I Love Jazz, Volume 1

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Sleepwalk
Larry Carlton4:37
2Easier Said Than DoneShakatak4:44
3Bali Run
Fourplay5:34
4Is It You?
recording of:
Is It You?
lyricist:
Bill Champlin and Eric Tagg
composer:
Lee Ritenour
publisher:
Budde Music Inc. (US publisher), Captain Fingers Productions, Downtown DLJ Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and Rit of Habeas Music
Lee Ritenour4:28
5More Than This
assistant engineer:
Reuben Kaller
engineer:
Joe Ferla
producer:
Joe Ferla and Charlie Hunter
assistant mixer:
Suzie Barros (engineer)
guest vocals:
Norah Jones
recorded at:
Water Music in Hoboken, New Jersey, United States
mixed at:
River Sound Studio in New York, New York, United States
instrumental cover recording of:
More Than This
lyricist and composer:
Bryan Ferry
publisher:
BMG Platinum Songs US, E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (publisher) (in 1982)
Charlie Hunter & Norah Jones34:10
6Sure Thing
samples:
Harry’s Philosophy by John Lee Hooker (US blues singer, songwriter & guitarist)
recording of:
Sure Thing
composer:
Ludovic Navarre
publisher:
Primary Society Publishing and Universal Music Publishing France (not for release label use!)
St. Germain3:47
7Cantoop (Flip Fantasia)
performer:
Rahsaan Patterson
recording of:
Cantaloop (Flip Fantasia)
writer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Rahsaan Kelly, Mel Simpson (Member of Us3) and Geoff Wilkinson
publisher:
Us3 Music
is based on:
Cantaloupe Island
recording of:
Cantaloop 2004
writer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Rahsaan Kelly, Mel Simpson (Member of Us3) and Geoff Wilkinson
Us333:42
8The Beat Goes On
vocals:
Cathy Rich
recording of:
The Beat Goes On (arr. Rogers - Buddy Rich version)
writer:
Sonny Bono
arranger:
Shorty Rogers (trumpet)
arrangement of:
The Beat Goes On
live recording of:
The Beat Goes On (arr. Rogers - Buddy Rich version)
writer:
Sonny Bono
arranger:
Shorty Rogers (trumpet)
arrangement of:
The Beat Goes On
Buddy Rich4:56
9Light My Fire
guest vocals:
José Feliciano (born 1945, not Cheo Feliciano)
vocals:
Minnie Riperton
cover recording of:
Light My Fire (in 1979)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and 日音 Synch事業部 (NICHION, INC. Synch Division)
Minnie Riperton & José Feliciano5:09
10Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) and Bill Lazarus (in 1971)
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills (in 1971)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
lead vocals:
Bill Withers (in 1971)
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.52:05
11I Can’t Stand the Rain
recording engineer:
Danny Kopelson
assistant engineer:
Peter Beekerman, Dinji Brown, Bil Emmons, Joe Hogan, Fred Kevorkian and Julio Peralta
producer:
Craig Street
mixer:
Jimmy Douglass (engineer)
editor:
Fred Kevorkian
resonator guitar:
Chris Whitley (from 1993-03 until 1993-07)
lead vocals:
Cassandra Wilson (from 1993-03 until 1993-07)
arranger:
Chris Whitley and Cassandra Wilson
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1993-03 until 1993-07)
mixed at:
Sound on Sound Recording Studios (New York) in New York, New York, United States
edited at:
Sear Sound in New York, New York, United States
cover recording of:
I Can’t Stand the Rain (from 1993-03 until 1993-07)
writer:
Don Bryant, Bernard Miller (US 1970s songwriter) and Ann Peebles
publisher:
Irving Music, Inc. and JEC Publishing (in 1977)
Cassandra Wilson5:26
12We Have All the Time in the World
producer:
John Barry (English score composer) and Phil Ramone
lead vocals:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
We Have All the Time in the World (from the film "On Her Majesty’s Secret Service")
lyricist:
Hal David
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI United Partnership Ltd.
