| A Midsummer Night's Dream: Act I. "Fair love, you faint with wand'ring" | Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 2:41 | |
| A Midsummer Night's Dream: Act I. "How now, my love?" | Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 4:33 | |
| A Midsummer Night's Dream: Act I. "Stay, tho' thou kill me, sweet Demetrius" | Heather Harper, Thomas Hemsley, Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 5:15 | |
| A Midsummer Night's Dream: Act I. "Through the forest have I gone" | Stephen Terry, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 1:45 | |
| A Midsummer Night's Dream: Act II - Conclusion | Gordon Clark, Richard Dakin, Thomas Hemsley, Peter Pears, John Pryer, Stephen Terry, Josephine Veasey, Ian Wodehouse, London Symphony Orchestra, Benjamin Britten | | | 9:14 | |
| A Midsummer Night's Dream: Act II. "Flower of this purple dye" | Alfred Deller, Stephen Terry, Peter Pears, Heather Harper, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 6:32 | |
| A Midsummer Night's Dream: Act II. "How now, mad spirit" | Alfred Deller, Stephen Terry, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 3:06 | |
| A Midsummer Night's Dream: Act II. "Puppet? why so?" | Josephine Veasey, Heather Harper, Peter Pears, Thomas Hemsley, Stephen Terry, London Symphony Orchestra, Benjamin Britten | | | 3:05 | |
| A Midsummer Night's Dream: Act II. "Up & Down" | Stephen Terry, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 6:02 | |
| A Midsummer Night's Dream: Act III, Scene 1. "Helena! - Hermia!" | Thomas Hemsley, Peter Pears, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 4:46 | |
| A Midsummer Night's Dream: Act III, Scene 2. "If we offend, it is with our good will" | Owen Brannigan, Kenneth MacDonald, Norman Lumsden, David Kelly, Robert Tear, Keith Raggett, John Shirley‐Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 1:20 | |
| A Midsummer Night's Dream: Act III, Scene 2. "In the same interlude" | Robert Tear, Josephine Veasey, Peter Pears, John Shirley‐Quirk, London Symphony Orchestra, Benjamin Britten | | | 1:10 | |
| A Midsummer Night's Dream: Act III, Scene 2. "This lanthorn doth the horned Moon present" | Keith Raggett, Peter Pears, John Shirley‐Quirk, Thomas Hemsley, Helen Watts, Kenneth MacDonald, David Kelly, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 1:50 | |
| A Midsummer Night's Dream: Act III, Scene 2. "You Ladies, you" | David Kelly, Josephine Veasey, Thomas Hemsley, John Shirley‐Quirk, London Symphony Orchestra, Benjamin Britten | | | 0:46 | |
| A Midsummer Night's Dream: Act III, Scene 2. Orchestral March / "Now, fair Hippolyta" | John Shirley‐Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 7:24 | |
| Beatrice di Tenda, Atto I, scena 4. "Ah! tal onta io meritai..." (Beatrice, Agnese) | John McCarthy, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | | | 8:00 | |
| Beatrice di Tenda: Atto I, scena 2. "Sì: rivale... rivale regnante" (Agnese, Orombello) | Luciano Pavarotti, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | | | 6:58 | |
| Beatrice di Tenda: Atto I, scena 2. "Silenzio e notte intorno" (Agnese, Orombello) | Luciano Pavarotti, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | | | 5:00 | |
| Beatrice di Tenda: Atto I. "Ah! non pensar che pieno" (Agnese, Filippo) | Cornelis Opthof, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | | | 9:24 | |
| Beatrice di Tenda: Atto I. Part 1 | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | | | ?:?? | |
| Beatrice di Tenda: Atto I. Part 2 | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | | | ?:?? | |
| Beatrice di Tenda: Atto I. Part 3, Conclusion | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | | | ?:?? | |
| Beatrice di Tenda: Atto II, scena 1. "[Oh, troppo a mie preghiere sordo...]" (Anichino, Agnese) | Josephine Veasey, Joseph Ward, London Symphony Orchestra, Richard Bonynge | | | 6:49 | |
| Beatrice di Tenda: Atto II, scena 1. "Filippo!... Tu! ti appressa" (Agnese, Filippo) | Cornelis Opthof, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | | | 2:08 | |
