Tracklist

1CD
#TitleArtistRatingLength
1Cantata on the Death of Emperor Joseph II, WoO 87: Chorus with solo quartet - Todt, stöhnt es durch die öde Nacht!
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
executive producer:
Nick Flower and Joanna Gamble (alto vocalist and producer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers
solo bass vocals:
José van Dam (Belgian operatic bass-baritone)
solo mezzo-soprano vocals:
Jean Rigby (mezzo-soprano)
solo soprano vocals:
Janice Watson (soprano)
solo tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Corydon Orchestra
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom
recording of:
Cantata on the Death of Emperor Joseph II, WoO 87: I. Chorus "Tot! Tot, stöhnt es durch die öde Nacht" (solo quartet)
composer:
Ludwig van Beethoven (German composer) (in 1790)
librettist:
Severin Anton Averdonk
part of:
Cantata on the Death of Emperor Joseph II, WoO 87
Ludwig van Beethoven8:13
2Cantata on the Death of Emperor Joseph II, WoO 87: Bass recitative - Ungeheuer, sein Name Fanatismus
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
executive producer:
Nick Flower and Joanna Gamble (alto vocalist and producer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
solo bass vocals:
José van Dam (Belgian operatic bass-baritone)
orchestra:
Corydon Orchestra
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom
recording of:
Cantata on the Death of Emperor Joseph II, WoO 87: II. Recitative "Ein Ungeheuer, sein Name Fanatismus" (bass)
composer:
Ludwig van Beethoven (German composer) (in 1790)
librettist:
Severin Anton Averdonk
part of:
Cantata on the Death of Emperor Joseph II, WoO 87
Ludwig van Beethoven1:24
3Cantata on the Death of Emperor Joseph II, WoO 87: Bass aria - Da kam Joseph, mit Gottes Stärke
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
executive producer:
Nick Flower and Joanna Gamble (alto vocalist and producer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
solo bass vocals:
José van Dam (Belgian operatic bass-baritone)
orchestra:
Corydon Orchestra
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom
recording of:
Cantata on the Death of Emperor Joseph II, WoO 87: III. Aria "Da kam Joseph" (bass)
composer:
Ludwig van Beethoven (German composer) (in 1790)
librettist:
Severin Anton Averdonk
part of:
Cantata on the Death of Emperor Joseph II, WoO 87
Ludwig van Beethoven4:49
4Cantata on the Death of Emperor Joseph II, WoO 87: Soprano aria with chorus - Da stiegen die Menschen an's Licht
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
executive producer:
Nick Flower and Joanna Gamble (alto vocalist and producer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers
solo soprano vocals:
Janice Watson (soprano)
orchestra:
Corydon Orchestra
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom
recording of:
Cantata on the Death of Emperor Joseph II, WoO 87: IV. Aria & Chorus "Da stiegen die Menschen ans Licht" (soprano)
composer:
Ludwig van Beethoven (German composer) (in 1790)
librettist:
Severin Anton Averdonk
part of:
Cantata on the Death of Emperor Joseph II, WoO 87
Ludwig van Beethoven6:28
5Cantata on the Death of Emperor Joseph II, WoO 87: Soprano recitative - Er schläft von den Sorgen seiner Welten entladen
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
executive producer:
Nick Flower and Joanna Gamble (alto vocalist and producer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
solo soprano vocals:
Janice Watson (soprano)
orchestra:
Corydon Orchestra
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom
recording of:
Cantata on the Death of Emperor Joseph II, WoO 87: V. Recitative "Er schläft" (soprano)
composer:
Ludwig van Beethoven (German composer) (in 1790)
librettist:
Severin Anton Averdonk
part of:
Cantata on the Death of Emperor Joseph II, WoO 87
Ludwig van Beethoven2:36
6Cantata on the Death of Emperor Joseph II, WoO 87: Soprano aria - Hier schlummert seinen stillen Frieden
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
executive producer:
Nick Flower and Joanna Gamble (alto vocalist and producer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
solo soprano vocals:
Janice Watson (soprano)
orchestra:
Corydon Orchestra
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom
recording of:
Cantata on the Death of Emperor Joseph II, WoO 87: VI. Aria "Hier schlummert seinen stillen Frieden" (soprano)
composer:
Ludwig van Beethoven (German composer) (in 1790)
librettist:
Severin Anton Averdonk
part of:
Cantata on the Death of Emperor Joseph II, WoO 87
Ludwig van Beethoven8:21
7Cantata on the Death of Emperor Joseph II, WoO 87: Chorus with solo quartet - Todt, stöhnt es durch die öde Nacht!
