Going Underground: 66 Smash New Wave Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Going Underground
producer:
Vic Coppersmith‐Heaven
bass:
Bruce Foxton (on 1980-01-16)
drums (drum set):
Rick Buckler (on 1980-01-16)
guitar:
Paul Weller (English singer-songwriter and musician) (on 1980-01-16)
vocals:
Bruce Foxton (on 1980-01-16) and Paul Weller (English singer-songwriter and musician) (on 1980-01-16)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1980)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-01-16)
recording of:
Going Underground (on 1980-01-16)
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.252:55
2Hong Kong Garden
music videos:
Hong Kong Garden by Siouxsie & the Banshees
recording of:
Hong Kong Garden
writer:
John McKay, Kenny Morris (Siouxsie and the Banshees' drummer), Steven Severin and Siouxsie Sioux (Susan Janet Ballion)
Siouxsie and the Banshees4.652:53
3Ever Fallen in Love (With Someone You Shouldn’t’ve?)
engineer:
Doug Bennett (producer, engineer) and Martin Rushent
producer and mixer:
Martin Rushent
arranger:
Buzzcocks (English punk band)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at and mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 276)
recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
lyricist and composer:
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Buzzcocks4.42:40
4Pump It Up
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
performer:
The Attractions (Elvis Costello) and Elvis Costello
phonographic copyright (℗) by:
Elvis Costello (in 1978)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 181)
recording of:
Pump It Up
lyricist and composer:
Elvis Costello
publisher:
BMG Music Publishing Ltd. and Universal Music Publishing MGB Australia
Elvis Costello & The Attractions4.63:17
5Geno
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
writer:
Al Archer and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:26
6Turning Japanese
producer:
Vic Coppersmith‐Heaven
drums (drum set):
Howard Smith (UK drummer for the Vapors)
electric bass guitar [bass guitar]:
Steve Smith (UK bassist for the Vapors)
guitar and lead vocals:
David Fenton
guitar [lead guitar]:
Edward Bazalgette
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1980)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 30)
recording of:
Turning Japanese
lyricist and composer:
David Fenton
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) and Glenwood Music Corp.
The Vapors3.653:43
7My Best Friend’s Girl
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist)
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer), Jay Faires and Tricia Holloway
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978, in 1979)
recorded at and mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
My Best Friend’s Girl (in 1978-02)
lyricist and composer:
Ric Ocasek
publisher:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd and Lido Music (not for release label use!) (in 1978)
The Cars4.353:41
8Ça plane pour moi
producer:
Lou Deprijck
phonographic copyright (℗) by:
BMG Belgium (in 1977)
recording of:
Ça plane pour moi (in 1977)
lyricist:
Yves Lacomblez
composer:
Lou Deprijck
publisher:
Klugerpartners and Universal Publishing
Plastic Bertrand4.652:56
9Dog Eat Dog
producer:
Chris Hughes (producer, aka “Merrick”)
bass guitar:
Kevin Mooney
drums (drum set):
Chris Hughes (producer, aka “Merrick”) and Terry Lee Miall
guitar:
Marco Pirroni (British musician and producer)
vocals:
Adam Ant (English new wave singer and actor) and Kevin Mooney
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
recording of:
Dog Eat Dog
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Adam and the Ants3:13
10Lucky Number
producer:
The Stateless (possibly Lene Lovich and Les Chappell)
mixer:
Roger Bechirian
lead vocals:
Lene Lovich
remixer:
Roger Bechirian
phonographic copyright (℗) by:
Oval Records (in 1978) and Oval Sounds LLP (in 1979)
recording of:
Lucky Number
writer:
Les Chappell and Lene Lovich
publisher:
Oval Music
Lene Lovich42:46
11Airport
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1978)
part of:
TV Cream: Real 100 Best Singles Ever (number: 19)
recording of:
Airport
writer:
Andy McMaster
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Island Music Ltd. (from 1978 to present)
The Motors3.354:29
12Because the Night
producer:
Jimmy Iovine
mixer:
Jimmy Iovine and Shelly Yakus
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978, in 1988) and Arista Records, LLC (holding company - file NO releases here!) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 72)
recording of:
Because the Night
publisher:
Bruce Springsteen and Bruce Springsteen (in 1975)
lyricist:
Patti Smith (in 1977) and Bruce Springsteen (in 1977)
composer:
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group4.553:21
13Rat Trap
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1978)
recording of:
Rat Trap
lyricist and composer:
Bob Geldof
publisher:
Sewer Fire Hits Ltd
The Boomtown Rats44:55
14No More Heroes
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1977-07)
recording of:
No More Heroes (in 1977-07)
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers4.653:28
15Another Girl, Another Planet
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1978)
recording of:
Another Girl, Another Planet
lyricist and composer:
Peter Perrett
publisher:
Domino Publishing Co. Ltd.
