Blues‐Rock Crossroads 1964–1986

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Who Knows What Tomorrow May Bring
recording of:
Who Knows What Tomorrow May Bring
writer:
Jim Capaldi, Steve Winwood and Chris Wood (of Traffic)
Traffic3:14
2The Back Room
recording of:
The Back Room
lyricist and composer:
Van Morrison
publisher:
Universal–Songs of PolyGram International, Inc. and Web IV Music Inc.
Van Morrison5:31
3We Gotta Get Out of This Place
The Animals43:14
4Dear Jill
recording of:
Dear Jill
composer:
Mick Abrahams
Blodwyn Pig5:11
5Love Me Like a Man
recording engineer:
Kendall “Do the Dog” Pacios
engineer:
Nick Jameson and Kendall “Do the Dog” Pacios
producer:
Michael Cuscuna
acoustic guitar:
Bonnie Raitt (in 1972-06)
drums (drum set):
Dennis Whitted (in 1972-06)
fretless bass [Fender fretless bass]:
Freebo (in 1972-06)
vocals:
Bonnie Raitt (in 1972-06)
remixer:
Nick Jameson and Kendall “Do the Dog” Pacios
recorded at:
Bearsville Studios in Bearsville, New York, United States (in 1972-06)
recording of:
Love Me Like a Man (in 1972-06)
additional lyricist:
Bonnie Raitt
lyricist and composer:
Chris Smither (folk musician)
publisher:
Homunculus Music and Poppy Music
version of:
Love You Like a Man
Bonnie Raitt33:14
6Hideaway
recording engineer and engineer:
Gus Dudgeon
producer:
Mike Vernon
bass guitar:
John McVie (in 1966)
drums (drum set):
Hughie Flint (in 1966)
electric guitar:
Eric Clapton (in 1966)
guitar:
Eric Clapton
harmonica and piano:
John Mayall
organ:
John Mayall (in 1966)
vocals:
Eric Clapton and John Mayall
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966)
cover recording of:
Hide Away (in 1966)
composer:
Freddie King (US blues singer & guitarist) and Sonny Thompson (US R&B bandleader and pianist)
John Mayall & the Bluesbreakers23:15
7Good Morning Little Schoolgirl
recording of:
Good Morning, School Girl
lyricist:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948)
composer:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948) (in 1937)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Georgia Music Corp. and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Rod Stewart2:09
8Midnight Rider
engineer and producer:
Tom Dowd
acoustic guitar, guitar [lead guitar] and slide guitar:
Duane Allman (from 1970-02 until 1970-07)
bass:
Berry Oakley (US bassist, The Allman Brothers Band) (from 1970-02 until 1970-07)
drums (drum set) and percussion:
Jai Johanny Johanson (from 1970-02 until 1970-07) and Butch Trucks (from 1970-02 until 1970-07)
guitar [lead guitar]:
Dickey Betts (from 1970-02 until 1970-07)
organ and piano and lead vocals:
Gregg Allman (from 1970-02 until 1970-07)
recorded at:
Capricorn Sound Studio in Macon, Georgia, United States (in 1970-02), Criteria Studios in Miami, Florida, United States (in 1970-03, in 1970-05, in 1970-07) and Regent Sound Studios in New York, New York, United States (in 1970-07)
recording of:
Midnight Rider (from 1970-02 until 1970-07)
lyricist and writer:
Gregg Allman and Robert Kim Payne
composer:
Gregg Allman
publisher:
Elijah Blue Music, Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Allman Brothers Band4.23:00
9Texas Flood
Stevie Ray Vaughan and Double Trouble5:23
10Smoking Gun
recording engineer:
Bill Dashiell
executive producer:
Larry Sloven (producer)
producer:
Bruce Bromberg and Dennis Walker
assistant mixer:
Charlie Brocco
mixer:
Jeff Hendrickson (sound engineer)
bass:
Richard Cousins
drums (drum set):
David Olson (drummer)
guitar:
Robert Cray
keyboard:
Peter Boe
tenor saxophone:
Andrew Love
trombone and trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Robert Cray
recorded at:
Sage & Sound, Los Angeles in Hollywood, Los Angeles, California, United States
mixed at:
Village Recorders, Los Angeles (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Smoking Gun
writer:
Bruce Bromberg, Richard Cousins and Robert Cray
The Robert Cray Band44:00
11Madison Blues
recording of:
Madison Blues
lyricist:
Elmore James
publisher:
Arc Music (U.S. rock & blues publisher) and Tristan Music Ltd.
Fleetwood Mac4:56
12Get It While You Can
engineer:
Phil Macy (50s-70s engineer)
producer:
Paul Rothchild
bass guitar:
Brad Campbell (bassist, member of Full Tilt Boogie)
drums (drum set):
Clark Pierson
guest bongos, guest bongos and congas and guest congas:
Bobbye Hall
guest tambourine:
Sandra Crouch
guitar:
John Till (rock guitarist)
organ:
Ken Pearson
piano:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin)
background vocals:
Phil Badella, Richard Bell (Canadian keyboardist for The Band/Janis Joplin), Brad Campbell (bassist, member of Full Tilt Boogie), John Cooke, Janis Joplin, Vince Mitchell, Ken Pearson, Clark Pierson and John Till (rock guitarist)
lead vocals:
Janis Joplin (on 1970-09-24)
performer:
Full Tilt Boogie (on 1970-09-24)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1970-09-24)
cover recording of:
Get It While You Can (on 1970-09-24)
writer:
Jerry Ragovoy and Mort Shuman (US singer, pianist & songwriter)
Janis Joplin3.23:25
13Groovin’ Is Easy
producer:
John Court
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recording of:
Groovin’ Is Easy
writer:
Nick Gravenites and Ron Polte (for songwriting and arrangement, often credited as R. Polte)
The Electric Flag33:05
14Waitin’ for the Wind
Spooky Tooth3:43
15I’m Tired
Savoy Brown3:26
16A Whiter Shade of Pale
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4:05