Classic Rock: 1965: The Beat Goes On

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Eve of Destruction
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
Eve of Destruction (in 1965)
lyricist and composer:
P.F. Sloan
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:38
2Rescue Me
producer:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
lead vocals:
Fontella Bass
arranger:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 31)
recording of:
Rescue Me
writer:
Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (ended), Chevis Music Publ. Corp. and Reservoir 416
Fontella Bass4.52:59
31-2-3
recording of:
1‐2‐3
additional writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
writer:
Leonard Borisoff, John Madara and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Mijac Double Diamond Music, Songs of Universal, Inc. (BMI), Stone Agate Music Division, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Welbeck Music Ltd.
Len Barry2:25
4California Girls
producer:
Brian Wilson (Beach Boys co‐founder)
lead vocals:
Mike Love (Beach Boys)
remixer:
Mark Linett (in 2002)
remixed at:
Your Place or Mine Recording in Glendale, California, United States (in 2002)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 71)
instrumental recording of:
California Girls
lyricist and composer:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
The Beach Boys4.52:40
5Laugh, Laugh
recording of:
Laugh, Laugh
lyricist and composer:
Ron Elliott (guitarist/songwriter, member of The Beau Brummels)
publisher:
Clears Music and FP Wixen LLC
The Beau Brummels3:06
6Ooo Baby Baby
recording of:
Ooo Baby Baby
writer:
Warren “Pete” Moore and Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Miracles2:48
7All Day and All of the Night
producer:
Shel Talmy
bass guitar:
Pete Quaife (Kinks' bass guitarist) (on 1964-09-23)
drums (drum set):
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (on 1964-09-23)
guitar:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (on 1964-09-23)
piano:
Perry Ford (English pop singer) (on 1964-09-23)
background vocals:
Johnny B. Great (on 1964-09-23)
lead vocals:
Ray Davies (UK singer/songwriter, member of The Kinks) (on 1964-09-23)
publisher:
Edward Kassner Music Co. Ltd.
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 23)
recording of:
All Day and All of the Night (on 1964-09-23)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd., Jay Boy and Kassner Associated Publishers Ltd.
The Kinks4.552:25
8Nowhere to Run
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 359)
recording of:
Nowhere to Run
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Martha and the Vandellas4.652:59
9Treat Her Right
recording of:
Treat Her Right
writer:
Roy Head and Gene Kurtz
Roy Head2:07
10The Boy From New York City
part of:
The Downloader’s Music Source Book (number: 137)
recording of:
The Boy From New York City
writer:
George Davis (US songwriter - singer, doo-wop era) and John Taylor (songwriter & saxophone player John Isaac Taylor)
publisher:
Trio Music Company and フジパシフィックミュージック (Fujipacific Music, Inc.)
The Ad Libs3:02
11I’ve Been Loving You Too Long
recording engineer:
Tom Dowd
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-04)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-04)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-04)
guitar:
Steve Cropper (in 1965-04)
keyboard:
Isaac Hayes (in 1965-04) and Booker T. Jones (in 1965-04)
tenor saxophone:
Andrew Love (in 1965-04)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-04) and Gene “Bowlegs” Miller (American trumpeter) (in 1965-04)
background vocals:
Earl Sims (in 1965-04)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (in 1965-04)
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
Otis Redding4.353:14
12Turn! Turn! Turn! (To Everything There Is a Season)
producer:
Terry Melcher
part of:
New York Post: 100 Greatest Covers (2007) (number: 95)
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season)
lyricist:
[traditional] (special purpose artist)
composer:
Pete Seeger (in 1959)
publisher:
Melody Trails and TRO Essex Music Ltd.
The Byrds4.83:46
13It’s the Same Old Song
