Old School Soul Party

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Jack and Jill
Raydio4:34
2Could It Be I’m Falling in Love
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners54:12
3Ain’t No Woman (Like the One I’ve Got)
producer:
Steve Barri, Dennis Lambert and Brian Potter (US songwriter & producer)
strings arranger:
Don Hockett and Dennis Lambert
recording of:
Ain't No Woman (Like the One I've Got)
writer:
Dennis Lambert and Brian Potter (US songwriter & producer)
publisher:
Songs of Universal, Inc. (BMI)
Four Tops3:03
4That Lady, Parts I & II
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 17), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 346) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 349)
recording of:
That Lady
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. and EMI Songs Ltd.
version of:
Who’s That Lady
The Isley Brothers45:36
5I Want Your Love
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
I Want Your Love
lyricist and composer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1989)
Chic3:31
6Got to Be Real
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
edit of:
Got to Be Real (LP / 12" version) by Cheryl Lynn (1970s disco singer)
recording of:
Got to Be Real
writer:
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) and David Paich
publisher:
Butterfly Gong Music, Hudmar Publishing Co. Inc. and On Board Music (publisher)
Cheryl Lynn4.53:49
7The Second Time Around
recording of:
The Second Time Around
writer:
William Shelby and Leon Sylvers
publisher:
Rondor Music (Ldn) Ltd., Rosy Music (ASCAP-affiliated) and Spectrum VII
Shalamar3:43
8Ladies Night
producer:
Eumir Deodato and Kool & the Gang
recording of:
Ladies’ Night
writer:
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens and Claydes Smith
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang4.253:28
9Bad Luck, Parts I & II
recording of:
Bad Luck
writer:
Victor Carstarphen (keyboardist, composer and producer), Gene McFadden and John Whitehead
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3:15
10Back Stabbers
recording engineer:
Joe Tarsia (engineer) (in 1972)
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
performer:
MFSB (in 1972)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Back Stabbers (in 1972)
writer:
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden and John Whitehead
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:03
11And the Beat Goes On
recording of:
And the Beat Goes On
writer:
William Shelby, Stephen Shockley and Leon Sylvers
publisher:
Notting Hill Music (UK) Ltd. and Sony/ATV Music Publishing (UK) Ltd.
The Whispers4:53
12Use Me
engineer:
Bob Hughes (engineer) and Phil Sheer
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
acoustic guitar:
Benorce Blackmon (guitarist, producer, writer)
clavinet and Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger)
drums (drum set) and percussion:
James Gadson (American drummer)
electric bass guitar:
Melvin Dunlap
lead vocals:
Bill Withers
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
recorded at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Use Me
lyricist and composer:
Bill Withers
publisher:
Interior Music Corp. (in 1972)
Bill Withers4.353:44
13Groovy Situation
recording of:
Groovy Situation
writer:
Herman Davis (US soul/doo-wop songwriter) and Russ Lewis
Gene Chandler3:14
14Love or Let Me Be Lonely
The Friends of Distinction3:21
15Street Life
The Crusaders5:30
16Strawberry Letter 23
cover recording of:
Strawberry Letter 23
lyricist, writer and composer:
Shuggie Otis
publisher:
Shugiterius Music
The Brothers Johnson4.655:00
17Solid
recording of:
Solid
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson35:08
18Sha‐La‐La (Make Me Happy)
recording of:
Sha-La-La (Make Me Happy)
lyricist and composer:
Al Green (US soul singer, songwriter, pastor and record producer)
Al Green4.652:58
19Let’s Do It Again
recording of:
Let’s Do It Again
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1975 to present)
The Staple Singers3:28
20Lead Me On
instrumental recording of:
Lead Me On (I have often heard you say you love me as a friend...)
writer:
David Lasley and Allee Willis
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Maxine Nightingale2:45
3▶CD