The Only Ones4.353:00
16Do Anything You Wanna Do
recording of:
Do Anything You Wanna Do
composer:
Graeme Douglas and Ed Hollis (British songwriter and producer)
Eddie & the Hot Rods4:02
17Making Plans for Nigel
engineer:
Hugh Padgham
producer:
Steve Lillywhite
bass guitar and lead vocals:
Colin Moulding
drums (drum set):
Terry Chambers
electric guitar:
Dave Gregory (XTC) and Andy Partridge
background vocals:
Andy Partridge
part of:
Indie 88: Top 500 Indie Rock Songs (number: 477)
recording of:
Making Plans for Nigel
lyricist and composer:
Colin Moulding
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
XTC4.54:12
18MoneyThe Flying Lizards4.22:30
19Jilted John
recording of:
Jilted John
lyricist and composer:
Graham Fellows
Jilted John2:53
20Jimmy Jimmy
recording of:
Jimmy Jimmy
lyricist and composer:
John O’Neill (of The Undertones)
publisher:
Universal/MCA Music Ltd. (not for release label use!) and West Bank Songs Ltd.
The Undertones2:42
21Banana Splits
cover recording of:
The Tra La La Song (One Banana, Two Banana)
writer and composer:
Richie Adams and Mark Barkan
The Dickies1:54
22If the Kids Are United
producer:
Jimmy Pursey (Founder member of Sham 69) and Peter Wilson (UK Producer)
recording of:
If the Kids Are United
writer:
Dave Parsons (Sham 69 guitarist) and Jimmy Pursey (Founder member of Sham 69)
publisher:
Maxwood Music Ltd.
Sham 6953:45
2CD
#TitleArtistRatingLength
1Hanging On the Telephone
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
cover recording of:
Hanging on the Telephone (from 1978-06 until 1978-07)
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) and Rare Blue Music Inc (in 1978)
Blondie4.32:20
2My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in The Knack) (in 1979-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack4.14:02
3Is She Really Going Out With Him?
