La realidad de los sueños

~ Release by The Mars Volta (see all versions of this release, 1 available)

Tracklist

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1▼12" Vinyl: Tremulant EP
#	Title	Rating	Length
A1	Cut That City recording of: Cut That City (from 2001-10 until 2001-12) lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López	4	5:44
A2	Concertina recording of: Concertina (from 2001-10 until 2001-12) lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López	4.5	4:54
B	Eunuch Provocateur recording of: Eunuch Provocateur (from 2001-10 until 2001-12) lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López	4	8:48

2▼12" Vinyl: De‐Loused in the Comatorium (disc 1)
#	Title	Rating	Length
A1	Son et lumière additional recording engineer: Andrew Scheps recording engineer: Dave Schiffman (American producer/audio engineer) assistant engineer: Phillip Broussard and Darren Mora co-producer: Omar Rodríguez‐López producer: Rick Rubin (US record producer, former co‐president of Columbia Records) mixer: Rich Costey bass guitar: Flea (US bassist) drums (drum set): Jon Theodore effects: Jeremy Michael Ward guitar: Omar A Rodriguez-Lopez keyboard: Ikey Isaiah Owens vocals: Cedric Bixler Zavala phonographic copyright (℗) by: The Mars Volta (in 2003) recorded at: The Mansion in Los Angeles, California, United States mixed at: Cello Studios in Hollywood, Los Angeles, California, United States recording of: Son et lumière (from 2002-10 until 2003-01) additional lyricist: Jeremy Michael Ward lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López publisher: Amputekthure, Clouds Hill Notes GmbH, Dystopia, Hija de lola, Lopsided and Music Sales Corp Publishers	3.9	1:35
A2	Inertiatic ESP additional recording engineer: Andrew Scheps recording engineer: Dave Schiffman (American producer/audio engineer) assistant engineer: Phillip Broussard and Darren Mora co-producer: Omar Rodríguez‐López producer: Rick Rubin (US record producer, former co‐president of Columbia Records) mixer: Rich Costey bass guitar: Flea (US bassist) drums (drum set): Jon Theodore effects: Jeremy Michael Ward guitar: Omar A Rodriguez-Lopez keyboard: Ikey Isaiah Owens vocals: Cedric Bixler Zavala phonographic copyright (℗) by: The Mars Volta (in 2003) recorded at: The Mansion in Los Angeles, California, United States mixed at: Cello Studios in Hollywood, Los Angeles, California, United States music videos: Inertiatic ESP by The Mars Volta recording of: Inertiatic ESP (from 2002-10 until 2003-01) additional lyricist: Jeremy Michael Ward lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López publisher: Amputekthure, Clouds Hill Notes GmbH, Dystopia, Hija de lola, Lopsided and Music Sales Corp Publishers	4.65	4:23
A3	Roulette Dares (The Haunt Of) additional recording engineer: Andrew Scheps recording engineer: Dave Schiffman (American producer/audio engineer) assistant engineer: Phillip Broussard and Darren Mora co-producer: Omar Rodríguez‐López producer: Rick Rubin (US record producer, former co‐president of Columbia Records) mixer: Rich Costey bass guitar: Flea (US bassist) drums (drum set): Jon Theodore effects: Jeremy Michael Ward guitar: Omar A Rodriguez-Lopez keyboard: Ikey Isaiah Owens vocals: Cedric Bixler Zavala phonographic copyright (℗) by: The Mars Volta (in 2003) recorded at: The Mansion in Los Angeles, California, United States mixed at: Cello Studios in Hollywood, Los Angeles, California, United States recording of: Roulette Dares (The Haunt Of) (from 2002-10 until 2003-01) additional lyricist: Jeremy Michael Ward lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López publisher: Dystopia, Hija de lola, Lopsided and Music Sales Corp Publishers	4.4	7:30
B1	Tírame a las arañas additional recording engineer: Andrew Scheps recording engineer: Dave Schiffman (American producer/audio engineer) assistant engineer: Phillip Broussard and Darren Mora co-producer: Omar Rodríguez‐López producer: Rick Rubin (US record producer, former co‐president of Columbia Records) mixer: Rich Costey bass guitar: Flea (US bassist) phonographic copyright (℗) by: The Mars Volta (in 2003) recorded at: The Mansion in Los Angeles, California, United States mixed at: Cello Studios in Hollywood, Los Angeles, California, United States recording of: Tírame a las arañas (from 2002-10 until 2003-01) composer: Omar Rodríguez‐López publisher: Amputekthure, Dystopia, EMI April Music Inc. and Lopsided	2.7	1:28
B2	Drunkship of Lanterns additional recording engineer: Andrew Scheps recording engineer: Dave Schiffman (American producer/audio engineer) assistant engineer: Phillip Broussard and Darren Mora co-producer: Omar Rodríguez‐López producer: Rick Rubin (US record producer, former co‐president of Columbia Records) mixer: Rich Costey bass guitar: Flea (US bassist) drums (drum set): Jon Theodore effects: Jeremy Michael Ward guitar: Omar A Rodriguez-Lopez keyboard: Ikey Isaiah Owens vocals: Cedric Bixler Zavala phonographic copyright (℗) by: The Mars Volta (in 2003) recorded at: The Mansion in Los Angeles, California, United States mixed at: Cello Studios in Hollywood, Los Angeles, California, United States recording of: Drunkship of Lanterns (from 2002-10 until 2003-01) additional lyricist: Jeremy Michael Ward lyricist: Cedric Bixler‐Zavala composer: Cedric Bixler‐Zavala and Omar Rodríguez‐López publisher: Dystopia, EMI April Music Inc. and Lopsided	4.5	7:05
B3	Eriatarka additional recording engineer: Andrew Scheps recording engineer: Dave Schiffman (American producer/audio engineer) assistant engineer: Phillip Broussard and Darren Mora co-producer: Omar Rodríguez‐López producer: Rick Rubin (US record producer, former co‐president of Columbia Records) mixer: Rich Costey bass guitar: Flea (US bassist) drums (drum set): Jon Theodore effects: Jeremy Michael Ward guitar: Omar A Rodriguez-Lopez keyboard: Ikey Isaiah Owens vocals: Cedric Bixler Zavala phonographic copyright (℗) by: The Mars Volta (in 2003) recorded at: The Mansion in Los Angeles, California, United States mixed at: Cello Studios in Hollywood, Los Angeles, California, United States recording of: Eriatarka (from 2002-10 until 2003-01) additional lyricist: Jeremy Michael Ward lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López publisher: Dystopia, Hija de lola, Lopsided and Music Sales Corp Publishers	4.4	6:20