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
executive producer:
Nick Flower and Joanna Gamble (alto vocalist and producer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers
solo bass vocals:
José van Dam (Belgian operatic bass-baritone)
solo mezzo-soprano vocals:
Jean Rigby (mezzo-soprano)
solo soprano vocals:
Janice Watson (soprano)
solo tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Corydon Orchestra
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom
recording of:
Cantata on the Death of Emperor Joseph II, WoO 87: VII. Chorus "Tot, stöhnt es durch die öde Nacht" (solo quartet)
composer:
Ludwig van Beethoven (German composer) (in 1790)
librettist:
Severin Anton Averdonk
part of:
Cantata on the Death of Emperor Joseph II, WoO 87
Ludwig van Beethoven9:11
8Cantata on the Accession of Emperor Leopold II, WoO 88: Soprano recitative with chorus - Er schlummert...schlummert!
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
executive producer:
Nick Flower and Joanna Gamble (alto vocalist and producer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers
solo soprano vocals:
Judith Howarth (British soprano)
orchestra:
Corydon Orchestra
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom
recording of:
Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: Ia. Recitative (soprano, choir) "Er schlummert" - "Lasst sanft den grossen Fürsten ruhen!"
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88
Ludwig van Beethoven4:20
9Cantata on the Accession of Emperor Leopold II, WoO 88: Soprano aria - Fleisse, Wonnezähre, fliesse!
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
executive producer:
Nick Flower and Joanna Gamble (alto vocalist and producer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
solo soprano vocals:
Judith Howarth (British soprano)
orchestra:
Corydon Orchestra
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom
recording of:
Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: Ib. Arie (soprano) "Fliesse, Wonnezähre, fliesse!"
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88
Ludwig van Beethoven9:37
10Cantata on the Accession of Emperor Leopold II, WoO 88: Bass recitative - Ihr staunt, Völker der Erde
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
executive producer:
Nick Flower and Joanna Gamble (alto vocalist and producer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
solo bass vocals:
José van Dam (Belgian operatic bass-baritone)
orchestra:
Corydon Orchestra
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom
recording of:
Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: II. Recitative (bass) "Ihr staunt, Völker der Erde!"
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88
Ludwig van Beethoven0:42
11Cantata on the Accession of Emperor Leopold II, WoO 88: Tenor recitative - Wie bebt mein Herz vor Wonne!; Soprano, tenor, bass terzetto - Ihr, die Joseph ihren Vater nannten
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
executive producer:
Nick Flower and Joanna Gamble (alto vocalist and producer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
solo bass vocals:
José van Dam (Belgian operatic bass-baritone)
solo soprano vocals:
Judith Howarth (British soprano)
solo tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Corydon Orchestra
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom
recording of:
Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IIIa. Recitative (tenor) "Wie bebt mein Herz vor Wonne!"
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88
Ludwig van Beethoven4:07
12Cantata on the Accession of Emperor Leopold II, WoO 88: Chorus with solo quartet - Heil! Stürzet nieder, Millionen
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
executive producer:
Nick Flower and Joanna Gamble (alto vocalist and producer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers
solo bass vocals:
José van Dam (Belgian operatic bass-baritone)
solo mezzo-soprano vocals:
Jean Rigby (mezzo-soprano)
solo soprano vocals:
Judith Howarth (British soprano)
solo tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Corydon Orchestra
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom
recording of:
Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IV. Choir "Heil! Stürzet nieder, Millionen'"
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88
Ludwig van Beethoven4:41
13Opferlied, op. 121b
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
executive producer:
Nick Flower and Joanna Gamble (alto vocalist and producer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers
solo mezzo-soprano vocals:
Jean Rigby (mezzo-soprano)
orchestra:
Corydon Orchestra
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom
recording of:
Opferlied, op. 121b (first version, for soprano, choir and orchestra)
lyricist:
Friedrich von Matthisson
composer:
Ludwig van Beethoven (German composer) (in 1822)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 121b)
Ludwig van Beethoven6:53
14Meeresstille und glückliche Fahrt, op. 112
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
executive producer:
Nick Flower and Joanna Gamble (alto vocalist and producer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers
orchestra:
Corydon Orchestra
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom
recording of:
Cantata for Mixed Chorus and Orchestra, op. 112 "Meeresstille und glückliche Fahrt"
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1807)
dedicated to:
Johann Wolfgang von Goethe
part of:
Works of Ludwig van Beethoven by opus number (number: op. 112)
Ludwig van Beethoven8:21