10-19 05:52 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Katherine
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Katherine
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
2:36
2Mission Control
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Mission Control
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
1:16
3I’d Already Be One
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
I'd Already Be One
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
1:08
4Space Task Group
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Space Task Group
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
2:57
5Slice of Pie
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Slice Of Pie
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
1:05
6Redacted
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Redacted
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
1:24
7With All The Angels
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
With All The Angels
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
1:35
8Redstone
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Redstone
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
1:37
9Call Your Wives
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Call Your Wives
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
3:21
10Launch
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Launch
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
2:19
11That’s Just The Way Things Are
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
That's Just The Way Things Are
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
2:24
12Sign
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Sign (Hidden Figures)
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
1:11
13Kitchen Kiss
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Kitchen Kiss
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
0:55
14Mary and the Judge
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Mary And The Judge
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
1:30
15I Like Her Numbers
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
I Like Her Numbers
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
2:04
16Ladies’ March
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Ladies' March
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
1:24
17Mary and Levi
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Mary And Levi
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
2:11
18Euler’s Method
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Euler's Method
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
1:24
19Proposal
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Proposal
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
1:40
20Katherine Calculates
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Katherine Calculates
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
1:32
21Pearls
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Pearls
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
2:39
22Lift Off
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Lift Off
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
3:12
23Warning Light
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Warning Light
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
0:59
24Rocket Peril
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Rocket Peril
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
3:09
25Hidden Figures
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Hidden Figures
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
3:49
26Epilogue
recording engineer:
Kevin Globerman, Tim Lauber and Alan Meyerson
assistant engineer:
Alfredo Pasquel
engineer:
Denis St Amand, Chuck Choi and Stephanie McNally (engineer)
producer:
Steven Kofsky (music producer and composer)
mixer:
John Witt Chapman (mix assistant)
editor:
Richard Ford (music editor/bassist) and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestrator:
David Krystal (Toronto-based singer-songwriter)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Epilogue
composer:
Benjamin Wallfisch (English score composer), Pharrell Williams and Hans Zimmer (German score composer)
0:37