| # | Title | Artist | Rating | Length |
|---|
| 1 | Close to You | Maxi Priest | 3.35 | 5:31 |
| 2 | What I Am | Edie Brickell & New Bohemians | 4.85 | 4:58 |
| 3 | Don’t Cry Ilene | Vonda Shepard | | 4:16 |
| 4 | The Glamorous Life | Sheila E. | 4.25 | 9:04 |
| 5 | Miss Me Blind- engineer:
- Simon Humphrey, Gordon Milne and Mike Ross‐Trevor
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1983)
- drums (drum set) and percussion:
- Jon Moss (in 1983)
- electric sitar, guitar, keyboard, piano and sitar:
- Roy Hay (in 1983)
- lead vocals:
- Boy George (in 1983)
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1983, in 2003)
- recorded at:
- CBS Studios in London , England, United Kingdom (in 1983) and Red Bus Studios in London , England, United Kingdom (in 1983)
- music videos:
- Miss Me Blind by Culture Club
- recording of:
- Miss Me Blind (in 1983)
- writer:
- Mikey Craig , George O’Dowd, Roy Hay and Jon Moss
| Culture Club | 3 | 4:35 |
| 6 | I Keep Forgettin’ (Every Time You’re Near) | Michael McDonald | 4.2 | 3:42 |
| 7 | Waiting for a Girl Like You | Foreigner | | 4:36 |
| 8 | Limbo- engineer:
- Ian Eales, Steve Jackson and Kevin Killen
- executive producer:
- Simon Puxley
- producer:
- Bryan Ferry and Patrick Leonard
- mixer:
- Bruce Lampcov and Alan Meyerson
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1999)
- recorded at:
- Compass Point Studios in Nassau, Bahamas, Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France, Studio Marcadet in Saint-Denis, Seine-Saint-Denis, Île-de-France, France and Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, France
- recording of:
- Limbo
- writer:
- Bryan Ferry and Patrick Leonard
- publisher:
- EMI Music Publishing Ltd. , Sony ATV Music Publishing (UK) Ltd., Virgin-Nymph Music Inc., Virgin Music (Publishers) Ltd. (in 1988) and Warner Bros. Music Ltd. (in 1988)
| Bryan Ferry | 3.5 | 4:59 |
| 9 | Hold On | En Vogue | | 3:46 |
| 10 | California Girls | David Lee Roth | 4.65 | 2:47 |