After Midnight (limited edition, reissue, stereo, blue vinyl, 180g)

~ Release by Nat King Cole (see all versions of this release, 16 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Just You, Just Me
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1956-09-14)
double bass:
Charlie Harris (jazz bassist) (on 1956-09-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-09-14)
guitar:
John Collins (US jazz guitarist) (on 1956-09-14)
piano:
Nat King Cole (on 1956-09-14)
vocals:
Nat King Cole (on 1956-09-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09) and Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-14)
cover recording of:
Just You, Just Me (on 1956-09-14)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
recording of:
Just You, Just Me
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
3:02
A2Sweet Lorraine
double bass:
Charlie Harris (jazz bassist) (on 1956-08-15)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-08-15)
guitar:
John Collins (US jazz guitarist) (on 1956-08-15)
piano:
Nat King Cole (on 1956-08-15)
trumpet:
Harry Edison (on 1956-08-15)
vocals:
Nat King Cole (on 1956-08-15)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-15) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
Sweet Lorraine (on 1956-08-15)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
4:36
A3Sometimes I'm Happy
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
violin:
Stuff Smith (jazz violinist)
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
4:10
A4Caravan
bongos and congas:
Jack Costanzo
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
valve trombone:
Juan Tizol
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
2:45
A5It's Only A Paper Moon
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967)
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
I Was a Little Too Lonely and You Were a Little Too Late
writer:
Ray Evans (American songwriter) and Jay Livingston
3:07
A6You're Looking At Me
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967)
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
You’re Looking at Me
lyricist and composer:
Bobby Troup
4:14
A7Don't Blame Me
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1956-09-14)
double bass:
Charlie Harris (jazz bassist) (on 1956-09-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-09-14)
guitar:
John Collins (US jazz guitarist) (on 1956-09-14)
piano:
Nat King Cole (on 1956-09-14)
vocals:
Nat King Cole (on 1956-09-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09) and Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-14)
cover recording of:
Just You, Just Me (on 1956-09-14)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
recording of:
Just You, Just Me
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
3:03
A8Little Girl
recording of:
That's My Girl
writer:
Ray Ellington and Barbara Tobias
1:51
B1The Lonely One
bongos and congas:
Jack Costanzo
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
valve trombone:
Juan Tizol
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
The Lonely One
lyricist:
Lenny Hambro
composer:
Roberta Heller
3:49
B2Don't Let It Go To Your Head
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967)
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
3:12
B3I Know That You Know
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
violin:
Stuff Smith (jazz violinist)
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
I Know That You Know (Caldwell & Youmans)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
2:30
B4Blame It On My Youth
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
violin:
Stuff Smith (jazz violinist)
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
4:12
B5When I Grow Too Old To Dream
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
violin:
Stuff Smith (jazz violinist)
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
When I Grow Too Old to Dream
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1934)
composer:
Sigmund Romberg (in 1934)
publisher:
EMI United Partnership Ltd. and Robbins Music
translated version of:
Altijd zal het zomer zijn
3:34
B6(Get Your Kicks On) Route 66
cover recording of:
(Get Your Kicks on) Route 66 (on 1956-08-15)
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Burke-Van Heusen, Inc. (on 1946-04-22)
3:43
B7It Could Happen To You
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
trumpet:
Harry “Sweets” Edison
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
cover recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
2:46
B8I Surrender Dear
double bass:
Charlie Harris (jazz bassist) (on 1955-07-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-07-14)
guitar:
John Collins (US jazz guitarist) (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental cover recording of:
I Surrender Dear (on 1955-07-14)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
3:00