| Beatrice di Tenda: Atto II. Part 1 | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | | | ?:?? | |
| Beatrice di Tenda: Atto II. Part 2 | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | | | ?:?? | |
| Beatrice di Tenda: Atto II. Part 3, Conclusion | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | | | ?:?? | |
| Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Britain now thy cares beguile | Heather Harper, Josephine Veasey, English Chamber Orchestra, Benjamin Britten | | | 1:56 | |
| Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Celebrate this festival | Heather Harper, Josephine Veasey, James Bowman, Peter Pears, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | | | 1:35 | |
| Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Crown the altar, deck the shrine | Josephine Veasey, English Chamber Orchestra, Benjamin Britten | | | 3:01 | |
| Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Let sullen discord smile | Josephine Veasey, Ambrosian Singers, English Chamber Orchestra, Benjamin Britten | | | 3:22 | |
| Das Rheingold: »Wotan, Gemahl, erwache!« (2. Szene; Fricka, Wotan) | Dietrich Fischer‐Dieskau, Josephine Veasey, Berliner Philharmoniker, Herbert von Karajan | | | 3:41 | |
| La captive, op. 12 (Orientale H.60C) | Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 7:09 | |
| La damnation de Faust Op. 24: Teil I. Szenen 1 - 2 | London Symphony Orchestra, Nicolai Gedda, Josephine Veasey, Jules Bastin, Richard van Allan, Sir Colin Davis | | | 15:37 | |
| La damnation de Faust Op. 24: Teil II. Szene 3 | London Symphony Orchestra, Nicolai Gedda, Josephine Veasey, Jules Bastin, Richard van Allan, Sir Colin Davis | | | 11:34 | |
| La damnation de Faust Op. 24: Teil II. Szene 7 | London Symphony Orchestra, Nicolai Gedda, Josephine Veasey, Jules Bastin, Richard van Allan, Sir Colin Davis | | | 6:20 | |
| La damnation de Faust Op. 24: Teil II. Szenen 3 - 6 | London Symphony Orchestra, Nicolai Gedda, Josephine Veasey, Jules Bastin, Richard van Allan, Sir Colin Davis | | | 26:39 | |
| La damnation de Faust Op. 24: Teil III. Szenen 8 - 10 | London Symphony Orchestra, Nicolai Gedda, Josephine Veasey, Jules Bastin, Richard van Allan, Sir Colin Davis | | | 15:40 | |
| La damnation de Faust Op. 24: Teil III. Szenen 11 - 14 | London Symphony Orchestra, Nicolai Gedda, Josephine Veasey, Jules Bastin, Richard van Allan, Sir Colin Davis | | | 20:32 | |
| La damnation de Faust Op. 24: Teil IV. Szenen 15 - 16 | London Symphony Orchestra, Nicolai Gedda, Josephine Veasey, Jules Bastin, Richard van Allan, Sir Colin Davis | | | 16:32 | |
| La damnation de Faust Op. 24: Teil IV. Szenen 17 - 21 | London Symphony Orchestra, Nicolai Gedda, Josephine Veasey, Jules Bastin, Richard van Allan, Sir Colin Davis | | | 17:19 | |
| La Damnation de Faust: D'amour l'ardente flamme | Nicolai Gedda, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 8:39 | |
| La Damnation de Faust: Merci, doux crépuscule! | Nicolai Gedda, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 4:49 | |
| La Damnation de Faust: Part III, scène 10. « Autrefois un roi de Thulé » | Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 5:39 | |
| La Damnation de Faust: Part III, scène 10. « Que l’air est étouffant ! » | Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 3:11 | |
| La Damnation de Faust: Part III, scène 13. « Grands Dieux ! » / « Ange adoré ! » | Nicolai Gedda, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 5:45 | |
| La Damnation de Faust: Part III, scène 14. « Allons, il est trop tard ! » / « Je connais donc enfin » | Ambrosian Singers, Jules Bastin, Nicolai Gedda, London Symphony Chorus, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 4:39 | |
| La Damnation de Faust: Part IV, scène 15. « Au son des trompettes » | Ambrosian Singers, London Symphony Chorus, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 2:20 | |
| La Damnation de Faust: Part IV, scène 15. « D’amour l’ardente flamme » | Ambrosian Singers, London Symphony Chorus, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 8:37 | |
