Not Fade Away

~ Release by Buddy Holly (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1I’m Looking for Someone to Love
recorded in:
Clovis, New Mexico, United States (on 1957-02-25)
bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Niki Sullivan (on 1957-02-25), Gary Tollett (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
recording of:
I’m Lookin’ for Someone to Love (on 1957-02-25)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and Wren Music Co.
1:58
2That’ll Be the Day
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
2:17
3Last Night (undubbed original version)
recording of:
Last Night
writer:
Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin and Norman Petty
publisher:
Wren Music Co.
1:56
4Maybe Baby (first version)
recording of:
Maybe Baby
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
2:00
5Last Night
recorded in:
Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
producer:
Norman Petty
double bass:
Joe B. Mauldin (on 1957-03-01)
drums (drum set):
Jerry Allison (on 1957-03-01)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-03-01)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-03-01) and Niki Sullivan (on 1957-03-01)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14), John Pickering (vocalist and leader of The Picks) (from 1957-10-12 until 1957-10-14) and The Picks (American vocal Quartet that backed Buddy Holly) (from 1957-10-12 until 1957-10-14)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-03-01)
recording of:
Last Night (from 1957-03-01 until 1957-10-14)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin and Norman Petty
publisher:
Wren Music Co.
51:55
6Words of Love (demo)
recording of:
Words of Love (Buddy Holly song)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. and Southern Music Publishing Company Limited
1:35
7Words of Love
recording of:
Words of Love (Buddy Holly song)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. and Southern Music Publishing Company Limited
1:56
8Mailman, Bring Me No More Blues
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-04-08)
drums (drum set):
Jerry Allison (on 1957-04-08)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
piano:
Vi Petty (on 1957-04-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-04-08)
cover recording of:
Mailman, Bring Me No More Blues (on 1957-04-08)
writer:
Bill Katz, Ruth Roberts and Bob Thiele (producer & songwriter)
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
42:13
9Not Fade Away (incomplete alternative take)
recording of:
Not Fade Away
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
1:35
10Not Fade Away
recording of:
Not Fade Away
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
2:23
11Everyday
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-05-29)
celesta:
Vi Petty (on 1957-05-29)
guitar and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
percussion [cardboard box percussion]:
Jerry Allison (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-29)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 236)
recording of:
Everyday (on 1957-05-27)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Peer International Corporation (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.852:09
12Ready Teddy
cover recording of:
Ready Teddy
lyricist and composer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Venice Music, Inc.
1:33
13Valley of Tears
producer:
Norman Petty
bass:
Joe B. Mauldin
drums (drum set):
Jerry Allison
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter)
organ:
Norman Petty
piano:
Vi Petty
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
cover recording of:
Valley of Tears
lyricist and composer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
publisher:
EMI Unart Catalog Inc., Francis, Day & Hunter (publisher) and Travis Music Co.
42:09
14Tell Me How
recording of:
Tell Me How
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
BMG Platinum Songs US and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:01
15Buddy’s Phone Call to Paul Cohen of Decca Records
6:21
16Go Boy Go (KDAV demo)
2:31
17Gone (KDAV demo)
cover recording of:
Gone
lyricist and composer:
Smokey Rogers
2:13
18Go Boy Go (Norman Petty demo)
2:36
19The Golden Rocket (Norman Petty demo)
2:20
20Gone (Norman Petty demo)
cover recording of:
Gone
lyricist and composer:
Smokey Rogers
2:13
21I Overlooked an Orchid (Norman Petty demo)
recording of:
I Overlooked an Orchid
writer:
Carl Smith (US country music singer) and Carl Story (Bluegrass artist)
2:44
22On My Mind Again
2:38
23Viva la matador
1:56
24A Whole Lot of Lovin’ (take 1)
recording of:
A Whole Lotta Lovin’
writer:
Jack Huddle, Norman Petty and Jim Robinson (US country songwriter, singer, producer, musician, author, counselor & speaker)
2:06
25A Whole Lot of Lovin’ (take 2)
recording of:
A Whole Lotta Lovin’
writer:
Jack Huddle, Norman Petty and Jim Robinson (US country songwriter, singer, producer, musician, author, counselor & speaker)
2:13
26A Whole Lot of Lovin’ (take 3)
recording of:
A Whole Lotta Lovin’
writer:
Jack Huddle, Norman Petty and Jim Robinson (US country songwriter, singer, producer, musician, author, counselor & speaker)
2:11
27A Whole Lot of Lovin’
recording of:
A Whole Lotta Lovin’
writer:
Jack Huddle, Norman Petty and Jim Robinson (US country songwriter, singer, producer, musician, author, counselor & speaker)
2:11
28It’s a Wonderful Feeling
recording of:
It’s a Wonderful Feeling
writer:
Jack Huddle, Norman Petty and Jim Robinson (US country songwriter, singer, producer, musician, author, counselor & speaker)
2:31
29Starlight (original without echo)
recording of:
Starlight
writer:
Jack Huddle, Norman Petty and Jimmy Robinson (songwriter)
2:10
30Believe Me (original without echo)
recording of:
Believe Me
writer:
Norman Petty and Jimmy Robinson (songwriter)
2:38
31Starlight
recording of:
Starlight
writer:
Jack Huddle, Norman Petty and Jimmy Robinson (songwriter)
2:07
32Believe Me
recording of:
Believe Me
writer:
Norman Petty and Jimmy Robinson (songwriter)
2:32
2▼CD
#TitleRatingLength
1Peggy Sue (alternative take)
recording of:
Peggy Sue
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
2:33
2Peggy Sue
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 194) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 370)
recording of:
Peggy Sue (from 1957-06-29 until 1957-07-01)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
4.52:31
3Listen to Me
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
recording of:
Listen to Me (from 1957-06-29 until 1957-07-01)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
writer:
Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) and Wren Music Co.