engineer:
Rod Hewison
producer:
David Kershenbaum
bass guitar:
Graham Maby (in 1978-08)
drums (drum set):
David Houghton (in 1978-08)
guitar:
Gary Sanford (in 1978-08)
lead vocals:
Joe Jackson (English musician) (in 1978-08)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 438)
recording of:
Is She Really Going Out With Him? (in 1978-08)
lyricist and composer:
Joe Jackson (English musician)
publisher:
Kobalt Music (publisher) and Pokazuka Limited
Joe Jackson4.43:34
4Up the Junction
producer:
Squeeze (UK new wave band) and John Wood (UK producer)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1979)
music videos:
Up the Junction by Squeeze (UK new wave band)
recording of:
Up the Junction
lyricist:
Chris Difford
composer:
Glenn Tilbrook
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Deptford Songs
Squeeze4.53:10
5Sex & Drugs & Rock & Roll
drums (drum set):
Charley Charles (UK drummer) (in 1976)
electric bass guitar:
Norman Watt-Roy (in 1976)
electric guitar:
Chaz Jankel (English musician and songwriter) (in 1976)
lead vocals:
Ian Dury (in 1976)
phonographic copyright (℗) by:
Stiff Records (in 1977) and Templemill Music Ltd (in 1977)
recorded at:
Alvic Studios (Wimbledon) in Wimbledon, Merton, London (Greater London), England, United Kingdom (in 1976)
recording of:
Sex & Drugs & Rock & Roll (in 1976)
lyricist:
Ian Dury
composer:
Chaz Jankel (English musician and songwriter)
publisher:
Blackhill Music Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Ian Dury and the Blockheads3.83:04
6Back of My Hand
recording of:
Back of My Hand
writer:
John Alder (UK guitarist) and Nick Watkinson
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Jags3:20
7I Got You
engineer and producer:
David Tickle
bass:
Nigel Griggs
drums (drum set):
Malcolm Green (UK/Australian drummer)
guitar:
Neil Finn
keyboard:
Tim Finn and Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer)
percussion:
Noel Crombie
vocals:
Neil Finn and Tim Finn
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1980) and Mushroom Records (in 2006)
recording of:
I Got You
lyricist and composer:
Neil Finn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Mushroom Music (Mushroom label’s publishing company)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 11)
Split Enz3.53:25
8Rock Lobster
producer:
Chris Blackwell (Island Records)
edit of:
Rock Lobster by The B‐52’s
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 146) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 300)
recording of:
Rock Lobster
writer:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland, Cindy Wilson and Ricky Wilson (The B‐52’s)
publisher:
Boo-fant Tunes, Inc. (publisher)
The B‐52s34:54
9Video Killed the Radio Star
producer:
The Buggles
electric guitar and lead vocals:
Trevor Horn (in 1979)
keyboard:
Geoff Downes (in 1979)
choir vocals:
Debi Doss (photographer and singer, Kinks) (in 1979) and Linda Jardim (in 1979)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 40)
recording of:
Video Killed the Radio Star
writer:
Geoff Downes, Trevor Horn and Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:18
10Stop the Sobbing
engineer:
Bill Price (UK producer/engineer)
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
part of:
New York Post: 100 Greatest Covers (2007) (number: 66)
cover recording of:
Stop Your Sobbing
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd., Jay Boy and Kassner Associated Publishers
The Pretenders2:38
112-4-6-8 Motorway
producer:
Vic Maile
bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
drums (drum set):
Dolphin Taylor (on 1977-09-14)
guitar:
Danny Kustow (on 1977-09-14)
organ and piano:
Mark Ambler (on 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recorded at:
Berwick Street Studios in Westminster, London (Greater London), England, United Kingdom (on 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (on 1977-09-14)
lyricist and composer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:16
12Into the Valley
recording of:
Into the Valley
lyricist:
Richard Jobson
composer:
Stuart Adamson
The Skids43:10
13Sound of the SuburbsThe Members53:15
14Sheena Is a Punk Rocker
engineer:
Ed Stasium (US record producer & audio engineer)
producer:
Thomas Erdelyi (Tommy Ramone) and Ed Stasium (US record producer & audio engineer)
bass guitar:
Dee Dee Ramone (on 1977-12-31)
drums (drum set):
Tommy Ramone (on 1977-12-31)
guitar:
Johnny Ramone (on 1977-12-31)
recorded at:
Rainbow Theatre (Finsbury Park) in London (Greater London), England, United Kingdom (on 1977-12-31)
live recording of:
Sheena Is a Punk Rocker (on 1977-12-31)
writer:
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman and John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher), Taco Tunes Inc. and Warner/Chappell North America
Ramones2:47
15Milk and Alcohol
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
writer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) and Gypie Mayo
publisher:
Plangent Visions Music Ltd. and Rock Music Co., Ltd.