| Les nuits d'été Op. 7: Le spectre de la rose | Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 7:09 | |
| Les nuits d'été, op. 7: Le spectre de la rose | Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 7:26 | |
| Les Troyens, H 133 / Act 5: Monologue: “Ah! Ah! Je vais mourir…” | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Rafael Kubelík | | | 6:59 | |
| Les Troyens, Nr. 48: "Adieu fière cité" | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 3:30 | |
| Les Troyens: Act III: No. 19 Récitatif et air: "Nous avons vu finir" - "Chers Tyriens" | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 7:20 | |
| Les Troyens: Act III: No. 23 Récitatif et choeur: "Peuple!" - "Gloire à Didon" | Chorus of the Royal Opera House, Covent Garden, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 3:19 | |
| Les Troyens: Act III: No. 24 Récitatif et duo: "Les chants joyeux" - "Sa voix fait naître dans mon sein" | Heather Begg, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 10:21 | |
| Les Troyens: Act III: No. 25 Récitatif et air: "Echappés à grand peine" - "Errante sur les mers" | Ian Partridge, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 2:20 | |
| Les Troyens: Act III: No. 26 Marche troyenne dans le mode triste - "J'éprouve une soudaine et vive impatience" | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 2:08 | |
| Les Troyens: Act III: No. 27 Récitatif: "Auguste reine, un peuple" | Anne Howells, Anthony Raffell, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 3:33 | |
| Les Troyens: Act IV: No. 34 Scène et chant d'Iopas: "Assez, ma soeur" - "O blonde Cérès" | Ian Partridge, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 6:38 | |
| Les Troyens: Act IV: No. 35 Récitatif et quintette: "Pardonne, Iopas" - "O pudeur!" | Heather Begg, Ian Partridge, Roger Soyer, Josephine Veasey, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 6:26 | |
| Les Troyens: Act IV: No. 36 Récitatif et septuor: "Mais bannissons" - "Tout n'est que paix" | Heather Begg, Chorus of the Royal Opera House, Covent Garden, Anne Howells, Ian Partridge, Anthony Raffell, Roger Soyer, Josephine Veasey, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 5:18 | |
| Les Troyens: Act IV: No. 37 Duo: "Nuit d'ivresse et d'extase" | Josephine Veasey, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 10:06 | |
| Les Troyens: Act V: No. 44 Duo et choeur: "Errante sur tes pas" - "Italie!" | Chorus of the Royal Opera House, Covent Garden, Josephine Veasey, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 5:27 | |
| Les Troyens: Act V: No. 45 Scène: "Va, ma soeur, l'implorer" | Heather Begg, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 3:07 | |
| Les Troyens: Act V: No. 46 Scène: "En mer, voyez!" - "Dieux immortels!" | Chorus of the Royal Opera House, Covent Garden, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 4:24 | |
| Les Troyens: Act V: No. 47 Monologue: "Ah! Ah! He vais mourir..." | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 3:06 | |
| Les Troyens: Act V: No. 48 Air: "Adieu, fière cité" | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 3:32 | |
| Les Troyens: Act V: No. 50 Scène: "Pluton... semble m'être propice" | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 4:16 | |
| Les Troyens: Act V: No. 51 Choeur: "Ah! au secours!" - No. 52 Imprécation: "Rome... Rome.. immortelle" | Chorus of the Royal Opera House, Covent Garden, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 2:36 | |
| Loriot; Das Rheingold: »Folge mir, Frau! In Walhall wohne mit mir.« (4. Szene; Wotan, Fricka); Loriot | Dietrich Fischer‐Dieskau, Loriot, Josephine Veasey, Berliner Philharmoniker, Herbert von Karajan | | | 2:16 | |
| Messa da Requiem: I. Requiem & Kyrie (chœur et solistes) | Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | | | 10:43 | |
| Messa da Requiem: II. Dies Irae “Lacrymosa, dies illa” (solistes, chœur) | Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | | | 7:07 | |