3▼12" Vinyl: De‐Loused in the Comatorium (disc 2)
#	Title	Rating	Length
C1	Cicatriz ESP additional recording engineer: Andrew Scheps recording engineer: Dave Schiffman (American producer/audio engineer) programming: John Frusciante assistant engineer: Phillip Broussard and Darren Mora co-producer: Omar Rodríguez‐López producer: Rick Rubin (US record producer, former co‐president of Columbia Records) mixer: Rich Costey additional guitar and synthesizer: John Frusciante bass guitar: Flea (US bassist) drums (drum set): Jon Theodore effects: Jeremy Michael Ward guitar: Omar A Rodriguez-Lopez keyboard: Ikey Isaiah Owens vocals: Cedric Bixler Zavala phonographic copyright (℗) by: The Mars Volta (in 2003) recorded at: The Mansion in Los Angeles, California, United States mixed at: Cello Studios in Hollywood, Los Angeles, California, United States recording of: Cicatriz ESP (from 2002-10 until 2003-01) additional lyricist: Jeremy Michael Ward lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López publisher: Dystopia, Hija de lola, Lopsided and Music Sales Corp Publishers	4.25	12:28
C2	This Apparatus Must Be Unearthed additional recording engineer: Andrew Scheps recording engineer: Dave Schiffman (American producer/audio engineer) assistant engineer: Phillip Broussard and Darren Mora co-producer: Omar Rodríguez‐López producer: Rick Rubin (US record producer, former co‐president of Columbia Records) mixer: Rich Costey bass guitar: Flea (US bassist) drums (drum set): Jon Theodore effects: Jeremy Michael Ward guitar: Omar A Rodriguez-Lopez keyboard: Ikey Isaiah Owens vocals: Cedric Bixler Zavala phonographic copyright (℗) by: The Mars Volta (in 2003) recorded at: The Mansion in Los Angeles, California, United States mixed at: Cello Studios in Hollywood, Los Angeles, California, United States recording of: This Apparatus Must Be Unearthed (from 2002-10 until 2003-01) additional lyricist: Jeremy Michael Ward lyricist: Cedric Bixler‐Zavala composer: Cedric Bixler‐Zavala and Omar Rodríguez‐López publisher: Dystopia, Hija de lola, Lopsided and Music Sales Corp Publishers	4.7	4:57
D1	Televators additional recording engineer: Andrew Scheps recording engineer: Dave Schiffman (American producer/audio engineer) assistant engineer: Phillip Broussard and Darren Mora co-producer: Omar Rodríguez‐López producer: Rick Rubin (US record producer, former co‐president of Columbia Records) mixer: Rich Costey bass guitar: Flea (US bassist) drums (drum set): Jon Theodore effects: Jeremy Michael Ward guest double bass: Justin Meldel Johnson guitar: Omar A Rodriguez-Lopez keyboard: Ikey Isaiah Owens vocals: Cedric Bixler Zavala phonographic copyright (℗) by: The Mars Volta (in 2003) recorded at: The Mansion in Los Angeles, California, United States mixed at: Cello Studios in Hollywood, Los Angeles, California, United States recording of: Televators (from 2002-10 until 2003-01) additional lyricist: Jeremy Michael Ward lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López publisher: Dystopia, Hija de lola, Lopsided and Music Sales Corp Publishers	3.85	6:18
D2	Take the Veil Cerpin Taxt additional recording engineer: Andrew Scheps recording engineer: Dave Schiffman (American producer/audio engineer) assistant engineer: Phillip Broussard and Darren Mora co-producer: Omar Rodríguez‐López producer: Rick Rubin (US record producer, former co‐president of Columbia Records) mixer: Rich Costey bass guitar: Flea (US bassist) drums (drum set): Jon Theodore effects: Jeremy Michael Ward guitar: Omar A Rodriguez-Lopez keyboard: Ikey Isaiah Owens vocals: Cedric Bixler Zavala phonographic copyright (℗) by: The Mars Volta (in 2003) recorded at: The Mansion in Los Angeles, California, United States mixed at: Cello Studios in Hollywood, Los Angeles, California, United States recording of: Take the Veil Cerpin Taxt (from 2002-10 until 2003-01) additional lyricist: Jeremy Michael Ward lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López publisher: Dystopia, Hija de lola, Lopsided and Music Sales Corp Publishers	4.25	8:41