part of:
James Bond themes
part of:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:13
13Fly Me to the Moon
engineer:
David Hassinger
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
phonographic copyright (℗) by:
Liberty (a division of UMG Recordings, Inc.) (in 1964)
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Julie London42:33
14I Wish I Knew How It Would Feel to Be Free
Billy Taylor3:40
15Always ThereRonnie Laws4:52
16Inner City Blues
Paul Jackson, Jr.4:39
17I Heard It Through the GrapevineEarl Klugh34:12
18Don’t Worry Be Happy
producer:
Linda Goldstein
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1988) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
music videos:
Don’t Worry, Be Happy by Bobby McFerrin
recording of:
Don’t Worry, Be Happy (in 1988)
lyricist and composer:
Bobby McFerrin
writer:
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Probnoblem Music
Bobby McFerrin3.73:55
19Nature Boy
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-22)
guitar:
Oscar Moore (on 1947-08-22)
piano:
Nat King Cole (on 1947-08-22)
reeds:
Jules Kinsler (on 1947-08-22)
violin:
Harry Bluestone (on 1947-08-22)
vocals:
Nat King Cole (on 1947-08-22)
orchestra:
Frank Devol and His Orchestra (on 1947-08-22)
conductor:
Frank De Vol (on 1947-08-22)
performer:
The Nat King Cole Trio (on 1947-08-22)
arranger:
Frank De Vol
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1947-08-22)
cover recording of:
Nature Boy (on 1947-08-22)
lyricist and composer:
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole42:38
2CD
#TitleArtistRatingLength
1Give It All You Got
Chuck Mangione6:07
2One Day I’ll Fly AwayRandy Crawford4:21
3Midnight at the Oasis
cover recording of:
Midnight at the Oasis
lyricist and composer:
David Nichtern
publisher:
Space Potato Music (in 1974)
The Brand New Heavies4:08
4Eleanor Rigby
recording engineer:
James A. Farber (sound engineer)
assistant engineer:
Kenny Florendo
associate producer:
Christine Martin (management and production coordination)
producer:
Al Di Meola
guitar:
Stanley Jordan (from 1984-09 until 1984-10)
percussion:
Sammy Figueroa (from 1984-09 until 1984-10)
recorded at:
Songshop Studios in New York, New York, United States (from 1984-09 until 1984-10)
instrumental cover recording of:
Eleanor Rigby (from 1984-09 until 1984-10)
written in:
London (Greater London), England, United Kingdom (in 1965) and Weybridge, Surrey, England, United Kingdom (from 1965 until 1966)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Music Publishing (do not use as a release label!), Maclen Publishing Co. (U.S. based publisher for Lennon–McCartney), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1966)
Stanley Jordan7:01
5Son of a Preacher Man
phonographic copyright (℗) by:
Nashville (country label, used to be under Starday Records in Nashville, TN, today under Capitol Records, Inc.) (in 1969)
cover recording of:
Son of a Preacher Man
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Bobbie Gentry42:07
6Three Is a Magic Number
recording of:
Three Is a Magic Number
composer:
Bob Dorough
Bob Dorough43:16
7Rose Rouge
recording of:
Rose rouge (in 2000)
composer:
Ludovic Navarre
publisher:
Primary Society Publishing
St. Germain4:02
8Strawberry Letter 23
engineer:
Bob "Groovus" Breault, George "General" Beauregard and Willie "The Hand" Greer
producer:
Johnny Otis
mixer:
Bob "Groovus" Breault
bass, bell [sleigh and orquestra bells], drums (drum set), guitar [guitars], organ, piano, slide guitar [bottleneck guitar], tack piano and background vocals and lead vocals:
Shuggie Otis
arranger:
Shuggie Otis
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1971 to present)
recording of:
Strawberry Letter 23
lyricist, writer and composer:
Shuggie Otis
