Ryan Tubridy's Full Lounge

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Medium
#TitleArtistRatingLength
1Have You Met Miss Jones?
recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
Tony Bennett3:23
2Do You Know the Way to San Jose?
recording of:
Do You Know the Way to San Jose
lyricist:
Hal David (in 1968)
composer:
Burt Bacharach (in 1968)
publisher:
Blue Seas Music, Inc. and JAC Music Co., Inc.
Dionne Warwick2:57
3Let There Be Love
piano:
George Shearing (British jazz pianist)
vocals:
Nat King Cole
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1962)
cover recording of:
Let There Be Love (on 1961-12-20)
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole2.52:47
4Fly Me to the Moon
engineer:
David Hassinger
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
phonographic copyright (℗) by:
Liberty (a division of UMG Recordings, Inc.) (in 1964)
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Julie London42:35
5Just a Gigolo
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1956-04-19)
drums (drum set):
Bobby Morris (on 1956-04-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-04-19)
piano:
Willie McCumber Jr. (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
Jimmy 'Little Red' Blount (on 1956-04-19) and Lou Sineaux (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (on 1956-04-19)
lyricist:
Julius Brammer and Roger Graham
composer:
Leonello Casucci and Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
translator:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America and Wiener Bohème Verlag GmbH
medley of:
Just a Gigolo (English version)
medley of:
I Ain’t Got Nobody
Louis Prima44:45
6Perhaps, Perhaps, Perhaps
recording of:
Perhaps, Perhaps, Perhaps
lyricist:
Joe Davis (US lyricist, producer, publisher & promoter)
composer:
Osvaldo Farrés
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
translated version of:
Quizás, quizás, quizás
Doris Day2:35
7Sunshine Superman
cover recording of:
Sunshine Superman
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd. and Peer International Corporation (BMI)
Mel Tormé2:58
8Mack the Knife
producer:
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun and Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
part of:
Grammy Award: Record of the Year nominees (number: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (number: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 40) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:05
9Volare (Nel blu dipinto di blu)
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1958-07-14)
orchestra:
Dick Stabile and His Orchestra (on 1958-07-14)
conductor:
Gus Levene (on 1958-07-14)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (on 1958-07-14)
lyricist:
Franco Migliacci and Domenico Modugno
writer:
Franco Migliacci, Domenico Modugno and Mitchell Parish
composer:
Domenico Modugno
translator:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Robbins Music Corp.
translated version of:
Nel blu dipinto di blu (Volare)
Dean Martin43:01
10Almost There
live recording of:
Almost There (from "I'd Rather Be Rich")
lyricist:
Jerry Keller
composer:
Gloria Adele Shain
publisher:
September Music Corp.
Andy Williams3:00
11Mambo Italiano
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-09-23)
vocals:
Rosemary Clooney (on 1954-09-23) and The Mellomen (American singing quartet) (on 1954-09-23)
orchestra:
Buddy Cole and His Orchestra (on 1954-09-23)
conductor:
Paul Weston (on 1954-09-23)
recording of:
Mambo Italiano (original english version) (on 1954-09-23)
lyricist and composer:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Rosemary Clooney4.352:33
12The Way You Look Tonight
producer:
Danny Bennett
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1998)
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Tony Bennett3:26
13Get Happy
cover recording of:
Get Happy
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
Ella Fitzgerald3:33
14Let's Get Lost
recording of:
Let’s Get Lost
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony (ASCAP)
Chet Baker3:45
15'Till There Was You
bass:
Tony Reyes (Latin jazz bassist) (on 1959-08-12)
flute:
Arthur C. Smith (woodwind) (on 1959-08-12)
piano:
Eddie Cano (on 1959-08-12)
saxophone:
Jules Kinsler (on 1959-08-12), Harry Klee (on 1959-08-12) and Wilbur Schwartz (on 1959-08-12)
vocals:
Peggy Lee (jazz vocalist) (on 1959-08-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1960)
cover recording of:
Till There Was You (The Music Man) (on 1959-08-12)
lyricist and composer:
Meredith Willson (in 1950)
publisher:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing and Rinimer Corp.
part of:
The Music Man
Peggy Lee2:32
16Danke Schoen
recording of:
Danke Schoen (English version) (in 1963)
lyricist:
Kurt Schwabach
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
translator:
Milt Gabler
publisher:
Belinda Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
translated version of:
Danke schön (German lyrics)
Wayne Newton4.52:38
17On an Evening in RomaDean Martin2:31
18SwayRosemary Clooney2:24
19Happy Heart
recording of:
Happy Heart
lyricist:
Jackie Rae (Canadian singer, songwriter and television performer)
composer:
James Last (German big band leader & composer, 1929–2015)
publisher:
Panorama Song Ed.
Andy Williams3:15
20Cry Me a River
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Cry Me a River
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London52:50