4▼12" Vinyl: Frances the Mute (disc 1)
#	Title	Rating	Length
A1	Cygnus....Vismund Cygnus engineered in: Burbank, California, United States, Byron Bay (Byron Bay, New South Wales), New South Wales, Australia, Hollywood, Los Angeles, California, United States, Los Angeles, California, United States, New York, New York, United States, San Juan, Puerto Rico, United States and Van Nuys, California, United States assistant engineer: Claudius Mittendorfer (engineer, producer, mixer) and Paul Pilsneniks engineer: Jon Debaun, Omar A Rodriguez-Lopez, Andrew Scheps and David Schiffman (American producer/audio engineer) producer: Omar A Rodriguez-Lopez mixer: Rich Costey additional guest percussion: Lenny Castro drums (drum set): Jon Theodore electric bass guitar: Juan Alderete de la Peña (American bassist) guitar, sampler [field recordings] and synthesizer: Omar A Rodriguez-Lopez keyboard: Isaiah “Ikey” Owens and Marcel Rodriguez‐Lopez percussion: Marcel Rodriguez‐Lopez vocals: Cedric Bixler‐Zavala phonographic copyright (℗) by: The Mars Volta (in 2005) mixed at: Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States recording of: Cygnus....Vismund Cygnus lyricist: Cedric Bixler‐Zavala composer: Omar A Rodriguez-Lopez publisher: Amputekthure, EMI April Music Inc. and Hija de lola	4.55	?:??
A2	The Widow engineered in: Burbank, California, United States, Byron Bay (Byron Bay, New South Wales), New South Wales, Australia, Hollywood, Los Angeles, California, United States, Los Angeles, California, United States, New York, New York, United States, San Juan, Puerto Rico, United States and Van Nuys, California, United States assistant engineer: Claudius Mittendorfer (engineer, producer, mixer) and Paul Pilsneniks engineer: Jon Debaun, Omar A Rodriguez-Lopez, Andrew Scheps and David Schiffman (American producer/audio engineer) producer: Omar A Rodriguez-Lopez mixer: Rich Costey additional guest percussion: Lenny Castro drums (drum set): Jon Theodore electric bass guitar: Juan Alderete de la Peña (American bassist) guest trumpet: Flea (US bassist) guitar, sampler [field recordings] and synthesizer: Omar A Rodriguez-Lopez keyboard: Isaiah “Ikey” Owens and Marcel Rodriguez‐Lopez percussion: Marcel Rodriguez‐Lopez vocals: Cedric Bixler‐Zavala phonographic copyright (℗) by: The Mars Volta (in 2005) mixed at: Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States recording of: The Widow lyricist: Cedric Bixler‐Zavala composer: Omar A Rodriguez-Lopez publisher: Amputekthure, EMI April Music Inc. and Hija de lola	4.15	?:??
B	L’Via L’Viaquez engineered in: Burbank, California, United States, Byron Bay (Byron Bay, New South Wales), New South Wales, Australia, Hollywood, Los Angeles, California, United States, Los Angeles, California, United States, New York, New York, United States, San Juan, Puerto Rico, United States and Van Nuys, California, United States assistant engineer: Claudius Mittendorfer (engineer, producer, mixer) and Paul Pilsneniks engineer: Jon Debaun, Omar A Rodriguez-Lopez, Andrew Scheps and David Schiffman (American producer/audio engineer) producer: Omar A Rodriguez-Lopez mixer: Rich Costey additional guest percussion: Lenny Castro drums (drum set): Jon Theodore electric bass guitar: Juan Alderete de la Peña (American bassist) guest clavinet and piano: Larry Harlow guest solo electric guitar: John Frusciante guitar, sampler [field recordings] and synthesizer: Omar A Rodriguez-Lopez keyboard: Isaiah “Ikey” Owens and Marcel Rodriguez‐Lopez percussion: Marcel Rodriguez‐Lopez vocals: Cedric Bixler‐Zavala phonographic copyright (℗) by: The Mars Volta (in 2005) mixed at: Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States recording of: L’Via L’Viaquez lyricist: Cedric Bixler‐Zavala composer: Omar A Rodriguez-Lopez publisher: Amputekthure, EMI April Music Inc. and Hija de lola	4.45	?:??