publisher:
Shugiterius Music
Shuggie Otis44:00
9Call Me
cover recording of:
Call Me
lyricist and composer:
Tony Hatch
publisher:
ATV Music Ltd., Duchess Music Corporation (BMI-affiliated) and Songs of Universal, Inc. (SOCAN)
Nancy Wilson2:14
10Just My Imagination (Running Away With Me)
engineer:
Val Garay, Steve Maslow and Jim Nipar
producer:
Fonce Mizell and Larry Mizell
mixer:
David Hassinger
clavinet and trumpet:
Fonce Mizell (on 1975-08-20)
congas:
Mayuto Correa (on 1975-08-20) and King Errisson (conguero) (on 1975-08-20)
drums (drum set):
Harvey Mason (jazz drummer) (on 1975-08-20)
electric bass guitar [fender]:
Chuck Rainey (American bassist) (on 1975-08-20)
electric piano:
Skip Scarborough (on 1975-08-20)
flugelhorn and trumpet:
Donald Byrd (American jazz trumpeter) (on 1975-08-20)
guitar:
Craig McMullen (on 1975-08-20) and John Rowin (jazz guitarist) (on 1975-08-20)
percussion:
Mayuto Correa (on 1975-08-20)
piano:
Larry Mizell (on 1975-08-20)
tenor saxophone:
Tyree Glenn, Jr. (on 1975-08-20)
trombone:
George Bohanon (on 1975-08-20)
trumpet:
Ray Brown (soul/jazz trumpet player Raymond Lee Brown, 75-) (on 1975-08-20)
background vocals:
Kay Haith (vocalist) (on 1975-08-20), Fonce Mizell (on 1975-08-20) and Larry Mizell (on 1975-08-20)
vocals:
Donald Byrd (American jazz trumpeter) (on 1975-08-20)
conductor:
Wade Marcus (on 1975-08-20)
strings arranger:
Wade Marcus
arranger:
Larry Mizell
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (on 1975-08-20)
cover recording of:
Just My Imagination (Running Away With Me) (on 1975-08-20)
lyricist:
Barrett Strong
composer:
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Stone Agate Music
Donald Byrd4:38
11So Amazing
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
horn arranger and strings arranger:
Nat Adderley, Jr. and Paul Riser
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
So Amazing
lyricist and composer:
Luther Vandross
publisher:
EMI April Music Inc., SBK Songs (publisher), Uncle Ronnie’s Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), April Music Inc. (in 1986), Uncle Ronnie's Music Co. Inc. (in 1986) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Luther Vandross3.53:43
12Time After Time
recording engineer:
Danny Kopelson (from 1998-05 until 1998-09)
acoustic guitar:
Marvin Sewell (from 1998-05 until 1998-09)
bouzouki and electric guitar:
Kevin Breit (from 1998-05 until 1998-09)
double bass:
Lonnie Plaxico (from 1998-05 until 1998-09)
percussion:
Jeffrey Haynes (from 1998-05 until 1998-09)
vocals:
Cassandra Wilson (from 1998-05 until 1998-09)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1998-05 until 1998-09)
cover recording of:
Time After Time (from 1998-05 until 1998-09)
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cassandra Wilson4:08
13Loving You
mastering:
Kent Duncan
additional engineer:
Gary Olazabal
engineer:
Malcolm Cecil and Robert Margouleff
bass drum, cymbal, harmonica, membranophone and piano:
El Toro Negro
bass guitar:
Reggie McBride
congas:
Rocki Dzidzornu
guitar:
Michael Sembello
membranophone:
Ollie E. Brown (US drummer, session musician & record producer)
background vocals:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) and Yvonne Wright
lead vocals:
Minnie Riperton
arranger:
Wonderlove (Stevie Wonder alias used to do work outside of Motown)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton23:46
14Sister Moon
Bob Belden4:55
15Maybe I’m Amazed
cover recording of:
Maybe I’m Amazed
written in:
London (Greater London), England, United Kingdom (in 1969)
lyricist and composer:
Paul McCartney (The Beatles) (in 1969)
publisher:
Northern Songs Ltd. and Sony/ATV Tunes LLC (ASCAP)
Carleen Anderson5:09
16I’m a Woman
vocals:
Peggy Lee (jazz vocalist) (on 1962-11-14)