Dr. Feelgood4.252:46
16King Rocker
producer:
Ian Hunter (Mott the Hoople)
recording of:
King Rocker
writer:
Billy Idol (English rock singer‐songwriter) and Tony James (UK bassist/guitarist)
Generation X4.652:16
17Prime TimeThe Tubes53:16
18Whip It
associate producer:
Robert Margouleff
producer:
DEVO (new wave/rock band)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 15), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 42), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 63) and Indie 88: Top 500 Indie Rock Songs (number: 463)
recording of:
Whip It (Devo song)
writer:
Gerald Casale and Mark Mothersbaugh
publisher:
DEVO Music, EMI Virgin Music Australia Pty Ltd and Nymph Music
DEVO4.52:38
19Top of the Pops
recording of:
Top of the Pops
composer:
Jo Callis
The Rezillos3:14
20Babylon’s Burning
engineer and mixer:
Mick Glossop (producer & engineer)
producer:
Mick Glossop (producer & engineer) and The Ruts
bass:
Segs (in 1979)
guitar:
Paul Fox (of The Ruts) (in 1979)
percussion:
Dave Ruffy (in 1979)
saxophone:
Gary Barnacle (in 1979)
trumpet:
Luke Tunney (in 1979)
vocals:
Malcolm Owen (in 1979)
arranger:
Mick Glossop (producer & engineer) and The Ruts
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1979)
recording of:
Babylon’s Burning (in 1979)
writer:
Paul Fox (of The Ruts), John Jennings (The Ruts), Malcolm Owen and Dave Ruffy
publisher:
Virgin Music (Publishers) Ltd.
The Ruts52:35
21Public Image
producer:
Pil
recording of:
Public Image
writer:
John Wardle, Keith Levene, John Lydon (Johnny Rotten of the Sex Pistols) and Jim Walker (PIL member)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI/Virgin Music Publishing Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Public Image Ltd.4.652:55
22I Am the Fly
producer:
Mike Thorne (UK producer & keyboardist)
recording of:
I Am the Fly
writer:
Graham Lewis (bassist in Wire) and Colin Newman (UK vocalist / songwriter)
Wire4.53:08
3CD
#TitleArtistRatingLength
1Boys Don't Cry
engineer:
Mike Hedges (UK producer/recording engineer)
producer and mixer:
Chris Parry
bass guitar:
Michael Dempsey
drums (drum set):
Lol Tolhurst
guitar and lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographic copyright (℗) by:
Fiction Records (not for release label use! please use “Fiction” for that instead)
music videos:
Boys Don’t Cry by The Cure
part of:
Indie 88: Top 500 Indie Rock Songs (number: 242)
recording of:
Boys Don’t Cry
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
writer and composer:
Michael Dempsey, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Lol Tolhurst
publisher:
APB Music Co.
The Cure4.552:35
2Love Will Tear Us Apart
producer:
Joy Division and Martin Hannett
bass:
Peter Hook
drums (drum set):
Stephen Morris (New Order)
guitar:
Bernard Albrecht
vocals:
Bernard Albrecht and Ian Curtis
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 179)
recording of:
Love Will Tear Us Apart
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:25
3Pretty in Pink
engineer:
Will Gosling and Phil Thornalley
producer:
Steve Lillywhite
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981, in 1986)
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and EMI Songs Ltd.