5▼12" Vinyl: Frances the Mute (disc 2)
#	Title	Rating	Length
C	Miranda That Ghost Just Isn’t Holy Anymore engineered in: Burbank, California, United States, Byron Bay (Byron Bay, New South Wales), New South Wales, Australia, Hollywood, Los Angeles, California, United States, Los Angeles, California, United States, New York, New York, United States, San Juan, Puerto Rico, United States and Van Nuys, California, United States assistant engineer: Claudius Mittendorfer (engineer, producer, mixer) and Paul Pilsneniks engineer: Jon Debaun, Omar A Rodriguez-Lopez, Andrew Scheps and David Schiffman (American producer/audio engineer) producer: Omar A Rodriguez-Lopez mixer: Rich Costey additional guest percussion: Lenny Castro drums (drum set): Jon Theodore electric bass guitar: Juan Alderete de la Peña (American bassist) guest trumpet: Flea (US bassist) guitar, sampler [field recordings] and synthesizer: Omar A Rodriguez-Lopez keyboard: Isaiah “Ikey” Owens and Marcel Rodriguez‐Lopez percussion: Marcel Rodriguez‐Lopez vocals: Cedric Bixler‐Zavala phonographic copyright (℗) by: The Mars Volta (in 2005) mixed at: Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States recording of: Miranda That Ghost Just Isn’t Holy Anymore lyricist: Cedric Bixler‐Zavala composer: Omar A Rodriguez-Lopez publisher: Amputekthure, EMI April Music Inc. and Hija de lola	4.15	?:??
D	Cassandra Gemini (Part 1) partial recording of: Cassandra Gemini lyricist: Cedric Bixler‐Zavala composer: Omar A Rodriguez-Lopez publisher: Amputekthure, EMI April Music Inc. and Hija de lola		?:??

6▼12" Vinyl: Frances the Mute (disc 3)
#	Title	Rating	Length
E	Cassandra Gemini (Part 2) partial recording of: Cassandra Gemini lyricist: Cedric Bixler‐Zavala composer: Omar A Rodriguez-Lopez publisher: Amputekthure, EMI April Music Inc. and Hija de lola		?:??