conductor:
Benny Carter (on 1962-11-14)
cover recording of:
I’m a Woman (on 1962-11-14)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Sony/ATV Songs LLC
Peggy Lee2:11
17Unforgettable
producer:
Lee Gillette
piano:
Nat King Cole (in 1961)
vocals:
Nat King Cole (in 1961)
conductor:
Ralph Carmichael (in 1961)
recording of:
Unforgettable (in 1961)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Nat King Cole3.853:28
18The Girl From Ipanema
cover recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Lou Rawls3:49
19Sambop
recorded in:
New York, New York, United States (on 1962-12-10)
alto saxophone:
Cannonball Adderley (on 1962-12-10) and Paulo Moura (on 1962-12-10)
double bass:
Octavio Bailly Jr. (on 1962-12-10)
guitar:
Durval Ferreira (on 1962-12-10)
membranophone:
Dom Um Romão (on 1962-12-10)
piano:
Sérgio Mendes (on 1962-12-10)
trumpet:
Pedro Paulo (on 1962-12-10)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) and Essential Media Group LLC (in 2009)
Cannonball Adderley3:33
3CD
#TitleArtistRatingLength
1For What It’s Worth (Stop, Hey What’s That Sound)
cover recording of:
For What It’s Worth
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Lou Rawls2:33
2Joy and Pain
recording of:
Joy and Pain
lyricist and composer:
Frankie Beverly
Maze4:32
3Why Can’t We Live Together
recording of:
Why Can’t We Live Together
lyricist and composer:
Timmy Thomas
publisher:
EMI Longitude Music, Sherlyn Music, Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Timmy Thomas4:00
4Who’s That LadyThe Isley Brothers5:39
5You Are the Sunshine of My Life
recording engineer:
Dave Hassinger and Val Christian Garay
assistant engineer:
James Nipar, John Mills (recording/mix engineer) and Val Christian Garay
producer:
Chuck Davis (production/engineer) and Larry Mizell
drums (drum set):
Harvey Mason (jazz drummer) (on 1974-06-20)
flute:
Bobbi Humphrey (on 1974-06-20)
Moog:
Phil Davis (American jazz & R&B producer, songwriter, keyboardist) (on 1974-06-20)
synthesizer:
Don Preston (piano/keyboards, member of Mothers of Invention) (on 1974-06-20)
conductor:
Larry Mizell (on 1974-06-20)
remixer:
David Hassinger
arranger:
Larry Mizell
phonographic copyright (℗) by:
United Artists Music and Records Group, Inc. (UAMARG, Inc.)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (on 1974-06-20)
instrumental cover recording of:
You Are the Sunshine of My Life (on 1974-06-20)
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
part of:
The Real Book (compilation of jazz standards, Volume I)
Bobbi Humphrey2:44
6Save the Children
recording engineer:
Don Hahn (engineer)
producer:
George Butler
vocals:
Marlena Shaw
arranger:
Wade Marcus
cover recording of:
Save the Children
writer:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) and Marvin Gaye
publisher:
EMI Music Publishing France, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music Corp., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Marlena Shaw4:10
7Stay
cover recording of:
If You Want Me to Stay
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Mica Paris3:58
8Down That Road
recording of:
Down That Road
writer:
Shara Nelson and Prince Be
publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Shara Nelson3:45
9Everyday People
producer:
Speech (US rapper & musician)
recording of:
People Everyday
lyricist:
Speech (US rapper & musician)
composer:
Arrested Development
Arrested Development3.54:07
10Never Come Closer
Doris4:17
11This Will Be
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 3) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 316)
recording of:
This Will Be (An Everlasting Love)
writer:
Chuck Jackson (songwriter/producer) and Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) and Jay’s Enterprises Inc.