| Messa da Requiem: II. Dies Irae “Liber scriptus proferetur” (mezzo-soprano, chœur) | Josephine Veasey, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | | | 5:08 | |
| Messa da Requiem: II. Dies Irae “Quid sum miser” (soprano, mezzo-soprano, tenor) | Martina Arroyo, Josephine Veasey, Plácido Domingo, London Symphony Orchestra, Leonard Bernstein | | | 4:01 | |
| Messa da Requiem: II. Dies Irae “Recordare, Jesus pie” (mezzo-soprano, soprano) | Martina Arroyo, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | | | 4:34 | |
| Messa da Requiem: II. Dies Irae “Rex tremendae majestatis” (chœur, solistes) | Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | | | 4:08 | |
| Messa da Requiem: III. Offertorio (solistes) | Martina Arroyo, Plácido Domingo, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | | | 11:46 | |
| Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chœur) | Martina Arroyo, Josephine Veasey, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | | | 5:56 | |
| Messa da Requiem: VI. Lux aeterna (mezzo-soprano, ténor, basse) | Plácido Domingo, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | | | 6:35 | |
| Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | | | 18:52 | |
| Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | | | 18:16 | |
| Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | | | 9:49 | |
| Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | | | 16:25 | |
| Pelléas et Mélisande: Acte I, Scène 2. “Qu'en dites-vous? / Je n'en dis rien” … “C'est Pelléas” (Geneviève, Arkel, Pelléas) | Guus Hœkman, Camille Maurane, Josephine Veasey, Orchestre de la Suisse Romande, Ernest Ansermet | | | 5:16 | |
| Pelléas et Mélisande: Acte I, Scène 2. “Voici ce qu'il écrit à son frère Pelléas” (Geneviève) | Josephine Veasey, Orchestre de la Suisse Romande, Ernest Ansermet | | | 2:53 | |
| Pelléas et Mélisande: Acte I, Scène 3. Interlude - “Il fait sombre dans les jardins” … “Hoé! Hisse hoé!” (Mélisande, Geneviève, Pelléas, voix) | Camille Maurane, Erna Spoorenberg, Josephine Veasey, Orchestre de la Suisse Romande, Ernest Ansermet | | | 8:11 | |
| Requiem in Re minore K 626: Benedictus | Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, John Shirley Quirk, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | | | 4:50 | |
| Requiem in Re minore K 626: Domine Jesu | Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, John Shirley Quirk, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | | | 4:08 | |
| Requiem in Re minore K 626: Recordare | Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, John Shirley Quirk, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | | | 5:58 | |
| Requiem in Re minore K 626: Tuba mirum | Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, John Shirley Quirk, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | | | 4:02 | |
| Salome, Op. 54: „Ich will nicht bleiben” | Birgit Nilsson, Josephine Veasey, Wiener Philharmoniker, Sir Georg Solti | | | 1:47 | |
| Salome, Op. 54: „Jauchze nicht, du Land Palästina” | Heinz Holecek, Zenon Kosnowski, Birgit Nilsson, Josephine Veasey, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | | | 2:21 | |
| Salome, Op. 54: „Nach mir wird Einer kommen” | Birgit Nilsson, Heinz Holecek, Waldemar Kmentt, Zenon Kosnowski, Theodor Kirschbichler, Josephine Veasey, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | | | 2:36 | |
| Salome, Op. 54: „Wie schön ist die Prinzessin Salome heute Nacht!” | Birgit Nilsson, Heinz Holecek, Waldemar Kmentt, Zenon Kosnowski, Josephine Veasey, Wiener Philharmoniker, Sir Georg Solti | | | 2:50 | |
| Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro assai – Recitativo: “O Freunde, nicht diese Töne” – Allegro assai – Allegro assai vivace. Alla marcia – Andante maestoso – Allegro energico, sempre ben marcato | Plácido Domingo, Sherrill Milnes, New England Conservatory Chorus, Josephine Veasey, Boston Symphony Orchestra, Erich Leinsdorf | | | 23:34 | |
| The Trojans, Act 4: Nuit d’ivresse (Love Duet) | Josephine Veasey, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 9:07 | |
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