3.52:22
4That’ll Be the Day (promotional recording for Bob Thiele of Coral Records)
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
0:36
5That’ll Be the Day (promotional recording for Murray Deutch of Southern Music)
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
0:36
6Oh Boy! (Undubbed original version)
recording of:
Oh, Boy!
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
2:10
7Oh Boy!
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
background vocals:
Bob Lapham (on 1957-08-18), Bill Pickering (on 1957-08-18) and John Pickering (vocalist and leader of The Picks) (on 1957-08-18)
lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-06-29 until 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01, on 1957-08-18)
recording of:
Oh, Boy! (from 1957-07-01 until 1957-08-18)
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
42:09
8That’ll Be the Day (promotional recording for Bill Randle of WERE radio, Ohio)
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
0:35
9I’m Gonna Love You Too
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
recording of:
I’m Gonna Love You Too (from 1957-06-29 until 1957-07-01)
writer:
Joe B. Mauldin, Norman Petty and Niki Sullivan
publisher:
MPL (Paul McCartney-related) (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1957, in 1958)
4.52:14
10Send Me Some Lovin’ (original undubbed version)
recording of:
Send Me Some Lovin’
lyricist:
Leo Price
composer:
John Marascalco
publisher:
ATV Music Corp., Robin Hood Music Co. and Sony/ATV Songs LLC
2:37
11It’s Too Late (original undubbed demo)
recording of:
It’s Too Late
lyricist and composer:
Chuck Willis
publisher:
Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. and Unichappell Music, Inc.
2:26
12Send Me Some Lovin’
recording of:
Send Me Some Lovin’
lyricist:
Leo Price
composer:
John Marascalco
publisher:
ATV Music Corp., Robin Hood Music Co. and Sony/ATV Songs LLC
2:38
13It’s Too Late
recording of:
It’s Too Late
lyricist and composer:
Chuck Willis
publisher:
Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. and Unichappell Music, Inc.
2:26
14Man From Texas
2:19
15Honey, Honey
recording of:
Honey Honey
writer:
Gary Tollett
2:37
16Look to the Future
recording of:
Look to the Future
writer:
Norman Petty and Niki Sullivan
1:57
17By the Mission Wall
recording of:
By the Mission Wall
2:36
18Wreck of the Old ’97
2:09
19Scarlet Ribbons
3:33
20Sugartime (take 1)
recording of:
Sugartime
composer:
Odis Echols and Charlie Phillips
2:00
21Sugartime (promo?)
recording of:
Sugartime
composer:
Odis Echols and Charlie Phillips
2:20
22One Faded Rose (take 1)
2:35
23Sugartime
recording of:
Sugartime
composer:
Odis Echols and Charlie Phillips
2:19
24One Faded Rose
2:49
25Humble Heart
2:29
26Broken Promises
2:37
27Moondreams
cover recording of:
Moondreams
writer:
Norman Petty
publisher:
Wren Music Co.
2:36
28Moondreams (instrumental)
instrumental cover recording of:
Moondreams
writer:
Norman Petty
publisher:
Wren Music Co.
2:37
29Moondreams
cover recording of:
Moondreams
writer:
Norman Petty
publisher:
Wren Music Co.