The Psychedelic Furs4.653:58
4Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Jörn‐Uwe Fahrenkrog‐Petersen and Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London), England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
Kim Wilde4.353:24
5They Don't Know
producer:
Liam Sternberg
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1979)
recording of:
They Don’t Know
lyricist and composer:
Kirsty MacColl
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Kirsty MacColl43:00
6The Reward
producer:
Clive Langer and Alan Winstanley (English record producer)
recording of:
Reward
composer:
Julian Cope and Alan Gill
The Teardrop Explodes4.52:41
7The Swords of a Thousand Men
producer:
Bob Andrews (keyboardist and producer) and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1981)
recording of:
Swords of a Thousand Men
lyricist and composer:
Edward Tudor-Pole
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:55
8Eighth Day
producer:
Tony Visconti
vocals:
Hazel O’Connor
arranger:
Tony Visconti
recorded at and mixed at:
Good Earth Studios in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Eighth Day
lyricist, writer and composer:
Hazel O’Connor
Hazel O’Connor3:09
9I Heard It Through the GrapevineThe Slits43:58
10Egyptian Reggae
recording of:
Egyptian Reggae
writer:
Earl Anthony Johnson (reggae singer Earl Zero) and Jonathan Richman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
is based on:
None Shall Escape the Judgement
Jonathan Richman & The Modern Lovers2:36
11Gangsters
producer:
The Specials (ska band)
recording of:
Gangsters
writer:
John Bradbury (UK drummer for The Specials/General Public), Roderick James Byers, Jerry Dammers, Lynval Golding, Terry Hall, Horace Panter and Neville Staple
arranger:
Jerry Dammers
version of:
Al Capone
The Special A.K.A.42:46
12On My Radio
recording of:
On My Radio
lyricist and composer:
Neol Davies (British musician and founder of The Selecter)
publisher:
Fairwood Music Ltd.
The Selecter4.23:01
13Private Life
cover recording of:
Private Life
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Hynde House of Hits Music and Modern Music Publishing Co., Inc.
Grace Jones5:11
14Genius of LoveTom Tom Club3:28
15Broken English
recording of:
Broken English
writer:
Marianne Faithfull, Joe Mavety, Barry Reynolds, Terry Stannard and Steve York (British rock bassist)
Marianne Faithfull4.54:35
16Germ Free Adolescents
assistant engineer:
Andy Pearce (Mastering engineer)
engineer:
John Mackenzie Burns
producer:
Falcon Stuart and X‐Ray Spex
lead vocals:
Poly Styrene
recording of:
Germ Free Adolescents
lyricist and composer:
Poly Styrene
X‐Ray Spex23:11
17I'm in Love With a German Film StarThe Passions43:57
18The Number One Song in HeavenSparks3:29
19Being Boiled
engineer and producer:
The Human League and John Leckie
recording of:
Being Boiled
lyricist:
Philip Oakey
composer:
Ian Craig Marsh and Martyn Ware
The Human League44:16
20Life in Tokyo, Part 1
Japan4:01
21We Got the Beat
additional assistant recording engineer:
James Ball, Eric Kortee and Darroll Gustamachio
assistant recording engineer:
Ted Blechta and John Terelle
recording engineer and mixer:
Rob Freeman (engineer)
producer:
Rob Freeman (engineer) and Richard Gottehrer (American songwriter and music executive)
assistant mixer:
Gray Russell
bass guitar and guitar:
Kathy Valentine
drums (drum set) and percussion:
Gina Schock
guitar [lead guitar] and keyboard:
Charlotte Caffey
guitar [rhythm guitar]:
Jane Wiedlin
lead vocals:
Belinda Carlisle
vocals:
Charlotte Caffey and Jane Wiedlin
phonographic copyright (℗) by:
I.R.S., Inc. (in 1981)
additionally recorded at:
Sound Mixers Studio in New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recorded at:
Pennylane Studios in New York, New York, United States
mixed at:
Sound Mixers Studio in New York, New York, United States
recording of:
We Got the Beat
lyricist and composer:
Charlotte Caffey
writer:
Go‐Go’s (all-female American rock band formed in 1978)
publisher:
Daddy-Oh Music and Universal Music–MGB Songs
The Go‐Go’s4.42:30
22C·30 C·60 C·90 Go!
assistant producer:
Martin Levan
producer:
Malcolm McLaren
recording of:
C·30 C·60 C·90 Go
writer:
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) and Malcolm McLaren
Bow Wow Wow53:03