Natalie Cole3.52:50
12Every Generation
Ronnie Laws5:52
13Mystic Voyage
performer:
Roy Ayers
recording of:
Mystic Voyage (Mystic Vibrations)
composer:
Roy Ayers
publisher:
Arlovol Music and BMG Monarch
Ronny Jordan4:16
14Theme From M.A.S.H.
performer:
Bobby Hutcherson
instrumental cover recording of:
Suicide Is Painless
lyricist:
Mike Altman
composer:
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Bobby Hutcherson4:29
15Canteloupe Island
recording of:
Cantaloupe Island
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Company
Herbie Hancock5:28
16Mercy Mercy
phonographic copyright (℗) by:
Dance Plant Records (Cussy Music Publishing) (in 2012) and FHT (in 2012)
recording of:
Mercy, Mercy, Mercy (in 1966-07)
composer:
Josef Zawinul (jazz and fusion keyboard player)
publisher:
Zawinul Music
Cannonball Adderley3:07
17Round About Midnight
cover recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Sarah Vaughan3:35
4CD
#TitleArtistRatingLength
1My Funny Valentine
baritone saxophone:
Gerry Mulligan (on 1952-09-02)
bass:
Carson Smith (on 1952-09-02)
drums (drum set):
Chico Hamilton (on 1952-09-02)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1952-09-02)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (from 2006 to present)
recorded at:
Black Hawk in San Francisco, California, United States (on 1952-09-02)
instrumental cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1952-09-02)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Chet Baker2:57
2Something
producer:
Tony Colton and Johnny Harris (Scottish composer, conductor)
vocals:
Shirley Bassey (Welsh singer)
conductor:
Johnny Harris (Scottish composer, conductor)
arranger:
Johnny Harris (Scottish composer, conductor)
phonographic copyright (℗) by:
Capitol Records, LLC. (not for release label use! fka Capitol Records, Inc. until 2007) (in 1970)
cover recording of:
Something
lyricist and composer:
George Harrison (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Harrisongs Ltd. and Nichion Synch Division (NICHION, INC. Synch Division)
Shirley Bassey3:34
3Cry Me a River
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Cry Me a River
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London52:49
4Here’s That Rainy Day
cover recording of:
Here’s That Rainy Day
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Peggy Lee2:47
5I’m Just a Lucky So and So
recording engineer:
Ray Hall (engineer)
producer:
Bob Thiele (producer & songwriter) (on 1961-04-04)
clarinet:
Barney Bigard (on 1961-04-04)
double bass:
Mort Herbert (on 1961-04-04)
drums (drum set):
Danny Barcelona (on 1961-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-04)
trombone:
Trummy Young (on 1961-04-04)
trumpet:
Louis Armstrong (on 1961-04-04)
vocals:
Louis Armstrong (on 1961-04-04)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-04)
recording of:
I’m Just a Lucky So and So (on 1961-04-04)
lyricist:
Mack David (American lyricist and songwriter) (in 1945)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation and PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Louis Armstrong & Duke Ellington43:07
6Stormy Weather
cover recording of:
Stormy Weather
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Sarah Vaughan3:28
7Autumn Leaves
The Cannonball Adderley Quintet5:14
8Thinking About Your Body
Bobby McFerrin3:11
9While I’m Alone
executive producer:
Larkin Arnold
producer:
Frankie Beverly
recording of:
While I'm Alone
composer:
Frankie Beverly
Maze4:37
10Living for the City
Noel Pointer5:18
11Living Inside Your Love
Earl Klugh5:38
12Me and Mrs Jones
cover recording of:
Me and Mrs. Jones
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ronnie Foster4:25
13Misty Blue
cover recording of:
Misty Blue
lyricist and composer:
Bob Montgomery
publisher:
Reservoir One America and Talmont Music (publisher) (from 1966 to present)
Ella Fitzgerald3:33
14I’ve Been Loving You Too Long (To Stop Now)
Tina Turner3:56
15You Made Me So Very Happy
Lou Rawls4:27
16Woman of the Ghetto
recording of:
Woman of the Ghetto
writer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer), Bobby Miller (US songwriter & record producer) and Marlena Shaw
Marlena Shaw58:23