2:39
3▼CD
#TitleRatingLength
1You’ve Got Love
producer:
Norman Petty
bass:
Joe B. Mauldin (from 1957-09-27 until 1957-09-28)
drums (drum set):
Jerry Allison (from 1957-09-27 until 1957-09-28)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-09-27 until 1957-09-28) and Niki Sullivan (from 1957-09-27 until 1957-09-28)
background vocals:
The Picks (American vocal Quartet that backed Buddy Holly) (from 1957-09-28 until 1957-11-27)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-09-27 until 1958-09-28)
phonographic copyright (℗) by:
Geffen Records (in 1957)
recorded at:
Tinker Air Force Base (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (from 1957-09-27 until 1957-09-28) and Norman Petty Studios in Clovis, New Mexico, United States (from 1957-09-28 until 1957-11-27)
recording of:
You’ve Got Love (from 1957-09-27 until 1957-11-27)
writer:
Roy Orbison, Norman Petty and Johnny Wilson (aka Johnny A. Wilson & Peanuts Wilson)
42:07
2Maybe Baby
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-09-29)
drums (drum set):
Jerry Allison (on 1957-09-29)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29) and Niki Sullivan (on 1957-09-29)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14) and John Pickering (vocalist and leader of The Picks) (from 1957-10-12 until 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (on 1957-09-29) and Norman Petty Studios in Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 14)
recording of:
Maybe Baby (from 1957-09-29 until 1957-10-14)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
3.752:03
3An Empty Cup (and a Broken Date)
recording of:
An Empty Cup (and a Broken Date)
writer:
Roy Orbison and Norman Petty
publisher:
Wren Music Co.
2:14
4Rock Me, My Baby
recording of:
Rock Me My Baby
writer:
Susan Heather and Shorty Long (1950s country/rockabilly artist)
publisher:
Wren Music
1:51
5That’ll Be the Day (unidentified live fragment)
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
0:15
6That’ll Be the Day (live on the Ed Sullivan CBS TV show)
live recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
1:50
7Peggy Sue (live on the Ed Sullivan Cbs TV show)
live recording of:
Peggy Sue
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
2:08
8Interview With Ed Sullivan
0:36
9Little Baby
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-12-19)
drums (drum set):
Jerry Allison (on 1957-12-19)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
piano:
C. W. Kendall (on 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1957-05 until 1957-07)
recording of:
Little Baby (from 1957-05 until 1957-07)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter), C. W. Kendall and Norman Petty
publisher:
BMG Platinum Songs US, Mellin Music, Peer International Corporation (BMI) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
51:57
10You’re So Square (Baby I Don’t Care)
cover recording of:
(You’re So Square) Baby I Don’t Care
lyricist:
Jerry Leiber (in 1957)
composer:
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
1:37
11Look at Me
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-12-19)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
percussion [cardboard box]:
Jerry Allison (on 1957-12-19)
piano:
Vi Petty (on 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-12-19)
recording of:
Look at Me (from 1957-05 until 1957-07)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) and Wren Music Co.
52:06
12Mona (rehersal)
recording of:
Mona
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
Arc Music (U.S. rock & blues publisher) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:08
13Mona (take 1)
recording of:
Mona
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
Arc Music (U.S. rock & blues publisher) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
1:17
14Mona (take 2)
recording of:
Mona
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
Arc Music (U.S. rock & blues publisher) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:27
15Mona (take 3)
recording of:
Mona
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
Arc Music (U.S. rock & blues publisher) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:46
16Peggy Sue (live on the Arthur Murray TV show)
live recording of:
Peggy Sue
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
2:27
17Don’t Do Me This Way! (first version)
recording of:
Don’t Do Me This Way
2:18
18Patty Baby
recording of:
Patty Baby
2:14
19Don’t Do Me This Way!
recording of:
Don’t Do Me This Way
2:26
20Promotional Spot for Bill Randle of WERE Radio, Ohio
0:28
21Promotional Spot for Bill Randle of WERE Radio, Ohio #2
0:28
22Promotional Spot for Don Passerby of Cornwall Radio, Canada #1
0:15
23Promotional Spot for Don Passerby of Cornwall Radio, Canada #2
0:18
24Promotional Spot for Don Passerby of Cornwall Radio, Canada #3
0:13
25Promotional Spot for Don Passerby of Cornwall Radio, Canada #4
0:12
26Interview With Red Robinson of CKWX Radio, Canada
3:05
27Promotional Spot for Red Robinson of CKWX Radio, Canada
0:09
28Interview With Freeman Hoover of KCSR Radio, Nebraska
11:02
29Promotional Spot for Freeman Hoover of KCSR Radio, Nebraska
0:08
30Interview With Dale Lowery of KTOP Radio, Kansas
1:40