Pop Music: The Modern Era 1976–1999 (BMG Direct)

~ Release by Various Artists (see all versions of this release, 4 available)

Annotation

Fatboy jewel case with 64 page booklet.

Introduction (paraphrased): Soundtrack For A Century, twenty‐six discs ... a staggering number of new forms of popular musical expression, as well as a seemingly infinite number of variations on those forms.

© 1999 Sony Music Entertainment Inc./℗ 1999 Sony Music Entertainment Inc.

1–1 Rec. New York, 1973
1–2 Rec. Cleveland, January 1976
1–3 Rec. Los Angeles, September 1975‐January 1976
1–4 Rec. London 1976
1–5 Rec. Los Angeles, March 1977
1–6 Rec. New York, June 1977
1–7 Rec. Los Angeles, May 12, 1978
1–8 Rec. Los Angeles, August 1978
1–9 Rec. Munich, Germany, 1979
1–10 Rec. New York, 1979
1–11 Rec. Los Angeles, March 10, 1980
1–12 Rec. Los Angeles, September 3, 1980
1–13 Rec. Los Angeles, 1981
1–14 Rec. 1981
1–15 Rec. Los Angeles, 1981
1–16 Rec. 1982
1–17 Rec. Los Angeles, 1982
1–18 Rec. Los Angeles, May 1, 1983
1–19 Rec. November 1983
1–20 Rec. Los Angeles, 1982

1–1 Produced for Frank Connelly & Contemporary Communications Corp.
1–4 Produced for Indigo
1–13 Produced for Mike Stone Enterprises and for Elson Music Vision
1–14 “Ebony & Ivory” courtesy Capitol Records under license from EMI Music Special Markets

2–1 Rec. London, 1984
2–2 Rec. Los Angeles, 1983
2–3 Rec. 1984
2–4 Rec. London, 1987
2–5 Rec. Jan. 10, 1988
2–6 Rec. Los Angeles, 1987
2–7 Rec. New York, August 1989
2–8 Rec. Los Angeles, 1989
2–9 Rec. 1990
2–10 Rec. Los Angeles, 1990
2–11 Rec. 1994
2–12 Rec. 1994
2–13 Rec. New York, Austin and Los Angeles, 1996
2–14 Rec. London, July 1996
2–15 Rec. New York and Los Angeles, June‐November 1997
2–16 Rec. Los Angeles, 1996
2–17 Rec. New York, October 1997
2–18 Rec. Kingston, Jamaica and New York, 1998

2–3 Credits: Trumpet: Stuart Matthewman but key release Sade – Diamond Life reports Trumpet: Gordon Matthewman
2–4 Credits: Produced and Mixed By Uncredited: per Columbia 38–07675 (mx ZSS 176482)
2–10 Slash appears courtesy of Geffen Records
2–17 “Gettin’ Jiggy Wit It” contains a sample of “He’s The Greatest Dancer” (B. Edwards/N. Rodgers), ...
2–17 Also contains a sample of “Sang And Dance” (D. Porter), ...
2–17 Also contains a replay of “Love Rap” (J. Robinson), ...

Barcode and Other Identifiers

Barcode: (Code 39)
Other (Disc 1 Catalog Number): JK 65795
Other (Disc 2 Catalog Number): JK 65796
Other (Disc 1 Sony Disc Manufacturing Code disc face): DIDP 098762
Other (Disc 2 Sony Disc Manufacturing Code disc face): DIDP 098763
Matrix / Runout (Disc 1): DIDP-098762 G4 1A 08
Mastering SID Code (Disc 1): IFPI L424
Mould SID Code (Disc 1): IFPI 7205
Matrix / Runout (Disc 2): DIDP-098763 G4 1A 10
Mastering SID Code (Disc 2): IFPI L424
Mould SID Code (Disc 2): IFPI 7280

Annotation last modified on 2024-02-14 23:35 UTC.

