Sounds of the Seventies: 1978, Take Two

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Track 7 is different from http://musicbrainz.org/release/41592ac4-df14-4971-9992-683ee90e6829.

Annotation last modified on 2013-02-26 05:55 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Disco Inferno
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977)
recording of:
Disco Inferno
writer:
Leroy Green (disco/soul songwriter) and Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (publisher), Reservoir 416, Reservoir Media Management, Inc. and Six Strings Music
The Trammps53:34
2I'm Every Woman
remixer:
Dancin’ Danny D (British DJ, producer, remixer and A&R)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
edit of:
I’m Every Woman (remix version by Dancin’ Danny D) by Chaka Khan
recording of:
I’m Every Woman
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan53:32
3Grease
engineer and mixer:
Karl Richardson
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
guitar:
Peter Frampton
background vocals:
Barry Gibb
lead vocals:
Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
arranger:
Albhy Galuten and Barry Gibb
phonographic copyright (℗) by:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 11)
recording of:
Grease (Grease, 1978 film)
lyricist and composer:
Barry Gibb
publisher:
Careers–BMG Music Publishing, Inc. and Gibb Brothers Music
part of:
Grease (1978 film)
Frankie Valli4.53:22
4It's a Heartache
producer:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
acoustic guitar and background vocals:
Steve Wolfe (producer, songwriter and guitar player)
bass:
Kevin Dunne
drums (drum set) and percussion:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995)
produced for:
Soundbarrier Ltd. (production company)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 24)
recording of:
It’s a Heartache
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Mighty Music (publisher) (in 1977) and RAK Publishing (in 1977)
Bonnie Tyler3.83:33
5Wonderful Tonight
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977)
recording of:
Wonderful Tonight
lyricist and composer:
Eric Clapton
publisher:
E.C. Music (UK work publisher for Eric Clapton), Throat Music, Throat Music Ltd., Unichappell Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Eric Clapton53:09
6Just What I Needed
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist)
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer)
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at and mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1978-02)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 112) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 369)
recording of:
Just What I Needed (in 1978-02)
lyricist and composer:
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. and Lido Music (not for release label use!) (in 1978)
The Cars4.33:45
7A Rock 'n' Roll Fantasy
recording of:
Rock ’n’ Roll Fantasy
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
live recording of:
Rock ’n’ Roll Fantasy
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
The Kinks45:00
8What's Your Name
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977)
recording of:
What’s Your Name
writer:
Gary Rossington and Ronnie Van Zant
publisher:
Duchess Music Corporation (BMI-affiliated)
Lynyrd Skynyrd53:32
9Jack and Jill
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
recording of:
Jack & Jill
lyricist and composer:
Ray Parker Jr.
publisher:
EMI Music Publishing (do not use as a release label!) and Raydiola Music
Raydio53:35
10The Groove Line
assistant engineer:
Mike Hedges (UK producer/recording engineer) and Andy Jackson (UK recording engineer/prog musician)
engineer and mixer:
James Guthrie
producer:
Barry Blue (singer, producer, and songwriter)
assistant mixer:
Andy Jackson (UK recording engineer/prog musician)
conductor:
John Cameron (British composer, arranger and conductor)
orchestrator:
John Cameron (British composer, arranger and conductor)
concertmaster:
Pat Halling
phonographic copyright (℗) by:
GTO Records Ltd. (holding company - file no releases here!) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recording of:
The Groove Line
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.654:18
11September
producer:
Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 16) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 65)
recording of:
September
writer:
Al McKay, Maurice White (Earth, Wind & Fire) and Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.553:37
12Flash Light
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 92), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 199) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 252)
recording of:
Flash Light
writer:
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) and Bernie Worrell (keyboardist, composer and record producer)
publisher:
Bridgeport Music, Inc., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Rick’s Music, Inc. (publishing company associated with Casablanca) and Rubberband Music, Inc.
Parliament4.44:25
13Reminiscing
recorded in:
Australia
produced in:
Australia
producer:
John Boylan and Little River Band
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1978) and EMI Australia (company credits only; file no releases here!) (in 1978)
recording of:
Reminiscing
lyricist and composer:
Graeham Goble
publisher:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019), Wheatley Music Pty Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band53:30
14Baby Come Back
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977)
recording of:
Baby Come Back (Player song)
writer:
Peter Beckett (lead singer of Player) and J.C. Crowley
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music, R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 大洋音楽 (Taiyō Music)
Player53:31
15Imaginary Lover
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1978) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978)
recording of:
Imaginary Lover
writer:
Buddy Buie, Dean Daughtry and Robert Nix
publisher:
Low-Sal Music Co.
Atlanta Rhythm Section54:09
16Back in the U.S.A.
recording engineer:
Val Garay
producer:
Peter Asher
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
drums (drum set) [drums]:
Russell Kunkel
electric guitar:
Dan Dugmore and Waddy Wachtel
piano:
Don Grolnick
background vocals:
Peter Asher, Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) and Waddy Wachtel
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1978-05)
cover recording of:
Back in the U.S.A.
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Linda Ronstadt52:58
17Can We Still Be Friends
phonographic copyright (℗) by:
Bearsville Records (in 1978)
recording of:
Can We Still Be Friends
lyricist and composer:
Todd Rundgren
publisher:
Earmark Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Todd Rundgren53:11
18Strange Way
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
edit of:
Strange Way by Firefall
recording of:
Strange Way (Firefall song)
lyricist and composer:
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
publisher:
El Sueno Music, Stephen Stills Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Firefall53:56
19Follow You Follow Me
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Follow You Follow Me
lyricist:
Mike Rutherford
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Concord Copyrights (BMI), Concord Sounds, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Michael Rutherford Ltd., Philip Collins Ltd., Run It Music, Inc., Gelring Ltd. (publishing company associated with Genesis) (in 1978) and Hit and Run Music (in 1978)
Genesis3.53:21
20You Belong to Me
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 59)
cover recording of:
You Belong to Me (Carly Simon/Michael McDonald song)
writer:
Michael McDonald (R&B & soul singer) and Carly Simon
publisher:
C’est Music, Kobalt Music Publishing Ltd. (UK), Snug Music and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Carly Simon53:12

Credits

Release group

part of:Sounds of the Seventies (Time-Life Music) (number: 20) (order: 20)
Discogs:https://www.discogs.com/master/1299620 [info]