7▼12" Vinyl: Amputechture (disc 1)
#	Title	Rating	Length
A1	Vicarious Atonement recording of: Vicarious Atonement lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López	3.9	?:??
A2	Tetragrammaton recording of: Tetragrammaton lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López	4.1	?:??
B1	Vermicide recording of: Vermicide lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López	4	?:??
B2	Meccamputechture recording of: Meccamputechture lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López	3.65	?:??

8▼12" Vinyl: Amputechture (disc 2)
#	Title	Rating	Length
C1	Asilos Magdalena recording of: Asilos Magdalena lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López	3.25	?:??
C2	Viscera Eyes recording of: Viscera Eyes lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López	4.2	?:??
D1	Day of the Baphomets recording of: Day of the Baphomets lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López	3.9	?:??
D2	El ciervo vulnerado recording of: El ciervo vulnerado lyricist: Cedric Bixler‐Zavala composer: Omar Rodríguez‐López	3.15	?:??

9▼12" Vinyl: The Bedlam in Goliath (disc 1)
#	Title	Rating	Length
A1	Aberinkula phonographic copyright (℗) by: The Mars Volta (in 2008) recording of: Aberinkula writer: Cedric Bixler‐Zavala and Omar Rodríguez‐López	4.6	5:45
A2	Metatron phonographic copyright (℗) by: The Mars Volta (in 2008) recording of: Metatron writer: Cedric Bixler‐Zavala and Omar Rodríguez‐López	4.6	8:12
A3	Ilyena phonographic copyright (℗) by: The Mars Volta (in 2008) recording of: Ilyena writer: Cedric Bixler‐Zavala and Omar Rodríguez‐López	4.15	5:36
B1	Wax Simulacra phonographic copyright (℗) by: The Mars Volta (in 2008) recording of: Wax Simulacra writer: Cedric Bixler‐Zavala and Omar Rodríguez‐López	4	2:39
B2	Goliath phonographic copyright (℗) by: The Mars Volta (in 2008) recording of: Goliath writer: Cedric Bixler‐Zavala and Omar Rodríguez‐López is based on: Rapid Fire Tollbooth	4.3	7:15
B3	Tourniquet Man phonographic copyright (℗) by: The Mars Volta (in 2008) recording of: Tourniquet Man writer: Cedric Bixler‐Zavala and Omar Rodríguez‐López	3.2	2:38
B4	Cavalettas phonographic copyright (℗) by: The Mars Volta (in 2008) recording of: Cavalettas writer: Cedric Bixler‐Zavala and Omar Rodríguez‐López	4.4	9:32

10▼12" Vinyl: The Bedlam in Goliath (disc 2)
#	Title	Rating	Length
C1	Agadez phonographic copyright (℗) by: The Mars Volta (in 2008) recording of: Agadez writer: Cedric Bixler‐Zavala and Omar Rodríguez‐López	4.15	6:44
C2	Askepios phonographic copyright (℗) by: The Mars Volta (in 2008) recording of: Askepios writer: Cedric Bixler‐Zavala and Omar Rodríguez‐López	3.6	5:11
C3	Ouroborous phonographic copyright (℗) by: The Mars Volta (in 2008) recording of: Ouroborous writer: Cedric Bixler‐Zavala and Omar Rodríguez‐López	4.6	6:36
D1	Soothsayer phonographic copyright (℗) by: The Mars Volta (in 2008) recording of: Soothsayer writer: Cedric Bixler‐Zavala and Omar Rodríguez‐López	3.7	9:08
D2	Conjugal Burns phonographic copyright (℗) by: The Mars Volta (in 2008) recording of: Conjugal Burns writer: Cedric Bixler‐Zavala and Omar Rodríguez‐López	4.2	6:36

11▶12" Vinyl: Mr. Muggs

12▶12" Vinyl: Octahedron (disc 1)

13▶12" Vinyl: Octahedron (disc 2)

14▶12" Vinyl: Nocturniquet (disc 1)

15▶12" Vinyl: Nocturniquet (disc 2)

16▶12" Vinyl: Landscape Tantrums

17▶12" Vinyl: Eunuch Provocateur

18▶12" Vinyl: A Plague Upon Your Hissing Children

Credits

Release

Discogs:	https://www.discogs.com/release/18422320 [info]