Our Friends in the North 1964–1995

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistRatingLength
1The Times They Are A-Changin'
recorded in:
New York, New York, United States (on 1963-10-24)
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 59)
recording of:
The Times They Are A‐Changin’ (on 1963-10-24)
lyricist and composer:
Bob Dylan (in 1963)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
Bob Dylan4.13:14
2House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.254:27
3You Really Got Me
producer:
Shel Talmy (in 1964-07)
additional piano:
Perry Ford (English pop singer) (in 1964-07)
bass guitar:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
drums (drum set):
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (in 1964-07)
guitar:
Harry Fryer (in 1964-07)
guitar [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
guitar [rhythm guitar], harmonica, keyboard and lead vocals:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
miscellaneous support:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (task: Courtesy of / c/o Celebrity Licensing, Inc.)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1964-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 20), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 162) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 176)
recording of:
You Really Got Me (in 1964-07)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. and Jay Boy
The Kinks4.252:13
4Eve of Destruction
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
Eve of Destruction (in 1965)
lyricist and composer:
P.F. Sloan
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:33
5Wild Thing
producer:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
drums (drum set):
Ronnie Bond (The Troggs) (in 1966)
electric guitar:
Chris Britton (The Troggs) (in 1966)
ocarina and lead vocals:
Reg Presley (in 1966)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 257)
cover recording of:
Wild Thing (in 1966)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH and April Music (in 1981)
The Troggs4.42:31
6All or Nothing
recording of:
All or Nothing
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
Aquarius Music Ltd. (UK publisher)
Small Faces3:03
7Substitute
recording of:
Substitute
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!)
The Who3:48
8See My Friend
recording of:
See My Friends
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
American Metropolitan Enterprises of New York Inc. and Edward Kassner Music Co. Ltd.
The Kinks2:42
9We Gotta Get Out of This Place
producer:
Mickie Most (English record producer)
vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 233)
recording of:
We Gotta Get Out of This Place
writer:
Barry Mann and Cynthia Weil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Francis, Day & Hunter (publisher) (in 1979) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Animals3.83:12
10Goodbye Yellow Brick Road
engineer:
David Hentschel
producer:
Gus Dudgeon
bass guitar:
Dee Murray (in 1973-05)
drums (drum set):
Nigel Olsson (in 1973-05)
electric guitar:
Davey Johnstone (in 1973-05)
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
background vocals:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) and Nigel Olsson (in 1973-05)
orchestrator:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder) (in 1973)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (in 1973-05)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 380)
recording of:
Goodbye Yellow Brick Road (in 1973-05)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.93:15
11Le Freak
recording of:
Le Freak
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic3:35
12Can You Feel the Force
recording of:
Can You Feel the Force
writer:
Chris Amoo and Eddie Amoo
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
The Real Thing4:06
13Denis
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
cover recording of:
Denise (from 1977-06 until 1977-07)
lyricist and composer:
Neil Levenson (pianist and songwriter)
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. and Taking Care of Business Music Inc. (BMI)
Blondie3.52:16
14Babylon's Burning
recording of:
Babylon’s Burning
writer:
Paul Fox (of The Ruts), John Jennings (The Ruts), Malcolm Owen and Dave Ruffy
publisher:
Virgin Music (Publishers) Ltd.
The Ruts2:34
15The English Civil War
recording of:
English Civil War (When Johnny Comes Marching Home)
writer:
[traditional] (special purpose artist) and The Clash (70s–80s British punk rock band)
arranger:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
is based on:
When Johnny Comes Marching Home (trad.)
The Clash2:36
16My Perfect Cousin
producer:
Roger Bechirian
recording of:
My Perfect Cousin
writer:
Michael Bradley (Undertones bassist) and Damian O’Neill
The Undertones2:36
17Karma Cameleon
recording of:
Karma Chameleon
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club3:57
18What Difference Does It Make?
engineer:
Phil Bush (engineer, composer and musician) and Neil King (sound engineer)
producer:
John Porter (producer and musician US and UK)
bass guitar:
Andy Rourke
drums (drum set):
Mike Joyce (UK drummer)
guitar and harmonica:
Johnny Marr
vocals:
Morrissey (English singer-songwriter)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1984) and Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
What Difference Does It Make?
lyricist:
Morrissey (English singer-songwriter)
composer:
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths3.953:48
19When Tomorrow Comes
engineer:
Jon Bavin and Emmanuel Guiot (sound engineer)
producer:
Dave Stewart (UK guitarist/singer for Eurythmics)
remaster of:
When Tomorrow Comes by Eurythmics
recording of:
When Tomorrow Comes
orchestrator:
Michael Kamen (American score composer)
lyricist and composer:
Dave Stewart (UK guitarist/singer for Eurythmics), Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Patrick Seymour (UK producer, arranger, keyboardist, flutist & composer)
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and RCA Music Ltd. (publisher)
Eurythmics3.654:16
20Common People
recording of:
Common People
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Russell Senior
premiered at:
Reading Festival (1994-08-27) (1994)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2018-03-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Pulp2.44:07