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Careless Whisper
producer:
George Michael
bass:
Deon Estus (in 1984)
drums (drum set):
Trevor Murrell (in 1984)
guitar:
Hugh Burns (in 1984)
keyboard:
Chris Parren (in 1984)
percussion:
Danny Cummings (British drummer and percussionist) (in 1984)
vocals:
George Michael (in 1984)
arranger:
George Michael
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1984), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
recording of:
Careless Whisper (in 1984)
writer:
George Michael and Andrew Ridgeley
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Morrison Leahy Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Limited (2019–present), Wham! Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Wham! featuring George Michael4.45:05
2To All the Girls I’ve Loved BeforeWillie Nelson & Julio Iglesias3:34
3Smooth Operator
recording of:
Smooth Operator
lyricist and composer:
Sade Adu and Raymond St. John
publisher:
Angel Music Ltd., Peer Music, Peermusic (UK) Limited, Peermusic Ltd. (BMI), SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Sade4.654:17
4Wishing Well
recording engineer and mixer:
Phil Legg
producer:
Terence Trent D’Arby (now known as Sananda Maitreya) and Martyn Ware
baritone saxophone, keyboard and percussion and background vocals and lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
bass:
Phil Spalding
drums (drum set):
Preston Heyman
guitar:
Pete Glenister
hi-hat [Wicked Hi-Hat]:
Clive Mngaza
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment), CBS Records (2006–2021) (in 1987) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1987)
recording of:
Wishing Well
lyricist:
Terence Trent D’Arby (now known as Sananda Maitreya)
composer:
Terence Trent D’Arby (now known as Sananda Maitreya) and Sean Oliver
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music Publishers Ltd. and Young Terence Music (Publisher)
Terence Trent D’Arby3.153:33
5Anything for You
recording of:
Anything for You
lyricist and composer:
Gloria M. Estefan
Gloria Estefan and Miami Sound Machine3:46
6Eternal Flame
recording engineer:
John Beverly Jones
additional engineer:
Ken Felton
producer:
Davitt Sigerson
mixer:
Frank Filipetti
drums (drum set):
Debbi Peterson (drummer for The Bangles)
electric bass guitar [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
guitar [lead guitar]:
Vicki Peterson
guitar [rhythm guitar]:
Susanna Hoffs
phonographic copyright (℗) by:
The Bangles (in 1988)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California, United States
music videos:
Eternal Flame by Bangles
recording of:
Eternal Flame
writer:
Susanna Hoffs, Tom Kelly (songwriter) and Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) and Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bangles3.83:56
7We Didn’t Start the Fire
keyboard programming:
Kevin Jones (keyboard & synth) (in 1989)
assistant engineer:
Dana Becker, Tim Crish, David Dorn, Suzanne Hollander, Joe Pirerra and Gary Solomon
engineer:
Jay Healy
producer:
Billy Joel (American singer-songwriter and pianist) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
mixer:
Tom Lord‐Alge
clavinet and lead vocals:
Billy Joel (American singer-songwriter and pianist) (in 1989)
drums (drum set):
Liberty DeVitto (US drummer) (in 1989)
electric bass guitar:
Schuyler Deale (in 1989)
guitar:
David Brown (guitarist for Billy Joel) (in 1989) and Joey Hunting (in 1989)
keyboard:
John Mahoney (R&B/jazz keyboardist) (in 1989)
other instruments [sound effects]:
Doug Kleeger (in 1989)
percussion:
Liberty DeVitto (US drummer) (in 1989), Billy Joel (American singer-songwriter and pianist) (in 1989) and Crystal Taliefero (American multi‐instrumentalist and vocalist) (in 1989)
percussion [electronic percussion]:
Sammy Merendino (in 1989)
synthesizer:
Jeff Jacobs (in 1989)
background vocals:
Crystal Taliefero (American multi‐instrumentalist and vocalist) (in 1989)
arranger:
Doug Kleeger
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
music videos:
We Didn’t Start the Fire by Billy Joel (American singer-songwriter and pianist)
part of:
Cachitos Nochevieja 2022 (number: 55)
recording of:
We Didn’t Start the Fire (in 1989)
lyricist and composer:
Billy Joel (American singer-songwriter and pianist)
publisher:
EMI Songs Ltd., Impulsive Music, Universal Music Ltd. (UK sound recording / publishing company) and Joelsongs (in 1989)
arrangement of:
We Didn’t Start the Slop Stream
Billy Joel4.24:50
8How Am I Supposed to Live Without You
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989)
recording of:
How Am I Supposed to Live Without You
writer:
Michael Bolton and Doug James (Songwriter / Composer / Keyboards)
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd. and Is Hot Music Ltd.
sub-publisher:
フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Michael Bolton44:16
9Step by Step
co-producer:
Michael Jonzun and New Kids on the Block
producer:
Maurice Starr
lead vocals:
Jordan Knight
arranger:
Maurice Starr
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1990)
produced for:
Big Step Productions
cover recording of:
Step by Step (from 1989-09 until 1990-04)
lyricist and composer:
Maurice Starr
publisher:
Big Step Production
New Kids on the Block2.94:28
10Black or White
producer:
Michael Jackson (“King of Pop”) and R. Kelly
guitar:
Slash (Guns N’ Roses guitarist)
lead vocals:
Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
MJJ Productions Inc. (rights holder, not an imprint) (in 1991)
recording of:
Black or White (in 1991)
additional lyricist:
Bill Bottrell
lyricist and composer:
Michael Jackson (“King of Pop”)
part of:
MJ: The Musical
Michael Jackson43:23
11You Gotta Be
drum machine programming:
Kevin Clarke (in 1999)
co-producer:
Des’ree and Ashley Ingram
mixer:
Mark “Spike” Stent (producer, engineer)
bass and keyboard:
Ashley Ingram (in 1999)
strings arranger:
Ashley Ingram
recording of:
You Gotta Be (in 1999)
writer:
Des’ree and Ashley Ingram
Des’ree3.354:04
12Because You Loved Me
recording engineer:
Humberto Gatica (lead vocals)
synclavier programming:
Simon Franglen (English score composer)
assistant engineer:
Mark Agostino and Peter Doell
engineer:
Felipe Elgueta
executive producer:
Jon Avnet (American director, writer and producer)
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Kyle Bess, Paul Boutin and Chris Brooke
mixer:
Humberto Gatica
guitar:
Michael Thompson (session guitarist)
keyboard:
David Foster (Canadian music producer, arranger and composer)
background vocals:
Terry Bradford (1990 Star Search male vocalist champion), Alex Brown (US soul vocalist, member of Raelets), Bridgette Bryant (American session backing vocalist), Alanna Capps, Carl Carwell, Sue Ann Carwell, Philip Ingram, Kofi, Maxann Lewis and Will Wheaton
lead vocals:
Céline Dion
arranger:
David Foster (Canadian music producer, arranger and composer)
background vocals arranger:
Carl Carwell, Sue Ann Carwell and David Foster (Canadian music producer, arranger and composer)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Chartmarker Studios in Los Angeles, California, United States and Rumbo Recorders in Canoga Park, Los Angeles, California, United States
recording of:
Because You Loved Me
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs, Touchstone Pictures Music and Songs Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 69th Academy Award for Best Original Song (number: 2)
Céline Dion3.34:35
13Sunny Came HomeShawn Colvin3:51
14Virtual Insanity
co-producer:
Jay Kay (English singer, Jamiroquai) and Al Stone (UK engineer)
conductor:
Simon Hale
strings arranger:
Simon Hale
arranger:
Jay Kay (English singer, Jamiroquai)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recording of:
Virtual Insanity
writer:
Jay Kay (English singer, Jamiroquai) and Toby Smith
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Jamiroquai3.53:48
15My All
programming:
Walter Afanasieff and Dan Shea
assistant engineer:
Ian Dalsemer
engineer:
Dana Jon Chappelle and Mike Scott (Production music composer/engineer a.k.a. “The Wizard”)
producer:
Walter Afanasieff and Mariah Carey
mixer:
Mick Guzauski
additional drums (drum set) and keyboard:
Dan Shea
keyboard and synthesizer:
Walter Afanasieff
lead vocals:
Mariah Carey
arranger:
Walter Afanasieff and Mariah Carey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1997)
recorded at:
Crave Studios in New York, United States, The Hit Factory in Manhattan, New York, New York, United States and Wallyworld in San Rafael, California, United States
mixed at:
Crave Studios in New York, United States
recording of:
My All
lyricist:
Mariah Carey
composer:
Walter Afanasieff and Mariah Carey
publisher:
Sony/ATV Songs LLC, Sony/ATV Tunes LLC (ASCAP) and Wallyworld Music
Mariah Carey3.63:52
16Criminal
recording engineer and mixer:
Mark Endert
producer:
Andrew Slater
assistant mixer:
Tom Banghart
bass:
Dan Rothchild
chamberlin [chamberlain]:
Jon Brion
drums (drum set):
Matt Chamberlain (American drummer)
guitar:
Rob Laufer
piano:
Patrick Warren
vocals:
Fiona Apple
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2002)
mixed at:
Brooklyn Recording Studio in Los Angeles, California, United States
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 2) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 423)
recording of:
Criminal
lyricist and composer:
Fiona Apple
publisher:
FHW Publishing (in 1996)
Fiona Apple4.55:43
17Gettin’ Jiggy Wit It
recording engineer:
Ken "DURO" Ifill (mix engineer Ken Ifill)
co-producer:
L.E.S. (QB hip hop producer)
producer:
Poke and Tone
assistant mixer:
Chris Ribando
mixer:
Rich Travali
bass guitar:
Lanar "Kern" Brantley (US bassist)
guitar [lead guitar]:
David Foreman
keyboard [keyboards]:
Timothy "Tyme" Riley (US drummer Timothy Riley)
turntable [scratches]:
DJ Jazzy Jeff (DJ/turntablist)
recorded at:
Right Track Studios in Manhattan, New York, New York, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
samples:
He’s the Greatest Dancer by Sister Sledge and Sang and Dance by The Bar-Kays
recording of:
Gettin’ Jiggy Wit It
writer:
Samuel Barnes, Bernard Edwards & Nile Rodgers, Bernard Edwards (American bassist and record producer), David Porter (US soul musician, producer & songwriter), Joey Robinson, Jr. (US Electro funk/hip hop producer, songwriter & engineer), Nile Rodgers and Will Smith (US actor aka The Fresh Prince)
publisher:
Irving Music, Inc., Jelly’s Jams, LLC, Sony/ATV Tunes LLC (ASCAP), Treball Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Will Smith4.253:49
18Doo Wop (That Thing)
edit of:
Doo Wop (That Thing) by Lauryn Hill
recording of:
Doo Wop (That Thing)
lyricist and composer:
Lauryn Hill
Lauryn Hill3.354:01