101 Pirate Radio Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Music to Watch Girls By
cover recording of:
Music to Watch Girls By
Verfasser(in):
Sid Ramin und Tony Velona
publisher:
Sidray Enterprises Ltd. und Sony Music Publishing (worldwide except Japan, ended 1995)
The Bob Crewe Generation2:56
2I’ve Been a Bad Bad BoyPaul Jones2:22
3Excerpt From a Teenage Opera
recording of:
Theme From “A Teenage Opera”
Texter und Komponist(in):
Keith Hopkins und Mark Wirtz
Keith West4:27
4A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:00
5Mellow Yellow
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1966)
Produzent(in):
Mickie Most (English record producer)
Akustikgitarre:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
Bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1966)
Horn [horns]:
Danny Moss (in 1966) und Ronnie Ross (in 1966)
Schlagzeug:
Bobby Orr (in 1966)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
arranger:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographisches Urheberrecht (℗) von:
Epic (US label founded by CBS in 1953, now owned by Sony) (in 1966)
recording of:
Mellow Yellow (in 1966)
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd.
Donovan43:37
6Crimson and Clover
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Crimson and Clover
Verfasser(in):
Tommy James (American musician, singer, songwriter and record producer) und Pete Lucia Jr.
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) und Big Seven Music Corp. (in 1987)
Tommy James & the Shondells3:28
7Please Stay
cover recording of:
Please Stay (Don’t Go)
Texter:
Bob Hilliard
Komponist(in):
Burt Bacharach
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Cryin' Shames3:15
8I Never Loved a Man (the Way I Love You)
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-01-24)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-01-24) und Chips Moman (am 1967-01-24)
Klavier:
Aretha Franklin (am 1967-01-24) und Spooner Oldham (am 1967-01-24)
Posaune:
David Hood (am 1967-01-24)
Schlagzeug:
Roger Hawkins (am 1967-01-24)
Tenorsaxophon:
Joe Arnold (am 1967-01-24) und Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-01-24)
Trompete:
Ken Laxton (am 1967-01-24)
vocals:
Aretha Franklin (am 1967-01-24)
conductor:
Tom Dowd (am 1967-01-24)
Horn arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1967-01-24)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 186)
recording of:
I Never Loved a Man (The Way I Love You) (am 1967-01-24)
Texter und Komponist(in):
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music und Pronto Music (publisher)
Aretha Franklin42:42
9Groovin’
Produzent(in):
The Rascals (US soul & rock group, formerly known as The Young Rascals)
Hintergrundgesang:
David Brigati
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Groovin’
Verfasser(in):
Eddie Brigati und Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Young Rascals2:28
10San Francisco (Be Sure to Wear Some Flowers in Your Hair)
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie3.752:56
11Birds and Bees
recording of:
Birds and Bees
Verfasser(in):
Barry Younghusband und Denny Gerrard
Warm Sounds2:35
12Sittin’ on a Fence
recording of:
Sittin’ on a Fence
Verfasser(in):
Mick Jagger und Keith Richards (Rolling Stones guitarist)
Twice as Much3:09
13Kites
recording of:
Kites
Komponist(in):
Hal Hackady und Lee Pockriss
publisher:
Campbell Connelly & Co. Ltd.
Simon Dupree & the Big Sound3:46
14The Days of Pearly Spencer
recording of:
The Days of Pearly Spencer
Texter und Komponist(in):
David McWilliams
David McWilliams2:34
15Heroes and Villains
Techniker(in):
Jim Lockert (Enginear)
Produzent(in):
The Beach Boys (American rock band), Mark Linett und Brian Wilson (Beach Boys co‐founder)
Mix:
Mark Linett
Sologesang:
Brian Wilson (Beach Boys co‐founder)
recording of:
Heroes and Villains
Texter:
Van Dyke Parks
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
The Beach Boys3.253:37
16The Beat Goes On
Techniker(in):
Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Sonny Bono
conductor:
Harold Battiste
phonographisches Urheberrecht (℗) von:
ATCO Records (in 1967)
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Beat Goes On (in 1967)
Texter und Komponist(in):
Sonny Bono
publisher:
Chris Marc Music, Cotillion, Cotillion Music, Inc. (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
Sonny & Cher4.253:28
17Georgie Girl
Produzent(in):
Tom Springfield
Interpret(in):
The Seekers (Australian pop quartet)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Georgy Girl (in 1966)
Texter:
Jim Dale
Komponist(in):
Tom Springfield
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Teil von:
The 39th Academy Award for Best Original Song (Nummer: 2)
The Seekers42:22
18On a Carousel
Produzent(in):
The Hollies und Ron Richards
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 1967)
recording of:
On a Carousel
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
The Hollies33:13
19The Boat That I Row
cover recording of:
The Boat That I Row
Texter und Komponist(in):
Neil Diamond
Lulu52:50
20In the Country
recording of:
In the Country
Komponist(in):
Brian Bennett (Shadows drummer), Hank Marvin (lead guitarist of The Shadows, songwriter), John Rostill und Bruce Welch (English guitarist, singer, songwriter and producer)
Cliff Richard & The Shadows52:41
21ElenoreThe Turtles52:31
22Judy in Disguise (With Glasses)
phonographisches Urheberrecht (℗) von:
Pye International (in 1968)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 96)
recording of:
Judy in Disguise (With Glasses) (in 1967)
Verfasser(in):
Andrew Bernard und John Fred (John Fred Gourrier)
publisher:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und MCS Music Ltd.
John Fred & His Playboy Band3.852:55
23(Your Love Keeps Lifting Me) Higher and Higher
Produzent(in):
Carl Davis (record producer)
Bass:
James Jamerson (am 1967-07-06)
Gitarre:
Robert White (US funk/soul guitarist) (am 1967-07-06)
Keyboard:
Johnny Griffith (am 1967-07-06)
Schlagzeug:
Richard "Pistol" Allen (am 1967-07-06)
Sologesang:
Jackie Wilson (soul singer) (am 1967-07-06)
Interpret(in):
Jackie Wilson (soul singer)
arranger:
Sonny Sanders
phonographisches Urheberrecht (℗) von:
Brunswick Recording Corporation (in 1967)
aufgenommen bei:
Columbia Recording Studios (Chicago) in Chicago, Illinois, Vereinigte Staaten (am 1967-07-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 246) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 301)
recording of:
(Your Love Keeps Lifting Me) Higher and Higher (am 1967-07-06)
Verfasser(in):
Gary Jackson, Raynard Miner und Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
Jackie Wilson4.82:58
24Gimme Little Sign
recording of:
Gimme Little Sign
Verfasser(in):
Alfred Smith, Joseph Hooven (songwriter, producer, label owner, publisher & trumpeter [Joseph Davis Hooven]) und Jerry Winn
publisher:
Arlovol Music, Bonnyview Music Corp., EMI Catalogue Partnership Australia Pty Ltd und I’m Hip Productions (Active in the late 60’s)
Brenton Wood2:15
25We Love the Pirates
recording of:
We Love the Pirates
Verfasser(in):
John Carter (songwriter & producer, b. 1942) und Geoff Stephens
The Roaring Sixties3:11

Nennungen

Veröffentlichung

gedruckt in:the E.U. (Europa)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Virgin Records Ltd. (not for release label use! for company relationships only) (in 2009)
Stamm-Pressung von:www.takt.eu (Polish manufacturer)
Discogs:https://www.discogs.com/release/3490760 [Info]
ASIN:UK: B001VEJ03C [Info]