recording engineer:
Lawrence T. Horn
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
mixer:
Robert L. Gordy (music publishing executive)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor)
bass [1962 Fender Precision Bass]:
James Jamerson
drums (drum set):
Benny Benjamin (US drummer)
guitar [1964 Gibson Firebird III]:
Eddie Willis
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina
guitar [Gibson L-5]:
Robert White (US funk/soul guitarist)
piano:
Earl Van Dyke
strings:
Detroit Symphony Orchestra
tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
vibraphone:
Jack Brokensha
background vocals:
Marlene Barrow, Renaldo Benson, Louvain Demps, Abdul “Duke” Fakir, Jackie Hicks and Lawrence Payton
lead vocals:
Levi Stubbs
recorded at and mixed at:
Hitsville (Motown Records) in Detroit, Michigan, United States
recording of:
It’s the Same Old Song (on 1965-07-07)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Australia
Four Tops42:50
14Jenny Take a Ride!
arranger:
Bob Crewe
medley including a recording of:
C. C. Rider (Jerry Lee Lewis version)
arranger:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”)
version of:
See See Rider Blues
recording of:
Jenny Take a Ride
writer:
Bob Crewe and Enotris Johnson
composer:
Richard Wayne Penniman
medley including a recording of:
Jenny, Jenny (made famous by Little Richard; not the 867‒5309 song)
writer:
Enotris Johnson (until 1956-10-15) and Richard Wayne Penniman (until 1956-10-15)
publisher:
Sony/ATV Songs LLC
Mitch Ryder3:23
15She’s About a Mover
The Sir Douglas Quintet2:24
16I Hear a Symphony
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
I Hear a Symphony
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division and Jobete (now‐defunct US music publisher, affiliated with BMI) (in 1965)
The Supremes32:46
17I Can Never Go Home Any More
The Shangri‐Las3:17
18Keep on Dancing
producer:
Chips Moman
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States
cover recording of:
Keep On Dancing
writer:
Allen Jones (producer/songwriter/musician/engineer) and Willie David Young
publisher:
Tristan Music Ltd.
The Gentrys2:13
19I’ll Be Doggone
producer:
Smokey Robinson
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 34)
recording of:
I’ll Be Doggone
writer:
Smokey Robinson, Marvin Tarplin and Warren Moore
publisher:
Jobete Music (appears also as: Jobete Msc.) and Jobete Music (UK) Ltd.
Marvin Gaye2.52:49
20It Ain’t Me Babe
cover recording of:
It Ain’t Me, Babe
lyricist and composer:
Bob Dylan (in 1964-05)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
The Turtles32:11
21Hold What You’ve Got
recorded in:
Muscle Shoals, Alabama, United States (on 1964-11-06)
recording engineer:
Tom Dowd
producer:
Buddy Killen
baritone saxophone:
Mack Williams (saxophone) (on 1964-11-06)
bass:
Warren Jones (bass, Soul) (on 1964-11-06)
drums (drum set):
Clyde Williams (US drummer) (on 1964-11-06)
electric bass guitar [electric bass]:
Clarence Hadley (on 1964-11-06)
guitar:
Lee Royal Hadley (guitar, Soul) (on 1964-11-06)
tenor saxophone:
Eddie Williams (saxophone) (on 1964-11-06)
vocals:
Joe Tex (American southern soul musician) (on 1964-11-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 26)
recording of:
Hold What You’ve Got (from 1964 until 1964-11-06)
lyricist and composer:
Joe Tex (American southern soul musician)
publisher:
Fort Knox Music Inc., Sony/ATV Tree Publishing and Trio Music Company
Joe Tex3:07
22I’m a Man
engineer:
Roy Halee and Ron Malo
producer:
Giorgio Gomelsky
guitar:
Jeff Beck (English rock guitarist) (from 1965-09-19 until 1965-09-22)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1965)
recorded at:
Chess Studios in Chicago, Illinois, United States (on 1965-09-19) and Columbia Studios in New York, New York, United States (from 1965-09-21 until 1965-09-22)
cover recording of:
I’m a Man (from 1965-09-19 until 1965-09-22)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
68 Publishing Ltd., Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
The Yardbirds4.52:37

Credits

Release group

part of:Classic Rock (Time-Life Music) (number: 8) (order: 8)
Discogs:https://www.discogs.com/master/415245 [info]